All the Creatures Were Stirring 2018

Art & Craft

In terms of art and craft, the anthology’s visual execution is hampered by its low budget. Reviewers note cheap‑looking sets, rudimentary camerawork, and inconsistent special‑effects quality, though the opening segment shows borderline competent cinematography. The overall production design fails to elevate the narrative, resulting in a visually unremarkable film.

Character & Emotion

Character and emotion suffer from uneven performances throughout the six stories. Critics highlight a lack of chemistry among most casts, describing several portrayals as flat, while noting Constance Wu’s brief appearance as a singular bright spot. The generally weak acting undermines emotional resonance, leaving the anthology’s characters largely forgettable.

Story & Flow

Story and flow are inconsistent, with several segments feeling rushed or overly derivative. Reviewers cite a promising premise in the opening tale that quickly collapses, and point out that most narratives fail to sustain tension or originality. The resulting pacing problems contribute to a fragmented anthology that struggles to maintain audience engagement.

Sensory Experience

Sensory experience is limited by a muted soundtrack and sparse sound design, offering little atmospheric depth. Visual style suffers from low‑budget effects and occasional competent cinematography, but these moments are outweighed by generic lighting and cheap set pieces. The overall sensory impact remains modest, failing to amplify the horror elements.

Rewatch Factor

Rewatch potential is limited, as only a few stories provide enough intrigue to merit a second viewing. The anthology’s uneven quality, predictable scares, and lack of memorable moments reduce its lasting appeal. While genre enthusiasts may revisit the standout segments, the film as a whole is unlikely to encourage repeat viewings.