
This reimagining of Dickens’ classic explores the original story’s powerful commentary on social inequality and the damaging effects of greed. The production brings a fresh perspective by incorporating stunning modern dance sequences, enhancing the lyricism of the text and offering a visually striking interpretation of the timeless tale.
Does A Christmas Carol have end credit scenes?
No!
A Christmas Carol does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of A Christmas Carol, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Daniel Kaluuya
The Ghost of Christmas Present (voice)

Martin Freeman
Bob Cratchit (voice)

Andy Serkis
Marley's Ghost (voice) / Old Joe (voice)

Lorraine Ashbourne
Mrs Cratchit (voice)

Simon Russell Beale
Scrooge's voice (voice)

Carey Mulligan
Belle (voice)

Siân Phillips
Grandmother / narrator (voice)

Colin Mace
Fezziwig / Merchant (voice)

Leslie Caron
The Ghost of Christmas Past (voice)

Tom Stourton
Fred / Charity Worker (voice)

Sydney Craven
Martha (voice)

Faith Prendergast
Martha's Dancer

Grace Jabbari
Belle's Dancer

Isla Malliphant
Belle's Daughter / Street Boy

Leon Poulton
Joshua's Dancer

Amerjit Deu
Charity Worker (voice)

Holli Dempsey
Fan (voice)

Richard Cotton
Father / Merchant (voice)

Andrej Kaminsky
Fezziwig's Dancer

Georgina Sutcliffe
Mother

Sarah Schoenbeck
Sarah (voice)

Yuriy Gipik
Old Tom

Thea Achillea
Emily

Mikhail Bondarenko
Vicar

Harry Price
Prisoner's Dancer / Belle's Husband / Ignorance Adult Dancer / Merchant's Dancer

Bradley Waller
Charity Worker's Dancer

Flora Grant
Fan's Dancer

Russell Maliphant
Marley´s Dancer

Michelle McMahon
Caroline (voice)

Nikita Parkhomenko
Want Child

Jake Lennon
Joshua (voice)

Archie Durrant
Peter Cratchit / Tiny Tim (voice)

Ruby McMillian-Wilson
Alice

Oliver John Lock
Peter

Simone Donalti
Fred's dancer

Karl Fagerlund Brekke
Bob Cratchit's dancer / Spirit of yet to come

Leon Poulter
Joshua´s Dancer

Saju Hari
Charity Worker's Dancer

Edd Arnold
Prisoner's Dancer / Merchant's Dancer

Yurii Osin
Beggar

Dana Maliphant
Ghost of Christmas Past's Dancer / Housekeeper's Dancer

Davyd Maystrenko
Scrooge as a Child

Jakub Franasowicz
Young Scrooge's Dancer

Andrey Fedoruk
Dick Wilkins

Tatyana Alexandrova
Mrs. Fezziwig

Lyubomyr Meteyko
The Fiddler

Steff D'Arcy
Midwife / Caroline's Dancer

Mikey Boateng
Ghost of Christmas Present's Dancer

Eugene Solonko
Butcher

Hannah Kidd
Mrs. Cratchitt's Dancer

Svetlana Avramenko
Vicar's Wife

Maxim Achnasov
Peter Cratchit's Dancer

Masha Tarasova
Alice Cratchit's Dancer

Kirill Ivanitskiy
Robert Cratchit's Dancer

Danil Golovam
Tiny Tim's Dancer

Elleanor Perry
Sarah's Dancer

Chloe Dean
Want Adult Dancer

Berezina Masha
Ignorance Child

Kiraly Saint Claire
Old Joe's Dancer
Discover where to watch A Christmas Carol online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Rotten Tomatoes or JustWatch.
See how A Christmas Carol is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where A Christmas Carol stands among top-rated movies in its genre.
A Christmas Carol presents an ambitious hybrid of dance, narration and visual design that divides opinion. Critics commend its inventive approach and striking imagery, while others note that the fusion of stage and film elements hampers narrative cohesion. User reactions echo this split, with some praising the fresh experience and others finding the execution distracting. The film’s artistic daring is evident, but its uneven integration limits broad appeal, resulting in a mixed overall reception.
The Movie Echo Score Breakdown for A Christmas Carol
Art & Craft
In terms of art and craft, the film is praised for its bold visual imagination, including surreal stage sets, striking lighting, and intricate choreography. Critics highlight the dazzling ballet‑esque aesthetic and innovative blending of stage and screen. However, several reviewers criticize the editing and the jarring assembly of disparate elements, leading to an uneven visual flow.
Character & Emotion
When assessing character and emotion, the narration by Siân Phillips receives commendation for its gravitas, and the dancers are noted for conveying feelings through movement. Yet, many critics and users find the stylized dancing an inadequate substitute for conventional acting, describing performances as distracting, flat, or amateurish, which diminishes emotional resonance.
Story & Flow
The story aspect draws praise for its inventive reinterpretation of Dickens’ novella, retaining original narration while presenting a fresh, ballet‑driven perspective that many find original and engaging. Conversely, some reviewers argue that the fragmented editing disrupts narrative coherence, causing pacing issues that make the plot feel disjointed and less compelling.
Sensory Experience
In sensory terms, the film is lauded for its rich soundscape, including the seasoned voice work of Siân Phillips and dynamic musical cues that complement the choreography. Visuals receive accolades for detailed set pieces and color palettes echoing 19th‑century etchings. Nonetheless, certain critics note that the audio‑visual sync is uneven, with voice‑over and dance segments occasionally clashing.
Rewatch Factor
Rewatch factor is split: a segment of viewers appreciate the novelty and find repeated viewings rewarding for uncovering choreographic nuances, while others report diminished enjoyment on subsequent watches, citing the gimmickry of dance‑driven storytelling and inconsistent pacing as deterrents. The polarizing nature of the hybrid format thus yields modest replay appeal.
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