Cry Freedom 1987

Following an eye-opening exposé revealing the drastic destruction of a notorious slum in East London, South Africa, liberal journalist Donald Woods becomes fascinated by the challenges faced by anti-apartheid activist Steve Biko. Biko stands as a pivotal figure in the Black Consciousness Movement, and despite their initial ideological differences—Woods strongly opposing Biko’s banning and questioning his political beliefs—he cannot help but be captivated by Biko’s steadfast dedication to nonviolent resistance. Through insightful conversations, Biko invites Woods on an enlightening tour of impoverished black townships, where the harsh realities of government oppression and apartheid’s suffocating presence starkly unfold before them. Witnessing the dire conditions firsthand, Woods starts to understand and share Biko’s vision of a South Africa where every individual, irrespective of race, can enjoy equal rights and opportunities. As their relationship deepens, the two men forge a powerful bond grounded in their united pursuit of justice.

During a pivotal moment, Biko takes his message beyond his limited ‘banning area’ to inspire the masses with a passionate address that resonates with his audience. However, his call for change quickly meets with opposition as he is apprehended by security forces, informed on by an untrustworthy source. After enduring a relentless interrogation, Biko is summoned to court to explain his stance and articulate the burning passion that fuels his movement. Undaunted by an oppressive regime, he eloquently champions the cause of nonviolent resistance, his words infused with unwavering conviction.

In the shadow of this ordeal, Biko’s church comes under siege from security officers seeking to intimidate him. In a courageous move, Woods steps in, securing a meeting with Jimmy Kruger, the South African Minister of Justice, intent on halting the tide of violence and safeguarding his friend. Initially met with resistance, Woods’ grit leads to a fraught confrontation that places him under the chilling threat of harassment, indicating that orders have likely come from Kruger himself.

As Bantu Stephen Biko navigates an increasingly perilous path, he finds himself behind bars in brutal conditions and suffers severe injuries due to a beating, inflicting irreversible damage to his brain. Despite medical advice suggesting he should receive specialized treatment, the authorities refuse due to fears of escape. Instead, they transport him to a police hospital in Pretoria, a grueling 700-mile journey from Cape Town that further deteriorates his fragile condition and results in a tragic outcome.

Following Biko’s heartbreaking death, Woods feels compelled to expose the police’s involvement in this sinister act. However, his efforts face significant obstacles as he is barred from boarding a flight, learning he is banned from leaving South Africa. Consequently, Woods and his family endure relentless harassment from security forces, including gunfire into their home, vandalism, and tormenting packages sent to them, including shirts bearing Biko’s image coated in itching powder.

Unyielding, Woods resolves to find asylum in Britain, motivated by a relentless desire to unveil the heinous and racist nature of the South African government. His journey is fraught with danger as he disguises himself as a priest to escape the grips of the authorities. Ultimately, he manages to reach the Kingdom of Lesotho, where his wife Wendy and their children soon follow.

With the assistance of Australian journalist Bruce Haigh, the British High Commission in Maseru, and the Government of Lesotho, they secure passage with United Nations passports, aided by a lone official from Lesotho. Their daring escape traverses South African territory through Botswana, finally landing them in London, where they are granted political asylum.

The film culminates in a poignant reflection on the harrowing price paid by anti-apartheid activists like Biko, whose lives were tragically cut short while in government custody under dubious circumstances. As the poignant strains of Nkosi Sikelel’ iAfrika echo in the background, viewers are left to contemplate the devastating repercussions of oppression and the indomitable human spirit that fights back defiantly against adversity.