
When a new media conglomerate takes over Alan Partridge’s radio station, a series of unexpected events unfold. A siege erupts, and the well-known DJ finds himself unexpectedly collaborating with the police to resolve the situation and secure the safety of twelve hostages before time runs out.
Does Alan Partridge: Alpha Papa have end credit scenes?
No!
Alan Partridge: Alpha Papa does not have end credit scenes. You can leave when the credits roll.
See current US streaming, rental, and purchase options for Alan Partridge: Alpha Papa (2013) via JustWatch.
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SDExplore the complete cast of Alan Partridge: Alpha Papa, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Eleanor Matsuura
TV Reporter

Steve Coogan
Alan Partridge

Monica Dolan
Angela

Simon Greenall
Michael

Tim Key
Sidekick Simon

Paul Blackwell
Police Officer

Simon Kunz
Conner Scott

Felicity Montagu
Lynn Benfield

Elizabeth Berrington
Bettie

Colm Meaney
Patt Farrell

Kieran Hodgson
Executive

Karl Theobald
Greg Frampton

Sean Pertwee
Steve Stubbs

Nigel Lindsay
Jason Cresswell

Robert Whitelock
Armed Mangina Officer

Simon Delaney
Don

Phil Cornwell
Dave Clifton

Lucy Briers
Tonia Scott

Diane Morgan
Girl in Crowd

Darren Boyd
Martin Finch

Anna Maxwell Martin
Janet Whitehead

Rita Davies
Old Woman on Pier

Martin Glyn Murray
Mangina Paparazzo

Dustin Demri-Burns
Danny Sinclair

Jessica Knappett
WPC Ruth

Peter Singh
Officer Rohan Kapoor

Alan Rothwell
Old Man on Pier

Katie Males
Desk WPC

Dan Mersh
Sarge

Anna Stockton
Paramedic

Jayne Secker
Sky News Reporter

Molly Seymour
Danny's Posse
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What is the name of the radio station where Alan Partridge works?
Read the complete plot summary of Alan Partridge: Alpha Papa, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Alan Partridge is a radio DJ at North Norfolk Digital who seems unfazed when the station is bought by a multinational company and jobs start to disappear. But Pat Farrell begs him to hijack a boardroom meeting to plead the case against layoffs, and a dramatic clash of interests unfolds. When it becomes clear that either he or Pat will be shown the door, Alan opts for a calculated ruthlessness: he urges the others to fire Pat and even scrawls the provocatively simple message “JUST SACK PAT” on the room’s flipchart, a bold move that sets the stage for the chaos to come.
At the company party that follows, Pat crashes the celebration armed with a shotgun and takes the staff hostage, demanding his job back. The crisis draws in the police, who enlist Alan as a negotiator, and he, along with Sidekick Simon, hosts a makeshift radio show from within the siege, offering running commentary as the situation unfolds. Inside, Alan fantasizes about a heroic ending but struggles to exert control when Pat’s weapon remains in Pat’s hands. As the siege garners national attention, Alan’s ego flickers back to life, and he shares a kiss with Angela, a moment that complicates the tense dynamics around him.
A mishap during the standoff—Alan locking himself out of the building and losing his trousers while re-entering through a window—reveals his ineptitude to the surrounding authorities. The police, unimpressed by his competence, deploy an undercover officer disguised as a pizza delivery person, only for Alan to intercept the pizzas himself. The situation escalates when Pat discovers a taser among the hostage gear, triggering a confrontation that bursts into the open as officers storm the station. Pat slips away aboard the station’s tour bus, taking Alan and the security guard, Michael, hostage and forcing the trio to continue the broadcast from the moving vehicle.
From the bus, the two men carry on the radio show as Pat uncovers the truth behind the redundancy, realizing that Alan masterminded his dismissal after spotting a photo. The tension peaks on Cromer Pier, where Pat and Alan clash with the police in a dramatic standoff. Michael attempts a distraction by leaping from the pier, and Pat, who reveals he is driven by grief over his wife’s death, considers shooting himself. He ultimately relinquishes the shotgun to Alan, who hesitates, and the gun fires on its own—striking Alan in the leg as a police sniper fires in response. A paramedic reassures him that he will recover, easing the immediate danger.
Returning to the workplace, Alan re-enters North Norfolk Digital with Sidekick Simon, and Pat remains reachable by phone from prison for the ensuing month. The siege’s aftermath finds Alan resuming his life—with Angela, and her sons, now in the picture—and hints at new beginnings, even as the memory of the crisis lingers in the air.

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