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Documentary box office · November 2002

Documentary Box Office, November 2002: Top-Grossing Releases

Standing in the Shadows of Motown (2002) is the highest-grossing documentary movie released in November 2002, with $2.3M worldwide, ahead of Power and Terror: Noam Chomsky in Our Times (2002) at $292.5K and Etoiles: Dancers of the Paris Opera Ballet (2002) at $46.4K. 4 documentary films released in November 2002 report a worldwide gross, $2.7M in all, 77% of it from the US & Canada. That is down 96% on October 2002, whose releases took $61.3M.

November 2002 releases with a gross
4
combined worldwide
$2.7M
Standing in the Shadows of Motown (2002), the #1
$2.3M
vs October 2002
−96%
Top 4

What Were the Biggest Documentary Hits of November 2002?

Standing in the Shadows of Motown (2002) leads with $2.3M, 87% of the total. The top 4 together took $2.7M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.

  1. Standing in the Shadows of Motown (2002) movie poster Number 1
    $2.3M Standing in the Shadows of Motown (2002)
    $1.7M US & Canada · 73% $622.1K elsewhere · 27%
  2. Power and Terror: Noam Chomsky in Our Times (2002) movie poster Number 2
    $292.5K Power and Terror: Noam Chomsky in Our Times (2002)
    $292.5K US & Canada · 100% elsewhere · 0%
  3. Etoiles: Dancers of the Paris Opera Ballet (2002) movie poster Number 3
    $46.4K Etoiles: Dancers of the Paris Opera Ballet (2002)
    $46.4K US & Canada · 100% elsewhere · 0%
  4. Hell House (2002) movie poster Number 4
    $18.3K Hell House (2002)
    $18.3K US & Canada · 100% elsewhere · 0%

US & Canada (domestic) Rest of the world

The chart

Every Documentary Release of November 2002, Ranked by Worldwide Gross

Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in November 2002.

  1. 1 Standing in the Shadows of Motown (2002) movie poster
    Standing in the Shadows of Motown (2002) Nov 15, 2002 · English · Music, Documentary $2.3M worldwide
    Nov 15, 2002 US and Canada: $1.7M Rest of the world: $622.1K Worldwide: $2.3M
  2. 2 Power and Terror: Noam Chomsky in Our Times (2002) movie poster
    Power and Terror: Noam Chomsky in Our Times (2002) Nov 22, 2002 · English · Documentary $292.5K worldwide
    Nov 22, 2002 US and Canada: $292.5K Rest of the world: Worldwide: $292.5K
  3. 3 Etoiles: Dancers of the Paris Opera Ballet (2002) movie poster
    Etoiles: Dancers of the Paris Opera Ballet (2002) Nov 8, 2002 · English · Music, Documentary $46.4K worldwide
    Nov 8, 2002 US and Canada: $46.4K Rest of the world: Worldwide: $46.4K
  4. 4 Hell House (2002) movie poster
    Hell House (2002) Nov 15, 2002 · English · Documentary $18.3K worldwide
    Nov 15, 2002 US and Canada: $18.3K Rest of the world: Worldwide: $18.3K
US & Canada vs the world

Where Did the Money Come From in November 2002?

Of the top 4, Power and Terror: Noam Chomsky in Our Times (2002) earned the biggest share at home (100% in the US & Canada), while Standing in the Shadows of Motown (2002) made 27% of its gross abroad. Across all 4 films, $2.1M (77%) came from the US & Canada.

  1. 1 Standing in the Shadows of Motown (2002) $2.3M
    $1.7M US & Canada · 73% $622.1K elsewhere · 27%
  2. 2 Power and Terror: Noam Chomsky in Our Times (2002) $292.5K
    $292.5K US & Canada · 100% elsewhere · 0%
  3. 3 Etoiles: Dancers of the Paris Opera Ballet (2002) $46.4K
    $46.4K US & Canada · 100% elsewhere · 0%
  4. 4 Hell House (2002) $18.3K
    $18.3K US & Canada · 100% elsewhere · 0%
Earlier years

How Does November 2002 Compare With November in Earlier Years?

Of these 10 years, November 2002 earned the most: $2.7M from 4 films, led by Standing in the Shadows of Motown (2002).

Month Films Worldwide Change Biggest film
November 1993 1 film 1 $253.3K – Theremin: An Electronic Odyssey (1993) $253.3K
November 1994 No films 0 – – –
November 1995 No films 0 – – –
November 1996 No films 0 – – –
November 1997 No films 0 – – –
November 1998 No films 0 – – –
November 1999 1 film 1 $1.2M – American Movie (1999) $1.2M
November 2000 1 film · −87% 1 $156.8K −87% One Day in September (2000) $156.8K
November 2001 1 film · +169% 1 $421.5K +169% Porn Star: The Legend of Ron Jeremy (2001) $421.5K
November 2002 4 films · +541% 4 $2.7M +541% Standing in the Shadows of Motown (2002) $2.3M
FAQ

Documentary Box Office November 2002: Questions & Answers

The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.

What is the highest-grossing documentary movie in November 2002?

Standing in the Shadows of Motown (2002) leads with $2.3M worldwide, $1.7M of it in the US & Canada. Next come Power and Terror: Noam Chomsky in Our Times (2002) at $292.5K and Etoiles: Dancers of the Paris Opera Ballet (2002) at $46.4K.

How much did documentary movies released in November 2002 earn?

4 documentary films released in November 2002 report a worldwide gross, $2.7M in all, or $675.4K per film on average. October 2002 releases took $61.3M.

How many documentary movies released in November 2002 made $1 billion?

None. The biggest, Standing in the Shadows of Motown (2002), earned $2.3M.

How much of the November 2002 Documentary box office came from the US and Canada?

$2.1M of the $2.7M total, or 77%, was earned in the US & Canada (the domestic market); the rest came from other countries. 0 films of the 4 report no domestic figure.

How is the November 2002 documentary box office chart ranked and where do the numbers come from?

Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in November 2002. The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.

How often is the November 2002 documentary box office chart updated?

Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.