#1 of 7 2025 · Action, Crime
$103.3M worldwide · 75% of the chart's total
The Accountant 2 (2025) is the highest-grossing crime movie released in week 17 of 2025 (Apr 20–26), with $103.3M worldwide, ahead of Yadang: The Snitch (2025) at $24.5M and Detective Kien: The Headless Horror (2025) at $9.8M. 7 crime films released that week report a worldwide gross, $137.7M in all, 48% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 17% on Week 16, 2025, whose releases took $166.1M. By language, English leads with $103.4M across 3 crime releases.
#1 of 7 2025 · Action, Crime
$103.3M worldwide · 75% of the chart's total
The Accountant 2 (2025) leads with $103.3M, 75% of the total. The top 5 together took $137.7M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 17 of 2025 (Apr 20–26).
Apr 25, 2025 US and Canada: $65.5M Rest of the world: $37.8M Worldwide: $103.3M
Apr 25, 2025 US and Canada: $120.4K Rest of the world: $24.4M Worldwide: $24.5M
Apr 24, 2025 US and Canada: – Rest of the world: – Worldwide: $49.8K
Apr 25, 2025 US and Canada: $7.1K Rest of the world: $28.8K Worldwide: $35.9K
Apr 25, 2025 US and Canada: – Rest of the world: – Worldwide: $3.1K
Apr 25, 2025 US and Canada: – Rest of the world: – Worldwide: $398 Of the top 7, The Accountant 2 (2025) earned the biggest share at home (63% in the US & Canada), while Yadang: The Snitch (2025) made 100% of its gross abroad. Across all 7 films, $65.7M (48%) came from the US & Canada. 4 films of the top 7 report no US & Canada figure.
Week 17 releases took $137.7M. The biggest of these 9 weeks is week 18 (Apr 27–May 3) with $386.1M, led by Thunderbolts* (2025).
Of these 10 years, Week 17, 2022 earned the most: $279.5M from 2 films, led by The Bad Guys (2022). Week 17, 2025 took $137.7M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 17, 2016 Apr 17–23 3 films | 3 | $4.1M | – | At the End of the Tunnel (2016) $3.2M |
| Week 17, 2017 Apr 23–29 1 film · −76% | 1 | $994.9K | −76% | The 101-Year Old Man Who Skipped Out on the Bill and Disappeared (2017) $994.9K |
| Week 17, 2018 Apr 22–28 3 films · +6253% | 3 | $63.2M | +6253% | A or B (2018) $56.2M |
| Week 17, 2019 Apr 21–27 4 films · −100% | 4 | $80.5K | −100% | Georgetown (2019) $39.2K |
| Week 17, 2020 Apr 19–25 1 film · +485% | 1 | $471.2K | +485% | True History of the Kelly Gang (2020) $471.2K |
| Week 17, 2021 Apr 18–24 1 film · −100% | 1 | $1.2K | −100% | Sideshow (2021) $1.2K |
| Week 17, 2022 Apr 17–23 2 films · +23950560% | 2 | $279.5M | +23950560% | The Bad Guys (2022) $250.4M |
| Week 17, 2023 Apr 23–29 1 film · −100% | 1 | $4.6K | −100% | The Procurator (2023) $4.6K |
| Week 17, 2024 Apr 21–27 5 films · +218848% | 5 | $10.1M | +218848% | City Hunter (2024) $6.8M |
| Week 17, 2025 Apr 20–26 7 films · +1268% | 7 | $137.7M | +1268% | The Accountant 2 (2025) $103.3M |
44 weeks of 2025 with reported grosses; the biggest is week 48 (Nov 23–29) with $1.9B, led by Zootopia 2 (2025).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
The Accountant 2 (2025) leads with $103.3M worldwide, $65.5M of it in the US & Canada. Next come Yadang: The Snitch (2025) at $24.5M and Detective Kien: The Headless Horror (2025) at $9.8M.
7 crime films released in week 17 of 2025 (Apr 20–26) report a worldwide gross, $137.7M in all, or $19.7M per film on average. Week 16, 2025 releases took $166.1M.
None. 1 film crossed $100 million, led by The Accountant 2 (2025) with $103.3M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 17 of 2025 (Apr 20–26). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.