The Ghoul 1975

Mystery

Horror

Runtime

90 mins

Language

English

Made by

Tyburn Film Productions Limited

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The Ghoul Plot Summary

Read the complete plot summary and ending explained for The Ghoul (1975). From turning points to emotional moments, uncover what really happened and why it matters.

In 1920s England, a group of friends turns a long drive into a friendly, competitive journey toward Land’s End. Among them is Daphne Welles Hunter and her partner Billy, who end up stranded when their car runs out of petrol. Billy sets off to find a nearby garage, but the search drags on, and Daphne decides to go after him herself. The delay proves deadly; when Billy returns to the car, Daphne has vanished.

Daphne’s search leads her to a secluded mansion, where the owner, Dr. Lawrence, a former clergyman, greets her with a measured hospitality and offers her a place to rest for the night. He sends his servant, Ayah, to summon Tom Rawlings, the caretaker, while Daphne settles in. Tom finds Billy and the other party-goers, the couple Angela and Geoffrey, and informs them that Daphne has disappeared, though the details are hazy.

Lawrence’s memories come into sharper focus through a chilling flashback. He recounts his work as a missionary in India, where a satanic cult supposedly abducted his son, Simon, and twisted him into an evil presence. The tragedy hardens Lawrence’s faith into renunciation, a choice that haunts him as he keeps Daphne sheltered in the mansion for the night. Into this tense tableau, the atmosphere thickens as Ayah quietly releases a deformed man from the attic—the figure who will cross paths with Daphne in her room. The intruder attacks and kills her, then is fed by Ayah to sustain the man’s cannibalistic state.

With Daphne’s fate unresolved, the local police decline to organize a search, citing the treacherous marshes. The remaining friends take matters into their own hands, splitting up to scour the area. Angela finds the mansion again, and Tom pleads with her not to enter, but she presses on. Tom eventually locates Billy and Geoffrey and breaks the grim truth to them: Daphne’s murder was carried out by a cannibal in the attic, a figure tied to Lawrence’s secrets. Desperate and frightened, they go to the mansion, where a noise from the attic confirms their fears.

Geoffrey bravely investigates the attic and is killed by the cannibal. The truth about the killer is revealed: the cannibal is Simon, Lawrence’s son, who has remained in a monster’s grip since his supposed conversion. Ayah is described as a sacrificial cult member whom Lawrence recruited from India to prepare Simon’s meals, a terrible detail that deepens the family’s guilt. Lawrence reveals that he has kept Simon alive as promised to his late wife Harriet, a vow that now weighs on him with crushing sorrow.

Simon escapes his confinement, and Tom, who has slipped into the guest room, confronts Billy and Angela. Simon bursts in and kills Tom, sparing no one in his path as he turns toward Billy and Angela. Lawrence arrives and, reluctantly, shoots Simon dead to protect the others, an act that leaves him shattered. Overcome by despair and remorse, Lawrence takes his own life. Dawn breaks as Ayah steps back, quietly permitting Billy and Angela to flee the mansion and begin the long, uncertain trek toward safety. The shadows loosen with the morning light, but the memory of the night’s dark revelations lingers.

The Ghoul Timeline

Follow the complete movie timeline of The Ghoul (1975) with every major event in chronological order. Great for understanding complex plots and story progression.

Race challenge to Land's End

In 1920s England, a group of friends challenge each other to an automobile race to Land's End. Daphne and Billy's car runs out of petrol, and Billy sets off to find a garage, while Daphne volunteers to search for him. The detour sets up the suspense that follows as the race continues without them.

During the race (1920s) On the road toward Land's End

Daphne disappears during the search

Billy searches for a nearby garage but his efforts take longer than expected. Daphne decides to search for him herself after he leaves, and she vanishes. The disappearance triggers concern among the remaining friends and begins the mystery.

Night Roadside

Daphne finds a mansion; warning from the caretaker

Daphne locates a mansion and is warned by the caretaker, Tom Rawlings, that entering could be deadly. She ignores the warning and moves inside, drawn by the mansion's eerie atmosphere. The owner, Mr. Lawrence, offers her rest for the night.

Night Lawrence's mansion

Mr. Lawrence invites Daphne inside

Mr. Lawrence, a former clergyman and the mansion's owner, invites Daphne inside to rest for the night and asks Tom to locate Billy. Daphne accepts the hospitality, while Tom remains uneasy about what is to come. The uneasy dynamic hints at hidden dangers within the house.

Night Lawrence's mansion

Lawrence's flashback to India

In a flashback, Lawrence recounts his missionary work in India, where a satanic cult kidnapped his son Simon and corrupted him. His faith is shattered as a result, and he renounces his religious beliefs. The recollection foreshadows the mansion's dark past.

Flashback India (flashback)

Ayah releases the cannibal from the attic

Ayah, Lawrence's Indian servant, releases a deformed man from the attic. The man climbs into Daphne's room and stabs her to death. This brutal act marks a turning point and plunges the house into horror.

Night Lawrence's mansion, Daphne's room

Daphne's death leads to cannibal feast

Ayah cooks Daphne's flesh and feeds it to the cannibal. The gruesome act completes the mansion's transformation into a place of ritual horror and marks the depth of the cult's influence. Lawrence's complicity becomes clearer as the night progresses.

Night Lawrence's mansion

Police refuse to search; group searches themselves

Billy, Angela, and Geoffrey report Daphne's disappearance to the local police, but officers refuse to mount a search due to the marshlands. Frustrated, the trio resolves to comb the area themselves for any sign of her. The lack of official help deepens the sense of isolation.

First night Local village/police station

Angela finds the mansion; Tom warns again

Angela locates Lawrence's mansion and is warned by Tom not to enter. She ignores the warning and proceeds, driven by determination to find Daphne. The tension between trust and danger escalates as the mansion looms closer.

Night Lawrence's mansion

Tom reveals Daphne was fed to a cannibal; leads them to the mansion

Tom eventually reveals to Billy and Geoffrey that Daphne was fed to a cannibal in the attic. They are skeptical, but Tom stubbornly leads them to the mansion to confront the truth. The group prepares for a confrontation with the house's dark forces.

Night On the road to and inside Lawrence's mansion

Geoffrey investigates attic; is killed

Geoffrey goes into the attic and is killed by the cannibal. The terror becomes personal for the remaining two and the danger closes in. The attic scene confirms that the threat is real and near.

Night Attic

Lawrence reveals Simon is the cannibal; Ayah's role

Lawrence confronts Billy and Angela and reveals that the cannibal is his son Simon, who has remained in a cannibalistic state since his conversion. He explains Ayah is a cult member hired from India to prepare Simon's meals. The revelation ties the murders to the mansion's dark past.

After Geoffrey's death Lawrence's mansion

Simon escapes; Tom tries to ambush Billy and Angela

Simon escapes from the attic and pursues Billy and Angela; Tom sneaks into the guest room, attacks them, but Simon intervenes and kills Tom. The survivors realize they are almost out of options and the danger remains imminent.

Later night Mansion

Lawrence shoots Simon; saves Billy and Angela

Lawrence arrives and reluctantly shoots Simon dead, saving Billy and Angela from further harm. The act is a grim mercy that leaves him heartbroken and torn between duty and despair. The survivors' fragile safety hangs on Lawrence's decision.

Late night Mansion

Lawrence's suicide; dawn escape

Bereft and exhausted, Lawrence shoots himself, ending the nightmare he could not escape. Ayah allows Billy and Angela to escape as morning rises, providing a glimmer of relief for the survivors. The mansion's horrors fade as the two flee toward dawn.

Dawn Lawrence's mansion

The Ghoul Characters

Explore all characters from The Ghoul (1975). Get detailed profiles with their roles, arcs, and key relationships explained.

Tom Rawlings (John Hurt)

The mansion's caretaker who senses danger and warns Daphne not to enter. He tries to guide and protect the guests, acting as a practical, if cautious, voice of reason in the haunted estate. He is ultimately killed by the cannibal in the attic, underscoring the household's lethal danger.

🔧 Caretaker ⚠️ Warning 🕯️ Mystery

Daphne Welles Hunter

Adventurous and curious, Daphne disobeys the caretaker's warning and enters the mansion in search of her missing partner. Her disappearance drives the others to investigate, culminating in a brutal discovery. She is killed when the deformed man from the attic stabs her, and her flesh is cooked and fed to Simon by Ayah.

💃 Adventurous 🔎 Curiosity 💔 Tragic

Billy

Daphne's partner in the race, he is pragmatic and protective, joining the search for answers after Daphne vanishes. He and Angela remain alive through the night and eventually escape with the others when morning rises. His role is to endure the danger and help the group survive.

🛡️ Protector 🧭 Searcher 💪 Resilient

Angela

Angela is determined and skeptical, joining the search for Daphne and helping the group piece together the danger they face. She remains level-headed under pressure and survives the ordeal with Billy. Her partnership with Billy proves crucial to their escape at the end.

🕵️ Investigator 💪 Resilient 🤝 Partner

Geoffrey

Geoffrey is one of the race winners and a member of the group who ventures into the attic. He is killed by the cannibal, highlighting the peril that lies within the mansion. His courage is noted, even as tragedy strikes.

🕵️ Investigation ⚔️ Bravery 💀 Fatal

Dr. Lawrence

A former clergyman who renounces his faith after India and his son's cult influence. He preserves his son Simon in an unhealthy, protective obsession, promising Harriet he would keep him alive. He ultimately shoots Simon to save Billy and Angela before taking his own life, a sad final act of guilt.

🙏 Faith 🗡️ Morality 🕯️ Guilt

Ayah

The Indian servant who runs the estate and is involved with a sacrificial cult. She helps prepare Simon's meals and later enables Billy and Angela's escape, showing a complex mix of loyalty and treachery within the mansion's power structure.

🔒 Secret 🧭 Manipulation 🎭 Dual Role

Simon

Lawrence's son, kept in a cannibalistic state since his conversion and kept alive as part of a grim pact. He is the physical embodiment of the house's horror, ultimately killed by Lawrence when danger escalates.

🩸 Violence 😈 Monster 🗝️ Secret

The Ghoul Settings

Learn where and when The Ghoul (1975) takes place. Explore the film’s settings, era, and how they shape the narrative.

Time period

1920s

Set in the mid-1920s England, the era's fashion, car culture, and social mores frame the group’s race and interactions. The post-war mood and rural isolation feed the tension as the party seeks shelter and certainty in a place haunted by the past. The period details contrast with the film’s sudden, brutal violence.

Location

England, Land's End mansion, Marshlands

The action unfolds in 1920s England, centering on a journey to Land's End and a secluded mansion. The surrounding marshlands around the estate create a claustrophobic, fog-drenched atmosphere. This setting shapes the horror as characters are cut off from help and forced to confront the house's hidden dangers.

❄️ Horror 🏰 Gothic setting 🗺️ English countryside

The Ghoul Themes

Discover the main themes in The Ghoul (1975). Analyze the deeper meanings, emotional layers, and social commentary behind the film.

🕯️

Gothic Horror

An isolated mansion, dim corridors and a hidden attic turn the house into a character in its own right. Daphne's disappearance and the discovery of a cannibal in the attic heighten the sense of dread. The film uses a Gothic mood and shocking violence to explore fear, uncertainty, and the fragility of safe havens. The setting acts as a trap, forcing characters to confront secrets long buried.

🙏

Faith and Doubt

Dr. Lawrence begins as a former clergyman who renounces his faith after his experiences in India and his son's corruption. His backstory reveals how belief can fracture and reshape under pressure. He clings to a grim sense of duty, keeping Simon alive to honor a promise, even as it damages his own soul. The climactic act—shooting Simon and then taking his own life—highlights doubt, guilt, and the limits of mercy.

🗝️

Moral Dilemma

The group must choose whom to trust in a place where law enforcement refuses to intervene and fear reigns outside the mansion. Lawrence's decision to kill his own son pits paternal love against the demand for justice, forcing characters to weigh loyalty against survival. The ending leaves the audience pondering whether survival justifies horrific acts and whether mercy can still exist after betrayal.

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The Ghoul Spoiler-Free Summary

Discover the spoiler-free summary of The Ghoul (1975). Get a concise overview without any spoilers.

In the bleak, rain‑slick countryside of 1920s England, a small band of friends sets out on an ambitious road trip toward the legendary point of Land’s End. The journey is as much a contest of wit and endurance as it is a leisurely escape from city life, and the open road is punctuated by the moody, mist‑filled landscape that seems to swallow the horizon. As fuel runs low and the group’s plans begin to crumble, the encroaching night adds a palpable sense of isolation, turning a simple adventure into something far more unsettling.

Amid the growing unease, Daphne Welles Hunter and her partner Billy become separated from the others after their car sputters to a halt. Seeking shelter, they stumble upon a remote Victorian mansion that looms like a relic of another era. Its owner, Dr. Lawrence, greets them with a quiet, measured courtesy that hints at both hospitality and hidden melancholy. Once a devoted clergyman, he now carries the weight of a past tangled with distant lands and uneasy faith, a history that subtly informs the house’s somber atmosphere.

Inside the manor, the pair meets the understated caretaker Tom Rawlings, whose steady demeanor masks the mansion’s deeper mysteries, and Ayah, a composed servant whose presence feels both loyal and enigmatic. The home is steeped in the lingering echo of Dr. Lawrence’s former life, and an unseen tension hangs over the attic—a place where the reverend’s secret is kept, a shadow that suggests a son whose existence has been cloaked in silence. The house itself becomes a character, its creaking corridors and dimly lit rooms reflecting the inner turmoil of those who reside within.

The film weaves a gothic tapestry of dread and restraint, balancing period detail with a lingering, oppressive mood. As the storm outside intensifies, the strangers are drawn into a fragile alliance, each grappling with their own doubts while the mansion’s quiet secrets whisper just beyond the light. The blend of historical melancholy, uneasy hospitality, and the promise of hidden darkness invites viewers to wonder what lies concealed behind closed doors, and whether curiosity will prove as perilous as the night itself.