#1 of 7 2015 · Action, Drama
$31.2M worldwide · 42% of the chart's total
Saving Mr. Wu (2015) is the highest-grossing Chinese-language movie released in October 2015, with $31.2M worldwide, ahead of Twenty Two (2015) at $26.3M and The Assassin (2015) at $12M. 7 Chinese-language films released in October 2015 report a worldwide gross, $74.8M in all, 1% of it from the US & Canada. That is down 90% on September 2015, whose releases took $758M. By genre, Drama leads with $44.6M across 5 Chinese releases.
#1 of 7 2015 · Action, Drama
$31.2M worldwide · 42% of the chart's total
Saving Mr. Wu (2015) leads with $31.2M, 42% of the total. The top 5 together took $74M, 99% of what all 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in October 2015.
Oct 1, 2015 US and Canada: $92.7K Rest of the world: $31.1M Worldwide: $31.2M
Oct 5, 2015 US and Canada: $46.8K Rest of the world: $26.2M Worldwide: $26.3M
Oct 16, 2015 US and Canada: $632.5K Rest of the world: $11.4M Worldwide: $12M
Oct 23, 2015 US and Canada: – Rest of the world: – Worldwide: $3.9M
Oct 8, 2015 US and Canada: – Rest of the world: – Worldwide: $645.8K
Oct 23, 2015 US and Canada: – Rest of the world: – Worldwide: $451.8K
Oct 23, 2015 US and Canada: – Rest of the world: – Worldwide: $288.4K Of the top 7, The Assassin (2015) earned the biggest share at home (5% in the US & Canada), while Twenty Two (2015) made 100% of its gross abroad. Across all 7 films, $772K (1%) came from the US & Canada. 4 films of the top 7 report no US & Canada figure.
Films released in week 40 (Sep 27–Oct 3) took $31.2M, led by Saving Mr. Wu (2015). Each column links to that week's chart; weeks are Sunday to Saturday.
Of these 10 years, October 2015 earned the most: $74.8M from 7 films, led by Saving Mr. Wu (2015).
| Month | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| October 2006 3 films | 3 | $296.2K | – | Eternal Summer (2006) $255.4K |
| October 2007 4 films · +11978% | 4 | $35.8M | +11978% | Assembly (2007) $34.8M |
| October 2008 1 film · −85% | 1 | $5.5M | −85% | Butterfly Lovers (2008) $5.5M |
| October 2009 3 films · −98% | 3 | $103K | −98% | The Warrior and the Wolf (2009) $72K |
| October 2010 5 films · +43642% | 5 | $45M | +43642% | Hot Summer Days (Chuen sing yit luen - yit lat lat) (2010) $19.6M |
| October 2011 3 films · −91% | 3 | $4.2M | −91% | 1911 (2011) $3.8M |
| October 2012 2 films · −45% | 2 | $2.3M | −45% | Tai Chi Zero (2012) $1.3M |
| October 2013 5 films · +989% | 5 | $25.1M | +989% | Love Will Tear Us Apart (2013) $13.7M |
| October 2014 7 films · +85% | 7 | $46.6M | +85% | Black & White: The Dawn of Justice (2014) $34.1M |
| October 2015 7 films · +61% | 7 | $74.8M | +61% | Saving Mr. Wu (2015) $31.2M |
The months of 2015 with their totals: September leads with $758M, led by Lost in Hong Kong (2015).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
Saving Mr. Wu (2015) leads with $31.2M worldwide, $92.7K of it in the US & Canada. Next come Twenty Two (2015) at $26.3M and The Assassin (2015) at $12M.
7 Chinese-language films released in October 2015 report a worldwide gross, $74.8M in all, or $10.7M per film on average. September 2015 releases took $758M.
None. The biggest, Saving Mr. Wu (2015), earned $31.2M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in October 2015. The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.