
Hamida yearns to enroll in the commerce faculty and live a normal life, but her conservative father demands she stay home until she marries. Her boyfriend Hassan, a medical student, concocts a scheme: he tells the father that Hamida has undergone a procedure and is now male, enabling her to attend school disguised as a man.
Does A Girl Named Mahmoud have end credit scenes?
No!
A Girl Named Mahmoud does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of A Girl Named Mahmoud, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Aaidah Riyadh
راقصة استعراض

Hala Fakher
سعاد

Anwar AlKhawam

Ahmed Halawa
دكتور منصور

Sohair El Barooni
لواحظ

Samir Ghanem
وحيد

Mohamed Reda
المعلم فرغلي

Samir Sabri
حسن

Mohamed Khairy
دكتور عصام

Tawfiq Al Kurdi

Sayed Zayan
سيد كولونيا

Sohier Ramzy
حميدة / محمود

Salama Elias
دكتور بالجامعة

Abdel Ghani El Nagdi

Mohamed Shawqi
محمد

Mona Abdullah

Shokry Mansour

Mohamed ElShewihy
حنفي

Aziz Hafez

Fatma Imara
توحيدة

Zeinat Sedki
أم إبراهيم

Abdel Qader Hussein

Laila Sadeq
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Read the complete plot summary of A Girl Named Mahmoud, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Hamida, Sohier Ramzy is the daughter of an illiterate widower, al-Hag Firghalee, who tries to keep her from pursuing university studies. A medical student, Samir Sabri Hassan, steps in to help her chase her education, recognizing her determination and clever spirit. To safeguard her dream, Hassan and his friends deceive Firghalee by claiming they performed a surgery that transformed Hamida into a man, setting the stage for a bold disguise.
Hamida takes on the male persona of Mahmoud, Sohier Ramzy with an appearance that reads as distinctly effeminate to those around them, complicating the family business and social dynamics at Firghalee’s furniture shop, where both male and female employees are drawn to the illusion. The ruse spirals as Firghalee, convinced Mahmoud is homosexual after a kiss with Hassan, orders Lawaḥith, Sohair El Barooni, a cabaret entertainer, to “straighten” Mahmoud’s sexuality. Yet Mahmoud shows little interest in women and resists intimate advances from Lawaḥith, further entangling the family’s precarious deception.
Amid the confusion, several women claim to bear Mahmoud’s child or to be engaged to him, while a doctor’s mistaken statement that Mahmoud is pregnant adds another wrench to the web of lies. Eventually, the truth about Hamida’s identity comes to light, and she chooses to reveal who she truly is. In the end, Hamida and Hassan marry, choosing love and honesty over illusion, and the journey toward a life together begins with resilience, wit, and the courage to defy expectations.

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