
In early 20th-century America, a Polish-Jewish family escapes the devastation of Europe, hoping to find a better life. Facing unfamiliar customs and societal challenges, they strive to build a new existence and secure a hopeful future for their children. The younger generation must adapt to a new culture while confronting the difficulties of their circumstances and forging their own identities in this unfamiliar land.
Does Avalon have end credit scenes?
No!
Avalon does not have end credit scenes. You can leave when the credits roll.
See current US streaming, rental, and purchase options for Avalon (1990) via JustWatch.
Explore the complete cast of Avalon, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.
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68
Metascore
7.0
User Score
7.2 /10
IMDb Rating
66
%
User Score
Discover all the awards and nominations received by Avalon, from Oscars to film festival honors. Learn how Avalon and its cast and crew have been recognized by critics and the industry alike.
Cinematography
Costume Design
Music (Original Score)
Best Motion Picture – Musical or Comedy
Read the complete plot summary of Avalon, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
It is the late 1940s and early 1950s, and much has happened to the family of Polish Jewish immigrant Sam Krichinsky [Armin Mueller-Stahl] since he first arrived in America in 1914 and eventually settled in Baltimore.
Television is new, neighborhoods are changing, and the Krichinskys watch a nation in transition as they adapt to the suburbs, repainting wallpaper and chasing a brighter future beyond the old habitudes.
Jules [Aidan Quinn] and his cousin Izzy [Israel Rubinek] dream of opening a large discount-appliance store and perhaps even have their own TV commercials, signaling a bold step from familiar trades to entrepreneurial ambition.
Jules and his wife, Ann [Elizabeth Perkins], still live with his parents, while Eva [Joan Plowright], his formidable mother-in-law, rules the household with a confident, sometimes stern, hand.
Ann is a modern woman who learns to drive, though Eva refuses to ride with her and instead takes the streetcar, a small but pointed symbol of the clash between new independence and old ways.
The family contributes to a fund to bring more relatives to America, a testament to enduring ties and the pull of memory that continues to shape every choice.
Slights—real or imagined—creep in as Jules and Ann move to the suburbs, and Uncle Gabriel [Lou Jacobi] becomes offended when a Thanksgiving greeting arrives late, sparking a long-running feud with Sam.
Sam cannot quite understand the methods his grandson Michael [Elijah Wood]’s teachers use in school, while Jules and Izzy pursue their business dreams and even change their surnames to Kaye and Kirk, signaling new identities in a changing economy.
Meanwhile, crises unfold: an armed holdup, a devastating fire, and the way the family must come together to endure each blow, learning that loyalty, memory, and shared history are the glue that keeps them afloat.

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