#1 of 6 2016 · Action, Crime
$66.7M worldwide · 63% of the chart's total
A Violent Prosecutor (2016) is the highest-grossing Korean-language movie released in February 2016, with $66.7M worldwide, ahead of Spirits’ Homecoming (2016) at $23.9M and Dongju: The Portrait of a Poet (2016) at $7.8M. 6 Korean-language films released in February 2016 report a worldwide gross, $106.3M in all, <1% of it from the US & Canada. That is 9.2 times the total of January 2016, whose releases took $11.5M. By genre, Comedy leads with $72.5M across 2 Korean releases.
#1 of 6 2016 · Action, Crime
$66.7M worldwide · 63% of the chart's total
A Violent Prosecutor (2016) leads with $66.7M, 63% of the total. The top 5 together took $105.5M, 99% of what all 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in February 2016.
Feb 3, 2016 US and Canada: – Rest of the world: – Worldwide: $66.7M
Feb 24, 2016 US and Canada: $125.6K Rest of the world: $23.7M Worldwide: $23.9M
Feb 17, 2016 US and Canada: $56.6K Rest of the world: $7.8M Worldwide: $7.8M
Feb 26, 2016 US and Canada: $50.8K Rest of the world: $5.7M Worldwide: $5.7M
Feb 25, 2016 US and Canada: – Rest of the world: – Worldwide: $1.4M
Feb 12, 2016 US and Canada: – Rest of the world: – Worldwide: $744.5K Of the top 6, Like for Likes (2016) earned the biggest share at home (<1% in the US & Canada), while Spirits’ Homecoming (2016) made 99% of its gross abroad. Across all 6 films, $233K (<1%) came from the US & Canada. 3 films of the top 6 report no US & Canada figure.
Films released in week 6 (Jan 31–Feb 6) took $66.7M, led by A Violent Prosecutor (2016). Each column links to that week's chart; weeks are Sunday to Saturday.
Of these 10 years, February 2016 earned the most: $106.3M from 6 films, led by A Violent Prosecutor (2016).
| Month | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| February 2007 6 films | 6 | $96M | – | Tazza: The High Rollers (2007) $39.2M |
| February 2008 2 films · −90% | 2 | $9.6M | −90% | Lovers of 6 Years (2008) $7.8M |
| February 2009 5 films · +162% | 5 | $25.3M | +162% | Private Eye (2009) $10.1M |
| February 2010 4 films · +67% | 4 | $42.3M | +67% | Secret Reunion (2010) $36.3M |
| February 2011 4 films · −64% | 4 | $15.3M | −64% | Children… (2011) $12.2M |
| February 2012 2 films · +42% | 2 | $21.7M | +42% | Love Fiction (2012) $11.4M |
| February 2013 3 films · +139% | 3 | $51.9M | +139% | The Berlin File (2013) $49M |
| February 2014 2 films · +61% | 2 | $83.6M | +61% | The Attorney (2014) $78.5M |
| February 2015 No films | 0 | – | – | – |
| February 2016 6 films | 6 | $106.3M | – | A Violent Prosecutor (2016) $66.7M |
The months of 2016 with their totals: October leads with $113.1M, led by Luck-Key (2016).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
A Violent Prosecutor (2016) leads with $66.7M worldwide. Next come Spirits’ Homecoming (2016) at $23.9M and Dongju: The Portrait of a Poet (2016) at $7.8M.
6 Korean-language films released in February 2016 report a worldwide gross, $106.3M in all, or $17.7M per film on average. January 2016 releases took $11.5M.
None. The biggest, A Violent Prosecutor (2016), earned $66.7M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in February 2016. The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.