
A 48-year-old film director unexpectedly moves back home with his mother and older brother. Soon, his sister and her niece join the household, creating a chaotic and humorous blend of generations. The film explores the challenges and comedic situations that arise when a family grapples with aging and unexpected living arrangements. Based on an original screenplay, this story highlights the complexities of familial relationships and the struggles to act one’s age.
Does Boomerang Family have end credit scenes?
No!
Boomerang Family does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Boomerang Family, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Park Young-seo
Ki-soo

Yoon Je-moon
Han-mo

Ye Ji-won
Soo-ja

Youn Yuh-jung
Mother

Gong Hyo-jin
Oh Mi-yun

Park Hae-il
In-mo

Yoo Seung-mok
Drug Peddler

Hwang Byeong-gug
Wedding Photographer

Park Jung-pyo
PC Bang

Oh Min-ae
Landlady

Kim Young-jae
Geun-tae

Jin Ji-hee
Min-kyung

Lee Seung-joon
Shrine Detective

Jung Young-ki
Jang

Kim Geun-young
Chapel Family

Yang Hee-kyung
Elderly Neighborhood Woman

Kim Hae-gon
Kim

Shin Yoo-ram
Sushi Restaurant Guest Group

Yoo Yeon-mi
Min-kyoung's Friend

Kim Dae-jin
Choi

Kang Seok-chul
King PC Room Gang Member
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Read the complete plot summary of Boomerang Family, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Ki-soo Park Young-seo is a 40-year-old film director who has spent the past decade without steady work after his debut flopped, leaving him mired in poverty and weighed down by the sting of his wife’s affair. He teeters on the edge of despair, even toying with the idea of ending his life, until a timely call from his mother Youn Yuh-jung invites him to dinner and stirs the idea that a different path might still be possible.
He moves into his mother’s home, where his older brother Han-mo Yoon Je-moon also lives. Han-mo is a 44-year-old unemployed ex-gangster with five criminal convictions, and his own stubborn streak makes him far from thrilled about this new development. The house becomes a stage for old habits and grievances to surface, even as the brothers share a faint sense of responsibility and the faintest hope for a steadier future.
Into this tense setup arrives Mi-yeon Gong Hyo-jin, the sisters’ sibling who carries her own battles, accompanied by her bratty, rebellious 15-year-old daughter Min-kyung Jin Ji-hee. Mi-yeon, now 35, announces that she is leaving her second husband and needs a temporary roof over her head, bringing another layer of dynamic friction and care into the household. The reassembled family, each member carrying private disappointments and unspoken loyalties, begins to navigate the delicate balance of shared space and obligation.
As the days unfold, old resentments flicker alongside moments of tenderness, revealing the imperfect but enduring bonds that hold them together. The film gently observes the tug-of-war between pride and affection, between pursuing independence and asking for help, and between past choices and the uncertain promise of middle age. In this intimate portrait, everyday quarrels—the petty disputes, the subtle rivalries, and the quiet acts of care—accumulate into a larger, more hopeful picture of family life. The occasional humor threads through the drama, softening its sharp edges while underscoring the resilience of those who stay, forgive, and learn to lean on one another when it matters most.

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