Broadcast News 1987

In 1981 Washington, D.C., Jane Craig, played by Holly Hunter, is a determined and accomplished television news producer working within a national network. During a pivotal local broadcasters’ conference, Jane delivers a passionate keynote address. Unfortunately, her call to uphold journalistic integrity amidst a growing culture of sensationalism is met with a lackluster response from her peers. Once the audience disperses, she is approached by the charming yet dim-witted anchor, Tom Grunick, who praises her speech and accepts her dinner invitation.

In the privacy of her hotel room, Tom expresses his discomfort with his sudden rise to fame, revealing that he often struggles to grasp the stories he’s required to report on air. When Jane encourages him to enhance his skills, Tom feels insulted by her candor and quickly departs in shame. Later that night, he surprises Jane by informing her that he has been chosen as the new anchor for her network.

As Tom begins his role, he feels intimidated by Jane’s strong personality, yet he consistently seeks her guidance. Gradually, he persuades her to produce a story he proposed, which earns acclaim from the management and boosts his self-assurance. Amidst this evolving dynamic, Jane finds herself developing complex feelings for Tom, despite her reservation about his capabilities. When a U.S. military base in Italy is bombed by Libyans, network director Paul Moore (Peter Hackles) calls for a live breaking news segment with Tom at the helm. Although Jane insists that her undervalued colleague, Aaron Altman, possesses far more expertise, Paul dismisses her concerns. In this scenario, Aaron discreetly feeds Jane valuable information over the phone, allowing her to assist Tom via an earpiece during the broadcast, which ultimately is a resounding success. Following this collaboration, Tom ecstaticly likens their teamwork to “great sex.”

Later on, Jane visits Aaron at his apartment, where he is inebriated and subtly expresses his feelings for her. Though she plants a friendly kiss goodbye, Jane rushes off to meet her colleagues at a bar. She hopes to find Tom alone but is disheartened to see him leaving with another female reporter. As her attraction to Tom intensifies, she gathers the courage to invite him to a social gathering where they both acknowledge their mutual chemistry. At the conclusion of the night, Tom proposes his first individual assignment addressing the significant issues surrounding date rape, a topic that Jane initially finds amusing, yet it later emerges as a poignant piece that prompts her to rethink her more traditional reporting methods.

Amidst the swirling events, Paul Moore announces a drastic $24 million budget cut leading to numerous layoffs. The sympathetic bureau chief, Ernie Merriman (Robert Prosky), warns Aaron about potential job loss. Eager to demonstrate his value, Aaron pleads for the opportunity to deliver the weekend news, which Ernie grants, enlisting Tom to mentor him in superficial presentation styles. In stark contrast to Tom’s charisma, Aaron struggles with confidence and becomes visibly nervous on camera. Meanwhile, Jane attends the White House Correspondents’ Dinner with Tom, but they sneak away to share a tender moment at the Jefferson Memorial. Just as their encounter becomes intimate, Jane remembers her commitment to check on Aaron and asks Tom to wait.

Later, Aaron recounts the disastrous outcomes of the evening and offers to prepare dinner for Jane. She declines, admitting her feelings for Tom, prompting Aaron to remind her of the very things she has opposed, represented by Tom’s character. In a moment of honesty, Aaron confesses his long-hidden love for her. Torn between loyalty and new feelings, Jane attempts to reach Tom to inform him she’ll be late, but he, unexpectedly, cancels their plans. Upset, Jane confronts Tom at work the following day, leading to their reconciliation.

As the station undergoes restructuring, Jane discovers her new role as the replacement for Ernie Merriman, while Tom is assigned to London. Paul retains Aaron as a “cost-efficient” reporter, but Aaron decides to resign, accepting an anchor position in Portland, where he hopes for greater recognition. With just days before starting his new role, Tom urges Jane to take a vacation with him, wanting to explore their relationship beyond the workplace. However, after a coffee meeting with Aaron, Jane learns that Tom had faked tears during the report on date rape. Distressed by this revelation, she chooses to cancel their trip.

Fast forward to 1987, the trio reunites at a broadcasting conference. While both Aaron and Tom have flourishing careers and families, Jane has ascended to a prestigious role as a managing editor in New York City and reveals that she is embracing a new and fulfilling relationship with another man.