Directed by

Gordon Hessler
Made by

Panorama
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Read the complete plot summary and ending explained for The Girl in a Swing (1988). From turning points to emotional moments, uncover what really happened and why it matters.
Alan Desland, Rupert Frazer is an English antique dealer who specializes in ceramics. A solitary man, he travels to Copenhagen on business and hires a German-born secretary, Karin Foster Meg Tilly, fluent in English, Danish, and German. Alan’s attraction is immediate, and he falls deeply in love with her. Karin displays a quiet sensitivity—she cries during a classical concert—alongside a dispassionate coldness, such as when she breaks the neck of an injured seagull. When Alan casually remarks that he might have trouble marrying a woman with a child, she becomes clearly upset. Before leaving Copenhagen, Karin expresses her love for Alan, and they agree to marry.
Alan’s mother in England expresses concern that they know little about Karin’s background. Alan begins to notice Karin’s strange behavior, including a fear of the sound of children and a fearfulness of the dark. Karin refuses to marry in a church, and on a holiday to the United States they wed in a civil ceremony in Florida. While swimming in a lake on their honeymoon, Karin sees a body beneath the water that Alan identifies as a log.
Returning to England, Karin charms his social circle during discussions of philosophy and religion. Alan is troubled when he asks his best friend, a vicar, if all things can be forgiven, a moment in which Nicholas Le Prevost the vicar becomes part of the conversation. Karin wins a rare statuette of a girl in a swing at auction, which Alan authenticates as valued over £200,000. The impotence he experienced on their wedding night gives way to unbridled sexuality. In conversations with Alan and the vicar, Karin explores the connection between spiritual love and physical love, which she believes is absent in Christianity but embraced by pagan cults.
Alan’s joy at hearing of Karin’s pregnancy is offset by strange events and apparitions. He has visions of a green tortoise toy and they both hear a child’s voice on the phone. After deciding to receive Holy Communion, Karin is disturbed by the vicar’s sermon on the commandment against killing. At the communion railing, she takes the eucharist in her hand, but does not receive it, and collapses. Alan’s reassurance that whatever’s past is past prompts Karin to reply
Nothing is past.
Karin and Alan both hear a child crying in the garden and find a doll face down in the water fountain. Alan shuts all the doors and windows and draws the drapes, yet the cries continue in the garden during a violent storm. Alan sees the green tortoise toy again and the sense that something unresolved lingers around them.
After the storm Karin asks Alan to take her away. Before leaving he discovers a receipt for a green tortoise toy, and concludes she bought it for a daughter predating their marriage, surmising she killed the girl out of fear that Alan would reject her with a child. Realizing the damage caused by his “careless words,” Alan cries out, “May God have mercy.” They drive to the beach, where she walks into the surf, pours water over her head in a gesture of baptism, and tells her he knows what she did. She takes her clothes off, hands him her wedding ring, and they make love on the beach. As the waves roll over them, she faints in his arms.
At the hospital, Leonard Maguire the doctor confirms she had an ectopic pregnancy, and that she had previously given birth. The next day he’s told she died during the night. At an inquest hearing Alan sees an apparition of Karin in a hooded cloak at the back of the courtroom and breaks down in tears. Haunted by his careless words, Alan understands that his need for a tidy life resulted in the tragedy. When he returns home, he hears Karin in the garden, and walks out to find her on the swing.
Follow the complete movie timeline of The Girl in a Swing (1988) with every major event in chronological order. Great for understanding complex plots and story progression.
Alan hires Karin in Copenhagen
On a business trip to Copenhagen, Alan Desland hires Karin Foster as his secretary. He is immediately drawn to her quiet sensitivity and guarded charm, and their professional relationship hints at something more intimate. The encounter sets the stage for a rapidly developing romance.
Karin confesses love and they plan to marry
Karin confesses her love for Alan, and they decide to marry before they depart Copenhagen. The confession deepens their bond and signals a swift, all‑consuming romance. Their plans move from attraction to commitment in a short time.
Mother's concerns about Karin
Back in England, Alan's mother voices worry that they know little about Karin's background. The uneasy doubt lingers as their relationship progresses. Alan begins to question whether the romance hides dangerous secrets.
Karin's strange fears emerge
Alan begins noticing Karin's strange behaviors, including a fear of the sound of children and a fear of the dark. These quirks hint at a hidden trauma or past. He wonders what he has truly married into.
Florida wedding
During a holiday to the United States, Karin refuses to marry in a church and they wed in a civil ceremony in Florida. The marriage feels unusual and secretive from the start. The couple's legal union becomes a turning point in the unfolding mystery.
Honeymoon lake sighting
On their Florida honeymoon, they swim in a lake where Karin oddly sees a body beneath the water that Alan identifies as a log. The moment unsettles both of them and foreshadows darker undercurrents. Their honeymoon becomes a journey into Karin's enigmatic world.
Return to England and social circles
Returning to England, Karin charms Alan's social circle with discussions of philosophy and religion. Alan shares concerns with his vicar friend about forgiveness and the limits of absolution. The couple's outward life masks deeper tension.
The prized statuette
Karin wins a rare statuette of a girl in a swing at auction, and Alan authenticates it as valued over £200,000. The prize becomes a symbol of Karin's perceived innocence and the stakes of their union. The moment intertwines wealth, art, and potential secrets.
Sexual awakening and philosophy
Impotence on their wedding night gives way to an unbridled sexuality as Karin openly explores their physical relationship. Conversations with Alan and the vicar hint at her belief in a pagan sense of love that transcends Christian doctrine. The couple's intimacy deepens the bond while blurring moral lines.
Pregnancy and unsettling signs
Karin's pregnancy brings joy but is shadowed by visions of a green tortoise toy and a child's voice on the phone. The couple senses that something unspeakable lies beneath their happiness. The tension builds as the signs of Karin's past surface.
Holy Communion confrontation
Karin is disturbed by a sermon on the commandment against killing. At the communion railing she takes the Eucharist in her hand but does not receive it and collapses. Alan's quiet reassurance that the past is behind them is met with her stark reply that nothing is past.
Storm, doll, and past revealed
A violent storm erupts as the couple hears a child crying in the garden and finds a doll face down in the water fountain. Alan discovers a receipt for a green tortoise toy, implying Karin bought it for a daughter predating their marriage. The mystery tightens and threatens the fragile illusion of normalcy.
Beach confession and ritual act
They drive to the beach where Karin performs a baptismal gesture in the surf and tells Alan she knows what she did. She removes her clothes, hands him her wedding ring, and they make love on the beach as the waves crash over them. She faints in his arms, sealing a grim revelation.
Death and inquest
In the hospital, Alan watches over Karin as she whispers in German that she had no pity. Doctors reveal she died from an ectopic pregnancy and that she had previously given birth. At the inquest, an apparition of Karin appears in a hooded cloak, and Alan breaks down, realizing his careless words helped drive the tragedy.
Haunting return home
Haunted by his earlier words and choices, Alan returns to a quiet house where he hears Karin in the garden. He goes outside and finds her waiting on the swing, suggesting that her presence lingers beyond death. The ending underscores the consequences of trying to keep life tidy and predictable.
Explore all characters from The Girl in a Swing (1988). Get detailed profiles with their roles, arcs, and key relationships explained.
Karin Foster (Meg Tilly)
A quiet, sensitive secretary whose outward poise hides a troubled past. Her fear of children and selective warmth create an alluring and unpredictable dynamic with Alan, driving the romance and underlying menace. Her enigmatic behavior sustains the suspense and shapes the tragedy.
Alan Desland (Rupert Frazer)
An English antique dealer who craves order and control in his life and relationships. His ardent, idealistic love for Karin collides with a naïve reluctance to confront her past, triggering a cascade of events that lead to heartbreak and self-reproach. His journey highlights the costs of a tidy life against messy reality.
The Vicar (Nicholas Le Prevost)
Alan’s confidant who weighs forgiveness and the limits of absolution. He embodies the moral foil to the romance, challenging the couple to consider mercy, guilt, and whether some wounds can ever fully heal. His presence frames the ethical questions at the heart of the story.
Dr. Frazer (Leonard Maguire)
The physician who confirms Karin’s pregnancy and uncovers aspects of her past, anchoring the drama in medical reality. He represents the rational, clinical perspective amid the couple’s emotional turbulence. His observations deepen the sense of irreversible consequence.
Learn where and when The Girl in a Swing (1988) takes place. Explore the film’s settings, era, and how they shape the narrative.
Location
Copenhagen, England, Florida (USA)
The story moves across cosmopolitan settings, beginning in Copenhagen where Alan hires Karin. It then shifts to England’s social circles and culminates in a civil ceremony in Florida, reflecting a transatlantic backdrop of art, auctions, and aristocratic gatherings. The locales establish an atmosphere of elegance, secrecy, and emotional tension that drives the romance and mystery.
Discover the main themes in The Girl in a Swing (1988). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
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Love and Obsession
Love quickly evolves into an all-consuming fixation as Karin’s past and volatile emotions pull Alan deeper into dependence. The romance is marked by moments of tenderness tangled with fear and ambiguity, sparking a tension that propels the plot toward tragedy. The film uses this dynamic to explore how desire can blur moral boundaries and destroy certainty.
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Guilt and Consequences
Alan’s casual remark about marrying a woman with a child becomes a spark for irreversible consequences. Guilt threads through the narrative via cryptic signs and a courtroom inquest, illustrating how words can shape fate. The story emphasizes responsibility and the heavy weight of spoken judgments.
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Reality and the Supernatural
Apparitions, eerie sounds, and symbolic objects intrude on ordinary life, echoing Karin’s unsettled psyche. The boundary between sanity and the uncanny blurs as the couple confronts forbidden desire and metaphysical fear. These elements reflect inner turmoil and foreshadow the film’s final revelations.

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Discover the spoiler-free summary of The Girl in a Swing (1988). Get a concise overview without any spoilers.
In the muted elegance of the European art world, a solitary English antique dealer finds his routine disrupted by a journey that takes him from the fog‑filled streets of London to the cool, historic canals of Copenhagen. The film moves between the hushed auction houses where priceless ceramics are whispered about and the intimate, often dimly lit rooms where secrets linger like dust on a statue. A quiet, atmospheric tone pervades, hinting that beneath the polished surfaces of culture and commerce there is something far more unsettling waiting to be uncovered.
Alan Desland is a meticulous, introspective dealer whose life has been defined by objects rather than people. When he hires a new secretary in Copenhagen, he encounters Karin Foster, a German‑born woman whose fluency in Danish, English and German is matched only by an enigmatic, almost magical sensitivity. Her presence is both soothing and disquieting; she possesses a hidden depth that suggests a past shrouded in mystery, a darkness that she keeps carefully guarded even as it subtly influences the world around her.
The attraction between them is immediate, and despite Alan’s reservations about knowing so little of Karin’s history, a passionate bond forms. Their romance unfolds against a backdrop of cultural contrasts—her refusal of a traditional church ceremony and their decision to marry in a civil setting abroad underscores the tension between convention and the unknown. As they weave their lives together, lingering hints of the supernatural begin to surface, casting a fragile veil over their happiness.
The story balances tender intimacy with an ever‑present sense of foreboding, inviting the audience to wonder how far love can stretch when confronted with unanswered questions and hidden histories. Alan must navigate the delicate line between acceptance and denial, learning that the true test of their union may lie not in the present moment but in the shadows that quietly follow them.
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