Career 1959

Returning from World War II, Sam Lawson leaves Lansing, Michigan to chase his acting dreams in New York. He joins the off-Broadway grassroots theatre group, the Actors’ Rostrum, run by actor-director Maurice ‘Maury’ Novak out of a Greenwich Village seamen’s mission. When funds dry up, the troupe folds and Novak eventually moves on to become a well-known Hollywood director, leaving behind a brittle but lasting hunger in Lawson.

In the city’s crowded theatre world, Lawson brushes shoulders with the shadowy glamour of Broadway royalty. He becomes entangled with Sharon Kensington, the alcoholic daughter of powerful producer Robert Kensington. Lawson’s long-suffering agent, Shirley Drake, hauls him through endless auditions, fighting against rejection while clinging to a stubborn hope. Lawson’s personal life grows more complicated as he marries Sharon Kensington, backed reluctantly by his new father-in-law, [Robert Kensington]. The marriage complicates his career, but it also propels him toward bigger opportunities. Yet Sharon is in love with Novak and carries his child, which tests Lawson’s loyalty and ambition.

A tense power play unfolds as Lawson makes a deal to divorce so he can land the lead in Novak’s new production. Novak, however, reneges on the agreement, leaving Lawson in a precarious position. Drake remains a steady, if frustrated, ally, and she helps him find work again—only to be called up from the reserves to fight in Korea, where he endures the length of the war and returns with his resolve hardened.

Back in New York, Lawson resumes the brutal audition circuit, teetering on the cusp of a breakthrough when his name is dragged into the era’s looming shadow: the blacklist. The accusations center on his ties to Novak and the allegedly “subversive” theater work of the Rostrum. Drake explains, “Sam, these are very responsible, patriotic people. They’re just trying to protect their country.” The revelation colors every subsequent choice, forcing Lawson to take work as a waiter and to confront the humiliation of a career paused by politics and fear.

There’s only one thing for me to do. Survive.

Novak reappears in Lawson’s life, pledging to restart with a fresh off-Broadway project. He offers Lawson a chance to work together again, even as Novak confesses a past flirtation with communism for pragmatic, career-driven reasons. An accidental meeting with his first wife—Barbara Lawson Helmsley—sparks a new emotional clarity for Lawson, nudging him toward a different path. He ultimately quits the restaurant grind and accepts Novak’s renewed offer, guided by a stubborn, renewed sense of purpose.

With the blacklist behind them, the new play finds success and moves to Broadway, and Lawson rises as a major actor. Drake, drawn to him despite the strain of years and scorn, asks in a quiet, intimate moment whether the years of struggle were worth it. The film’s climactic exchange answers with a simple, resolute yes:

Yes, it was worth it.

This story stands as one of Hollywood’s first candid dramatizations of the blacklist and the pressure-filled tension between artistic integrity and political conformity, tracing a man’s perseverance through auditions, loyalty, love, and the perilous shifting sands of fame.