Anonymous 2011

In modern-day New York, an intriguing performance unfolds as Derek Jacobi steps onto the stage, delivering a compelling monologue that raises an essential query: why is there a striking absence of manuscript writings from the legendary William Shakespeare, who stands as the most celebrated playwright in history? Just as this thought lingers in the air, Ben Jonson, played by David Thewlis, prepares to make his entrance, leading the narrator to take the audience on a captivating journey into the past – a tale woven with elements of quills, swords, power, and betrayal.

The narrative swiftly jumps to Elizabethan London, where Jonson is seen dashing through the streets, clutching a parcel, while being relentlessly pursued by soldiers. He finds refuge in the theatre known as The Rose, where he hastily conceals the manuscripts he carries just before the theatre is set ablaze. Consequently, Ben is detained at the Tower of London, facing the stern questioning of the puritanical Robert Cecil. In a twist of fate, the writings he was presumed to have are found to be missing.

The storylinethen takes us back five years to portray an adult Edward de Vere, who lives in disgrace, exiled from the royal court under the waning rule of Queen Elizabeth I. As the queen’s health deteriorates and her marital status remains unchanged, the absence of an heir becomes increasingly dire. The aging Lord William Cecil, her chief advisor, and his son Robert manage the kingdom’s affairs. A faction of discontented nobles, led by Robert Devereux, the 2nd Earl of Essex, agitate for a solution to the succession dilemma, harboring desires for Essex to ascend the throne upon Elizabeth’s passing.

William Cecil and his son plot to secure the crown for King James VI of Scotland, a notion that enrages numerous nobles who rally behind Essex’s claim. Amid these political tensions, Edward cautions his close friend, Henry Wriothesley, the 3rd Earl of Southampton, against impulsive decisions that could escalate into civil discord.

While attending a performance of a play by Ben Jonson, Edward observes the remarkable potential of theatre to influence the masses. This inspires him to utilize the art of drama as a means to counteract the Puritanical influence of the Cecils. Following the unlawful declaration of Ben’s play, where he is subsequently arrested, Edward orchestrates his release, persuading Jonson to stage a play he himself has penned while pretending to be the author. The resulting production, Henry V, captivates the audience, garnering acclaim and even earning respect from Ben, who previously dismissed Edward’s talents as mere whims of a bored nobleman. However, during the accolades, an unexpected figure, the actor William Shakespeare, famously known as a “drunken oaf,” steps forward to claim authorship.

The narrative further reveals a poignant memory triggered by a gift accepted by Queen Elizabeth, harking back to the time when a young Edward showcased his talent in his own play, A Midsummer Night’s Dream. Following the death of the elder Earl of Oxford, the teenage Edward becomes a ward of the court under William Cecil’s guardianship, facing grave challenges to pen his works discreetly. This turmoil escalates to the point where he is forced to confront a servant spying on him, resulting in the servant’s death. Though William Cecil conceals this incident, he coerces Edward into marrying his daughter, Anne. Distracted by his longing for the queen, Edward embarks on an affair with Elizabeth, leading to a momentous surprise when she reveals her pregnancy with his child. Guided by William Cecil, she ultimately decides against marrying Edward, opting instead to surrender the child to a noble family, severing any further ties.

Following the revelation of an extramarital affair, Edward is banished from the court but is burdened with the knowledge that his newborn child is none other than Henry Wriothesley. As the tale returns to its present timeline, the boundaries between truth and recognition blur, as Shakespeare’s claim of authorship complicates Edward’s secret contributions. Even though the Cecils despise the popularity of the plays, which reflect Edward’s genius, they refrain from banning them due to the potential uprising from the populace. Ben, still frustrated by his role as mere executor of Edward’s work, grapples with feelings of inadequacy as Shakespeare uses deceit to accumulate wealth and fortifies his dominance in the theatrical arena.

Amid rising tensions, Edward decides to write Richard III as a method to incite insurrection against Cecil while simultaneously hoping to reach Elizabeth by sending her Venus and Adonis. However, just as the plan gains momentum, Ben betrays Edward, infuriated by feelings of jealousy and inadequacy, revealing the details to Robert Cecil. The ensuing chaos leads to the crowd being halted at the Bridge, leading to the capture of Robert Devereux and Henry by soldiers.

As secrets unravel, Edward learns that he is, in fact, one of Elizabeth’s children, entwining him deeper into a legacy fraught with tumult. Horrified but resolute, Edward seeks an audience with Elizabeth, pleading for mercy on behalf of Henry, while ultimately agreeing to remain anonymous as the true creator of the works attributed to Shakespeare. Despite Elizabeth’s agreement to save Henry, Essex faces the gallows for his treasonous actions.

Upon Elizabeth’s passing, James I of Scotland ascends the throne, choosing to retain Robert Cecil as his advisor. As Edward’s life nears its conclusion, he entrusts a collection of his writings to Ben, urging him to safeguard them from royal scrutiny. This moment of vulnerability reveals layers of respect and understanding between the two, culminating in an emotional exchange where Edward discloses his aspirations for acknowledgment and the deep-seated desire for Ben’s approval.

After Edward’s death, the narrative winds down, revealing to the audience that the fate of Robert Cecil as the reigning advisor led to the intended erasure of Edward’s legacy, but his plays remain invincible. Miraculously, Ben discovers Edward’s manuscripts among the ashes of the destroyed theatre. In a poignant moment, James I expresses his affinity for the works of Shakespeare during a court performance, breathing life into the enduring legacy of Edward de Vere amid whispers of history that may never dissolve.

Returning to the present, the narrator unveils the fates of the characters, illustrating that although Robert Cecil remained the king’s trusted ally, he was unable to extinguish the flames of Edward’s prolific contributions to the world of theatre. Meanwhile, Shakespeare opted to retreat to his hometown, spending his remaining days far from the theatrical limelight. Ben, however, realized his dream of being appointed the first Poet Laureate, eventually penning the introduction to the body of work mistakenly credited to Shakespeare. Ultimately, the narrator proposes that the story does not conclude with the characters; rather, the true author of these wondrous creations, whether named Shakespeare or concealed beneath the shadows of history, transcends time, living on through the everlasting power of words that resonate with breath and life.