
Three brothers living with their father fib and play pranks to win parental approval for themselves and their romances.
Does All’s Well, Ends Well have end credit scenes?
No!
All’s Well, Ends Well does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of All’s Well, Ends Well, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Maggie Cheung
Ho Yok 'Holiyok'

Leslie Cheung
Shang So

Sandra Ng Kwan Yue
Ching

Teresa Mo
Leung Mo Shang

Vincent Kok Tak-Chiu
Kwong's Japanese Client

Raymond Wong Pak-Ming
Shang Moon

Loletta Lee Lai-Chun
Shang Foon's Girlfriend

Clifton Ko Chi-Sum
Sings Karaoke with Ching

Lee Heung-Kam
Mama Shang

Tommy Wong
Kwong

Chow Chi-Fai
Doctor

Andrew Yuen

Poon An-Ying
Hotel Maid

Jameson Lam Wa-Fan
Party Guest

Ho Chi-Moon
Party Guest

Sheila Chan Suk-Lan
Sheila

Lee Wah-Kon
Party Guest

Robert Zajac
Karaoke Customer

San Tak-Kan
Headmaster

Kwan Hoi-San
Papa Shang

Anges Lam

Tam Fai
Karaoke Manager

Cheri Ho Pui-Yee
Dolleen

Lee Wai-Cheung

Lee Nga-Yin

Peter Chan Wai-Keung
Stage Actor in Lift
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Who is the eldest brother in the film?
Read the complete plot summary of All’s Well, Ends Well, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
All’s Well, Ends Well is a lively, comic romance about three brothers whose messy love lives gradually teach them a simple truth: love grows through patient care, while haste and selfishness can derail it in an instant.
Moon [Raymond Wong Pak-Ming] is the eldest and head of the family. On his seventh wedding anniversary with Leng [Sandra Ng Kwan Yue], a devoted but not traditionally glamorous wife, he abandons the celebration for his more attractive mistress, Sheila [Sheila Chan Suk-Lan]. He later drags Sheila home, forcing Leng to leave in disappointment. Leng reinvents herself as a party entertainer in a karaoke bar, where a spark of beauty and talent begins to emerge. The family’s balance fractures as Leng’s absence unsettles everyone, and when Moon runs into Leng again at the bar, he falls in love all over, rekindling a complicated tension with Sheila. Moon makes several attempts to reconcile with Leng, but she remains wary and keeps her distance, underscoring the fragility of trust that once bound them.
So [Leslie Cheung] is the middle brother, a refined floral arranger and art-school lecturer who takes pride in cooking and in pursuing feminine hobbies. His second cousin Mo-seung [Teresa Mo], a formidable woman with strong masculine traits, arrives on the night of the anniversary and devours an elaborate gourmet banquet that So had prepared for Leng. Mo-seung works at the same school as So as an acupuncture massage teacher, a position that So soon shadows with his own stubborn pride. The two spar in petty, cutting fashion—especially during a Mahjong session where vulgar metaphors fly freely—highlighting their stubborn streaks. The arrival of Sheila’s power outage at the family home becomes a bizarre turning point: while So and Mo-seung team up to fix the blackout, a kitchen mishap exposes them to an electric shock that briefly awakens new, surprising feelings between them. The moment softens their quarrels and hints at a hidden potential for love they had never anticipated.
Foon [Stephen Chow] is the youngest brother, a local radio DJ famed for his flirtatious on-air persona and a knack for kissing. A devoted movie buff, he chats with Holli-yuk [Maggie Cheung], a listening fan who calls him live and soon arranges a date. Holli-yuk believes in grand romantic gestures and re-enacting iconic love scenes from Hollywood films, and she imagines a fairy-tale romance with Foon. But Foon is a notorious playboy who isn’t ready to settle down, and Holli-yuk’s enthusiasm quickly collides with reality when she discovers he’s cheating. A freak accident leaves Foon with a mild mental shift, and Holli-yuk steps into the nurse role with a twist—she uses playful punishments to teach him humility and respect. Her careful care eventually gives way to genuine affection, and reconciliation arrives when he crafts a Styrofoam statue in her name that she cherishes.
During a birthday party at the family home, Sheila leaves Moon, unhappy with his lingering longing for Leng and her own craving for a simpler, more self-centered life. So and Mo-seung each invite their own love interests to join the gathering, but both discover their guests intend to marry someone else—someone other than them. This revelation brings tears to both So and Mo-seung, who end up crying together in So’s bedroom and, in the process, realize their own harboring feelings for one another. The kitchen incident from earlier returns in their memories, and the two finally acknowledge a real, lasting bond. Holli-yuk arrives at the party and is distressed to see Foon surrounded by other women, but Foon’s misadventures take another turn when he suffers a head injury and is jolted back to clarity by a sight of Holli-yuk. She storms off, but their story doesn’t end there: he arrives on a motorcycle in a bold, Terminator-like gesture that wins her back. Leng, meanwhile, finds her own healing with Moon when he gathers the courage to sing a heartfelt song for her at the karaoke, surrounded by the rest of the family.
With their love lives moving toward stability, the family unit seals their happiness through a wedding ceremony with their chosen partners, celebrating a future built on acceptance, patience, and a renewed sense of commitment. The film closes on a note of communal joy, where laughter, music, and shared vows affirm that true affection endures when nurtured with care and honesty.

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