
The film follows Martha Horgan, a withdrawn, mentally disabled woman living with her aunt Frances. Known for never telling a lie, Martha’s honesty costs her a job at a dry‑cleaners after the scheming Getso frames her. Her world further unravels when she falls for local fixer Mackey, who is also secretly involved with Frances, sparking bitter conflict.
Does A Dangerous Woman have end credit scenes?
No!
A Dangerous Woman does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of A Dangerous Woman, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Laurie Metcalf
Anita

David Strathairn
Getso

Jake Gyllenhaal
Edward

Gabriel Byrne
Mackey

Barbara Hershey
Frances

Chloe Webb
Birdy

Debra Winger
Martha

Paul Dooley
Tupperware Salesman

Jan Hooks
Makeup Girl

John Terry
Steve

Richard Riehle
John

Warren Munson
Gately

Viveka Davis
Mercy

Jack Riley
Bandleader

Breon Gorman
Heidi

Brad Blaisdell
Wesley

Rebeca Arthur
Checker

Anna Mathias
Singer

Brandis Kemp
Female Caterer

Myles Sheridan
Paul

Philip McNiven
Young Man

Charyl Wright-Roberts
In-Mate

Martine Wood
Female Security Guard

Joel Randel
Male Security Guard

Cassidy Ann Thomas
Martha's Daughter

Chelsea Thomas
Martha's Daughter
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Challenge your knowledge of A Dangerous Woman with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Which actress portrays Martha Horgan?
Debra Winger
Chloe Webb
Meryl Streep
Susan Sarandon
Show hint
Read the complete plot summary of A Dangerous Woman, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Martha Horgan, Debra Winger, struggles to have a normal life in spite of being mentally challenged. She is fired from a local dry-cleaner after accusations of stealing from the cash register, and she suspects Getso, David Strathairn, the boyfriend of her colleague Birdie Chloe Webb, of being behind the theft.
Desperate, Martha returns to Aunt Frances’ home, where a handyman named Mackey Gabriel Byrne has been hired to fix the porch of the main house. Frances, the woman who hosts the place and plans a gala for a local politician, carries her own private weariness as the community’s spotlight shifts around the event. The porch damage becomes a sore symbol of the fragility beneath outward appearances, and Martha finds a tentative refuge in this unfamiliar space.
Mackey proves himself kind to Martha, shielding her from Getso’s bullying and even smashing the windshield on Getso’s van to defend her. As weeks pass, Martha grows increasingly fond of Mackey, recognizing a rare trust in him and sensing that he does not intend to take advantage of her vulnerability. The gala night arrives, and the dynamic between them intensifies: Mackey returns drunk to Martha’s home, and the two share a reckless, urgent confrontation on the sofa. He later sleeps with Frances as well, a night that leaves both women grappling with guilt and the fallout of secrets kept private. The politician’s wife, frustrated by a collapsing arrangement, leaves with her husband later in the evening, marking a bitter end to the public romance.
Mackey intends to leave once the porch is finished, weighed down by guilt over his infidelity. Martha, however, begs him to stay and even makes a bold move to seduce him. He resists at first, then briefly yields, and finally rejects her, throwing her out into the night.
Seeking comfort, Martha turns to Birdie, her sole true ally, and goes to Birdie’s home. There, she encounters Getso again, who taunts and threatens her. Cornered and overwhelmed, Martha grabs a sandwich knife and stabs Getso repeatedly, and he dies from his wounds. She remains with him briefly, trying to comfort him as he dies, a moment that seals a path she cannot retreat from.
Frances and Mackey go to the police station and learn that Martha is pregnant and could be charged with murder, potentially facing a life sentence. They find her overwhelmed with guilt but resolute about her future. Frances, who had long harbored suspicions about Getso, tells Martha that if she claims he raped her, she could be released. Yet Martha refuses to lie and does not reveal that Mackey is the father of her child. When Mackey urges her again to lie to save her life, Martha stands firm that he must take responsibility for their child.
The film closes with a glimpse into the near future: Martha has been remanded to a care facility where she can have day visits. Frances, Mackey, and the child are shown taking her out for one of these visits, offering a fragile moment of connection and a sense that life, though tangled and difficult, may still hold space for hope.
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