
A shocking crime disrupts a regiment of British soldiers in colonial India when the widow of their most celebrated hero is violently assaulted. A newly‑appointed officer steps in to defend a fellow lieutenant accused in an unconventional court‑martial, while he delves into the widening mystery surrounding the assault.
Does Conduct Unbecoming have end credit scenes?
No!
Conduct Unbecoming does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Conduct Unbecoming, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Stacy Keach
Capitano Archer

Trevor Howard
Colonnello Benjamin Strang

James Donald
The Doctor

Christopher Plummer
Maggiore Alastair Wimbourne

Michael York
Tenente Arthur Drake

Michael Culver
Lt. Richard Fothergill

Susannah York
Marjorie Scarlett

James Faulkner
Tenente Edward Millington

Persis Khambatta
Mrs. Bandanai

Michael Byrne
2nd Lt. Toby Strang

David Robb
2nd Lt. Winters

Helen Cherry
Mrs. Strang

Rafiq Anwar
Pradah Singh
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Which actor portrays Second Lieutenant Arthur Drake?
Read the complete plot summary of Conduct Unbecoming, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
In 1878, two young British officers arrive to join a regiment in India, stepping into a world of rigid tradition and imperial duty.
Second Lieutenant Arthur Drake, Michael York, comes from a respectable middle-class background, with a father who had previously worn the same uniform, and he is eager to prove himself and to fit in with the established ranks.
Second Lieutenant Edward Millington, James Faulkner, is the son of a general and carries the weight of privilege on his shoulders. He confides to Drake that he intends to fail his 3-month probationary period, and he openly sets out to antagonize his fellow officers.
The pair arrive at the regiment with different pressures tugging at them: Drake’s sincere wish to belong and honor the family lineage that ties him to the regiment, and Millington’s calculated plan to subvert expectations and carve out his own form of rebellion. As they navigate the routines of colonial military life—gossip, training, and the unspoken codes that govern officers—their paths pull against each other. Drake’s intent to earn respect and demonstrate loyalty often clashes with Millington’s provocative stance, creating a tense dynamic that tests friendships, rivalries, and the boundaries of duty.
Against the backdrop of India and the regiment’s daily demands, the story threads together themes of class, lineage, ambition, and the heavy expectations that accompany wearing the uniform. The men must balance personal goals with the collective needs of the unit, and their choices ripple through the lives of their fellow officers and the wider world they inhabit.
As the months unfold, the young officers are forced to confront what it means to belong, what they are willing to sacrifice to maintain appearances, and how far one will go to prove themselves within a tradition that rewards discipline even when it stirs conflict. The narrative remains steady in its focus on character and circumstance, painting a nuanced portrait of growth, loyalty, and the complexities of apprenticeship in a regiment that stands at the crossroads of empire and duty.

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