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The Black Klansman

The Black Klansman 1966

Runtime

88 mins

Language

English

English

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The Black Klansman Plot Summary

Read the complete plot summary and ending explained for The Black Klansman (1966). From turning points to emotional moments, uncover what really happened and why it matters.


During the civil rights movement, a light-skinned African-American man, Jerry Ellsworth Richard Gilden is a Los Angeles jazz musician with a white girlfriend, Andrea Rima Kutner. Meanwhile, in Turnersville, Alabama, a young black man, Delbert Madison, attempts to exercise his newly federal rights by sitting at a local diner, an act observed by members of the Ku Klux Klan, including Exalted Cyclops William Talmadge Rook Harry Lovejoy. By night and in Klan robes, they shoot Delbert and firebomb a church, killing Jerry’s daughter by his deceased wife. By way of revenge, Jerry moves to Alabama to infiltrate the group responsible for his daughter’s death. Andrea and their saxophonist, Lonnie James McEachin, go to Turnersville out of concern for Jerry, who, after learning of his daughter’s death, struggles with his emotions and even tries to choke Andrea. Jerry dons his disguise and becomes a member of the inner circle, befriending the local leader and his daughter, Carole Ann Maureen Gaffney, and soon exacts his revenge.

When Andrea and Lonnie arrive, Farley Madison Jakie Deslonde, Delbert’s older brother, hires two Harlem hitmen, Raymond Estes Max Julien and his burly assistant, Barnaby, to avenge his brother’s death despite protests from the reverend and Alex Whitman Mayo, owner of the only black tavern and inn where Lonnie and Andrea stay. Infiltrating the Klan, Jerry and Carole Ann make love in her car. Raymond and Barnaby attack and bind Lonnie to make it look like he is in an interracial relationship with Andrea in order to set them up as lynch bait for the Klansmen, but end up getting lynched themselves in the climax, when Jerry reveals himself to Rook, who kneels down and begs for mercy as a trap. Rook, after pulling away the truck on which noosed Raymond and Barnaby are standing, runs over Jerry’s hand and tries repeatedly to mow him down until Jerry shoots him. In the end, Jerry meets Farley and decides to stay in Turnersville and help out. Mayor Buckley Byrd Holland tells Jerry that he wishes he had done something earlier about the racial hatred in his town.

The Black Klansman Timeline

Follow the complete movie timeline of The Black Klansman (1966) with every major event in chronological order. Great for understanding complex plots and story progression.


Delbert's diner sit-in and rising Klan scrutiny

In Turnersville, Delbert Madison attempts to exercise his civil rights by sitting in a local diner, while members of the Ku Klux Klan watch from the shadows. The act comes as federal Civil Rights protections have just passed, inflaming local tensions. The town's mood tightens as the defiance tests whether the law can protect Black citizens in practice.

1964 Turnersville, Alabama

Violence erupts: Delbert shot and church firebombed

That night, Klansmen shoot Delbert and firebomb a church, killing Jerry Ellworth's daughter. The community reels from the violence and fear spreads through Turnersville. The tragedy becomes the catalyst that pushes Jerry toward a plan for revenge.

1964 Turnersville, Alabama

Jerry vows revenge and infiltrates the Klan

Grieved and enraged, Jerry moves to Alabama and adopts a disguise to join the Klan's inner circle. He plans to uncover those responsible for his daughter's death from within. His mission quickly becomes a dangerous hunt for the perpetrators among the town's most trusted faces.

1964 Turnersville, Alabama

Andrea and Lonnie arrive in Turnersville

Andrea, Jerry's white girlfriend, and their saxophonist Lonnie travel to Turnersville out of concern for Jerry. They find him distant and changed by his obsession with vengeance, unsure how to reach him. Their arrival sets the stage for the larger fight that lies ahead.

1964 Turnersville, Alabama

Jerry gains trust within the Klan

Inside the Klan, Jerry befriends the local leader and his daughter Carole Ann, letting him move deeper into the inner circle. His disguise becomes more believable, allowing him to observe plans and enemies without suspicion. The line between ally and target starts to blur.

1964 Turnersville, Alabama

Jerry and Carole Ann's romance

In a tense moment of forbidden affection, Jerry and Carole Ann make love in her car. The romance complicates his mission by binding him emotionally to the very people he intends to undermine. Loyalties within the Klan become increasingly fragile as the relationship deepens.

1964 Turnersville, Alabama

Farley hires Harlem hitmen to avenge Delbert

Farley, Delbert's older brother, hires Harlem hitmen Raymond Estes and Barnaby to avenge his brother and to escalate the town's racial vendetta. The men travel toward Turnersville, bringing a new wave of violence to a fragile community. The plan adds pressure on all sides as tensions mount.

1964-1965 Turnersville, Alabama

Lynching bait and the hitmen's downfall

Estes and Barnaby attack Lonnie and bind him to appear in an interracial relationship with Andrea, aiming to make them lynch bait. The ploy backfires when the two Harlem hitmen become targets of a larger plan and are themselves lynched as the confrontation climaxes. The town's violence spirals out of control.

Late 1964 Turnersville, Alabama

Jerry reveals himself to Rook; a trap is sprung

Jerry reveals his true identity to Rook, the Exalted Cyclops, triggering a trap designed to force the Klan into chaos. Rook kneels and pleads for mercy, but the scheme continues to escalate as violence becomes unavoidable. The moment marks a turning point toward the climactic showdown.

Late 1964 Turnersville, Alabama

Showdown with Rook and Rook's death

Rook attempts to mow down Jerry after being pulled from the trap's leverage, but Jerry shoots him in a decisive confrontation. The Klan's leadership fractures as the cycles of hatred collide with Jerry's vendetta. The town trembles as the consequences unfold.

Late 1964 Turnersville, Alabama

Jerry stays in Turnersville; mayor's words

With Rook defeated, Jerry chooses to stay in Turnersville and help rebuild, signaling a fragile hope for reconciliation. Mayor Buckley expresses regret that he did not act sooner to counter racial hatred in the town, acknowledging that the struggle continues. The ending suggests a tentative path forward rather than a complete resolution.

1965 Turnersville, Alabama

Ending: uneasy peace and ongoing vigilance

Andrea and Lonnie reflect on the violence they've witnessed and the fragile peace that remains. The film closes with a sense that justice may require ongoing vigilance and community effort. The final image hints at a town learning to live with its past while working toward a better future.

1965 Turnersville, Alabama

The Black Klansman Characters

Explore all characters from The Black Klansman (1966). Get detailed profiles with their roles, arcs, and key relationships explained.


Lonnie (James McEachin)

Lonnie is a saxophonist who travels with Andrea and Jerry to Turnersville. He is drawn into the town's dangerous dynamics and is used to mislead the Klansmen, highlighting how art and friendship are entangled with a struggle for justice.

🎷 Musician 🕯️ Ally 🗝️ Susceptibility

Raymond Estes (Max Julien)

Raymond is a Harlem-based hitman hired by Farley Madison to threaten and ambush the protagonists. He embodies the era’s street violence and the recruitment of outsiders to enforce racial codes.

💥 Violence 🧑🏾‍🦱 Outsider 🔪 Crime

Mayor Buckley (Byrd Holland)

Mayor Buckley represents the town's authority and its slow response to racial hatred. He acknowledges the missed chances to act, underscoring the political dimension of the conflict.

🏛️ Authority 🗳️ Politics

Alex (Whitman Mayo)

Alex owns the only Black tavern and inn where Lonnie and Andrea stay, serving as a community hub and a witness to the town’s racial tensions.

🍹 Community hub 🗺️ Local business

Jerry Ellsworth (Richard Gilden)

A Los Angeles jazz musician who loses his daughter and loses his mind before returning to Turnersville in disguise. He uses his infiltration to orchestrate revenge against the Klansmen.

🎷 Jazz 🕵️‍♂️ Double life

Carole Ann Rook (Maureen Gaffney)

Carole Ann is the daughter of the local Klan leader and becomes involved with Jerry as part of the infiltration plot, complicating loyalties and exposing personal risk.

👩‍🦰 Relational dynamic 🕊️ Interracial romance

Farley Madison (Jakie Deslonde)

Farley is Delbert Madison's older brother who hires hitmen to avenge his brother's death, setting off a chain of violent confrontations.

👨‍👦 Family 💼 Crime

Andrea (Rima Kutner)

Andrea is Jerry's white girlfriend who accompanies him to Turnersville and consoles him after the tragedy, helping drive the emotional stakes of the narrative.

❤️ Relationship 🧭 Catalyst

The Black Klansman Settings

Learn where and when The Black Klansman (1966) takes place. Explore the film’s settings, era, and how they shape the narrative.


Time period

1960s

Set during the civil rights movement, the film portrays a time when federal protections for Black Americans were advancing. The events unfold in the wake of key civil rights milestones, provoking different reactions in urban and rural communities. The contrast between a rising cultural movement and entrenched prejudice drives the narrative.

Location

Los Angeles, Turnersville

The story shifts between Los Angeles, a vibrant jazz scene where Jerry Ellsworth pursues his music and his relationship with Andrea, and Turnersville, Alabama, a small town marked by racial tension. In LA, the music world and an interracial romance set the tone for the era. In Turnersville, a diner and the local black tavern become focal points for confrontation as civil rights tensions erupt into violence.

🎷 Jazz 🏙️ City life 🍽 Diner culture ✊ Civil rights era

The Black Klansman Themes

Discover the main themes in The Black Klansman (1966). Analyze the deeper meanings, emotional layers, and social commentary behind the film.


🕵️

Infiltration

Jerry infiltrates the Turnersville Klan by using a disguise and forming bonds with its leaders, turning a perilous undercover mission into a tool for revenge. The plot hinges on trust, deception, and the double life he leads as both participant and observer. This infiltration drives the suspense as loyalties blur and the danger intensifies.

Racism

The film foregrounds organized racial hatred embodied by the Klan and the violent consequences of bigotry. It shows a community wrestling with fear, power, and the rights afforded by federal law. The tension between progress and prejudice is depicted through acts of violence, intimidation, and resistance.

🔥

Revenge

Revenge motivates both Jerry and the antagonists, shaping the town's crisis and moral calculus. The pursuit of vengeance has wide consequences, affecting relationships, communities, and personal safety. The climax tests who the violence serves and who it destroys.

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The Black Klansman Spoiler-Free Summary

Discover the spoiler-free summary of The Black Klansman (1966). Get a concise overview without any spoilers.


In the sweltering heat of the Deep South during the civil‑rights era, a tense atmosphere of secrecy and suspicion hangs over every town. The world is one where old codes of loyalty clash with a restless push for equality, and the line between public respectability and hidden hatred is razor‑thin. Shadows move behind church doors and in the backrooms of diners, suggesting a community that is both tightly knit and profoundly divided.

Jerry Ellsworth arrives from the West Coast, a talented jazz musician whose life has been reshaped by an unspeakable personal loss. The grief that follows his tragedy fuels a quiet, unyielding resolve, pushing him to confront a darkness that has previously seemed untouchable. Beside him stands Andrea, his partner, whose own connection to music and steadfast devotion provide both comfort and contrast to Jerry’s mounting inner turmoil.

Driven by a desire for justice that borders on vengeance, Jerry adopts a new, carefully crafted identity, allowing him to cross the forbidden boundary into the very organization responsible for his pain. The film follows his nervous navigation of a world where masks are literal and figurative, and where every conversation carries the weight of potential discovery. As he moves deeper into this concealed society, the tension builds around his double life, the precarious balance of loyalty, and the moral complexities of becoming what he despises.

The tone is a brooding blend of suspense and melancholy, underscored by a gritty, period‑accurate soundscape that echoes the era’s jazz roots while hinting at the oppressive silence that surrounds the protagonists. The story invites curiosity about the lengths one will go to reclaim agency, and how a man’s quest for retribution may reshape the fragile fabric of a community caught between tradition and change.

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