Una 2017
Directed by
Benedict Andrews
Made by
Eammon Films
Una Plot Summary
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Una Spencer, a young woman, goes to the office of Peter Trevelyan, a manager at a large warehouse, to his shock.
Flashbacks reveal that Peter Trevelyan was once Ray Brooks, the next-door neighbor and trusted friend of Una’s father. Ray groomed the 13-year-old Una into a three-month relationship. The two plotted to elope to Europe, but the night before they were set to board a ferry, Ray took her virginity in a coast hotel room. He leaves the room afterwards; Una, believing he abandoned her, wanders the streets distraught and bewildered, to be returned home by police after she shares what had happened to her.
Ray is arrested and serves four years in jail for his crime. Una grows up lonely and confused, believing she was in love with Ray and feeling more hurt by him abandoning her than by his abuse. She is ostracized by her peers and her father turns violent out of rage towards Ray before he passes away years later due to an accident at home. As an adult fifteen years later, she lives with her mother and takes solace in going out for one-night stands, unable to form lasting relationships due to the trauma of her abuse. Meanwhile, Ray, as Peter, finds success in his career and has since married. Una finds where he works through a newspaper photograph and travels to the warehouse.
After Ray brings her to the warehouse’s locker room, Una, still emotionally wounded from the abuse, confronts him. Ray is dismissive and defensive and fears she may want to damage his career or even kill him. Ray leaves the room to attend a critical staff meeting, where he must announce cutbacks and layoffs to employees. Rattled by Una’s presence, he instead tells his coworkers that management wanted him to generate a list of people to fire. He then leaves abruptly, and hides from angry executives and his fellow staff members.
Una finds Ray and they quarrel before reminiscing about their affair. Ray insists that he is not by nature a hebephile and was genuinely in love with her, and tells her that he is now married to a woman his age. To Una’s surprise, he explains that he didn’t intend to abandon her; he had needed a walk and a drink to clear his head before they would elope, but returned to find that she had left.
Unable to deny their lingering attraction to one another, Una and Ray have sex, but before it goes too far, Ray abruptly leaves, leaving her feeling abandoned once again. Ray tells his co-worker Scott, who is afraid of being laid off, to escort Una out of the warehouse. She invites herself to Scott’s flat, where she seduces him. After preparing for a large party later that evening, Ray has sex with his wife Yvonne at home with his eyes closed. Meanwhile, Una claims to be “Pete’s” daughter, and persuades Scott to escort her to Ray’s comfortable suburban home after being informed about the party.
Upon arriving at the party, Scott quickly finds out that Una was lying upon introducing herself to Yvonne, and Ray is shocked to see Scott and Una arrive. Yvonne and Una talk briefly, and Yvonne hints that their marriage is not entirely happy. Una wanders upstairs, where she enters the room of Ray’s 13-year-old stepdaughter and lies on her bed. The stepdaughter enters and demands an explanation why she is there. Una quickly leaves the house with Ray, Yvonne, and Scott following along. Ray approaches Una and denies her wordless accusation of possibly abusing his stepdaughter and insists again that Una was “the only one” before he kisses her on the cheek. Ray sees Yvonne, his stepdaughter, and Scott had been looking on from a distance. Realizing Ray is unapologetic, a disappointed Una leaves the party and walks off into the dark while Ray returns to his observing family and friends.
Una Timeline
Follow the complete movie timeline of Una (2017) with every major event in chronological order. Great for understanding complex plots and story progression.
Una visits Peter Trevelyan's office
Una Spencer goes to the warehouse manager Peter Trevelyan's office, catching him by surprise. This present-day encounter triggers flashbacks that reveal their shared past. The moment establishes the tense frame of the story.
Ray Brooks' grooming and the failed elopement
Flashbacks reveal that Ray Brooks, Una's father's neighbor, groomed the 13-year-old Una for three months. They planned to elope to Europe, and Ray takes her virginity in a coast hotel room the night before they would travel. He leaves immediately after; Una, believing she was abandoned, wanders the streets distraught until police return her home.
Ray's arrest and four years in jail
Ray is arrested for his crime and serves four years in jail. This event ends their brief contact and sets the stage for Una's long period of isolation. The case's aftermath shapes Una's early sense of betrayal.
Una's turbulent upbringing
Una grows up feeling isolated and hurt as she tries to process the past. Her father becomes violent toward Ray in rage. Years later, Ray dies in an accident at home, removing any immediate reckoning.
Una reaches adulthood and copes with trauma
Fifteen years later, Una lives with her mother and fills her nights with one-night stands. She cannot form lasting relationships because of the abuse she endured. The pattern of loneliness defines her social life.
Ray rises to success as Peter Trevelyan
Meanwhile, the man once known as Ray has become Peter Trevelyan, achieving career success and marrying a woman his own age. He has built a stable life and a public image. This contrast with Una's life fuels the tension when she confronts him.
Una locates Peter's workplace
Una spots Ray's photograph in a newspaper and travels to the warehouse to find his workplace. The pursuit signals her craving for accountability and closure. She arrives with unresolved emotions and a plan to confront him.
Locker room confrontation begins
Ray brings Una to the warehouse locker room and confronts him about the past. Ray remains defensive, fearing that Una will damage his career or hurt him. He exits to attend a critical staff meeting, trying to control the situation.
The layoffs meeting and cover story
In the meeting, Ray tells his coworkers that management wants him to generate a list of people to fire. He then disappears from the room as angry executives rage around him. The denial and evasiveness reveal how far removed he is from accountability.
Una and Ray recall the past and reconnect
Una and Ray quarrel and reminisce about their affair. Ray insists that he is not by nature a hebephile and that he loved Una. He explains that he didn't intend to abandon her, but needed a walk and a drink to clear his head before they would elope. They have sex, but Ray leaves abruptly.
Una offloads with Scott, then shifts attention
Ray tells his coworker Scott to escort Una out of the warehouse as he fears the confrontation. Una then goes to Scott's flat, where she seduces him. The night deepens with shifting alliances and blurred boundaries.
Una's claimed paternity and party invitation
Una claims to be 'Pete's' daughter and uses Scott to reach Ray's comfortable suburban home for a party. Scott accompanies her to the party where Ray's presence is felt. The lie about paternity adds another layer of deception to the night.
Revelations at the party
At the party, Scott discovers that Una's claim of being Pete's daughter is false, which shocks Ray. Yvonne hints that their marriage isn't entirely happy. Tension mounts as the group sizes up Una's intentions.
Una faces the stepdaughter upstairs
Una wanders upstairs into Ray's 13-year-old stepdaughter's room and lies on her bed. The stepdaughter demands an explanation for the intrusion, heightening the sense of exposure and judgment in the room.
Confrontation ends with betrayal and a kiss
Una leaves with Ray, Yvonne, and Scott trailing behind as the party's turmoil continues. Ray denies that he abused his stepdaughter and, in a cruel twist, kisses Una on the cheek. He notices Yvonne, the stepdaughter, and Scott watching, and a dejected Una exits into the night while Ray returns to his family.
Una Characters
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Una Spencer (Rooney Mara)
Una is a young woman who returns to confront Ray years after their past. She is emotionally scarred by grooming and the sense of abandonment she felt, yet she remains determined to seek accountability and truth. Her actions reveal the long shadow of childhood trauma and the challenges of forming lasting relationships.
Ray Brooks / Peter Trevelyan (Ben Mendelsohn)
Ray is a former next-door neighbor who groomed Una as a teenager and is now a successful warehouse manager. He is controlling, evasive, and natural at deflecting blame, presenting a polished public image while denying harm. His refusal to fully acknowledge the past drives the conflict with Una.
Scott (Riz Ahmed)
Scott is Ray’s coworker who fears layoffs and becomes entangled in the fallout of Una’s confrontation. He is anxious and seeking to protect his own position, yet he is drawn into the drama as events unfold. His presence highlights workplace vulnerability and the pressure of job security.
Yvonne (Tara Fitzgerald)
Yvonne is Ray’s wife, a contemporary with her own private frictions. Her marriage appears stable on the surface, but the gathering at their home reveals underlying tensions. She observes the upheaval and contributes to the charged atmosphere of the confrontation.
Young Una (Ruby Stokes)
Young Una is the adolescent version of the protagonist during the initial abuse, as seen in flashbacks. Her early experiences with Ray set the stage for the later trauma and confusion that shape the adult Una. Her presence anchors the film’s exploration of memory and damage done in youth.
Una Settings
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Time period
The events unfold in a contemporary setting, roughly fifteen years after the original abuse. The confrontation and the subsequent party take place within a short window, underscoring modern attitudes toward accountability and memory. The period feels current, reflecting contemporary social dynamics around power and justice.
Location
Warehouse, Coast hotel, Suburban home, Streets, Office
Most action centers around a large warehouse where Ray works and where Una confronts him. Other key settings include a coast hotel room—the site of the initial abuse—, a suburban home, and a party at Ray's residence, as well as the urban streets and the warehouse locker room. The shifting environments highlight the clash between public success and private trauma.
Una Themes
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Trauma
Una’s memories of grooming shape her present actions and emotions. The film traces how trauma alters trust, relationships, and self-perception. Recounting the past does not erase pain, but it drives her in the present confrontation.
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Accountability
Ray’s past actions are scrutinized in the present, testing whether accountability can come through confrontation or exposure. The corporate and social contexts complicate justice, as appearances can mask wrongdoing. The narrative probes the limits of forgiveness and the consequences of denial.
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Facade
Public success and private cruelty coexist, as Ray’s polished image masks a history of abuse. Una’s pursuit of truth disrupts the façade, revealing harm behind respectable appearances. The tension between appearance and reality drives the drama.
Una Spoiler-Free Summary
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In a quiet corner of suburban life, Una steps back into a world she left behind fifteen years ago, arriving at a moment when the rhythm of everyday routine has settled into a comfortable, if fragile, normalcy. The film opens on a landscape of hushed neighborhoods and the understated hum of a modest workplace, where the calm is undercut by an undercurrent of memories that have never truly faded. The tone is intimate and slightly unsettling, inviting the audience to feel the lingering echo of a past that refuses to stay silent.
Ray, now living under a different name and a seemingly stable existence, finds his carefully constructed life unsettled by her unexpected presence. Their history is hinted at through brief, charged glances and the weight of unspoken words, suggesting a bond that was once intense and now fraught with lingering questions. The narrative dwells on the contrast between the surface of ordinary life—a modest home, a steady job, a family dynamic—and the deeper, more complicated emotional terrain that both characters must navigate.
As the two reconnect, the story explores themes of redemption, the difficulty of confronting buried truths, and the fragile hope of understanding after years of distance. The atmosphere remains taut, balancing moments of quiet reflection with a lingering tension that makes every interaction feel like a step toward an uncertain horizon. Una and Ray must each decide whether the past can be reconciled with the present, leaving the audience to wonder how far the pull of old affection can stretch when the shadows of what once was still linger in the light.
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