Directed by

Peter Templeman
Made by

Wild Eddie
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SDRead the complete plot summary and ending explained for Not Suitable For Children (2012). From turning points to emotional moments, uncover what really happened and why it matters.
Jonah [Ryan Kwanten] is a carefree, party-loving young man whose night takes a sharp turn when a power outage at one of his gatherings reveals a lump in his testicle. The outage is briefly fixed by a neighbor, but the moment forces a more serious reality into view. At the party, he and Becky Kathryn Beck retreat to his room, and Becky discovers the lump. A visit to the doctor, Dr. McKenzie Lewis Fitz-Gerald, confirms that Jonah has testicular cancer. The doctor explains that the tumor can be removed, but the operation would likely end Jonah’s ability to father children. He also mentions a potential path: sperm banking in case he wants children later, which becomes a crucial thread in the story.
Back home, Jonah confronts the practical fallout with his two closest friends and party partners, Stevie Sarah Snook and Gus Ryan Corr. When Stevie arrives from work, Gus bluntly reveals the cancer, and Jonah wrestles with whether he should still host the upcoming party. He decides to proceed with the plan, not wanting to burden his friends or cancel their growing business of throwing weekly house parties.
A call from the sperm bank arrives, and Jonah must face a harsh reality: the bank informs him that he belongs to a small percentage of men whose sperm cannot be frozen due to biological complications. With this sobering news, Jonah asks about other options and is bluntly questioned, “Well, do you have a girlfriend?” The implication lands hard, and Jonah realizes he must find someone to carry his child. He starts with his ex-girlfriend Ava Bojana Novaković, who is disgusted by the idea of being contacted again. He then turns to Becky, the woman who knows him well but whom Gus has nicknamed “Stalker Becky”; she rejects the notion of a casual arrangement, insisting she never pictured them as a couple. Jonah keeps the cancer secret from the women he speaks to and asks the doctor for more time, ultimately moving the operation three weeks later.
Meanwhile, the party business becomes more than just a side gig. Gus, Stevie, and Jonah realize that hosting parties could become a steady job, a weekly source of income. Their first “paycheck” from a big event totals over $700, a small fortune that cements their resolve to keep the venture going. To solve the child problem, Jonah builds long lists of everyone he has ever dated or known, hoping someone will be willing to carry his child. One-by-one, the women decline. Adoption enters the conversation, but it requires a clean health record, something Jonah does not have due to the cancer. After several dead ends, Stevie proposes an “arrangement” with a woman, and she works to set up a meeting with a lesbian couple at her work—though that initial meeting ends without success. A second possibility at Stevie’s workplace also falls through when the potential partner is not open to a relationship.
The idea of an arrangement begins to take shape when Stevie, who starts to see potential in the arrangement for both of them, writes a contract and reveals a four-day window around Stevie’s ovulation. They book a room at a cheap motel for those days, and the plan unfolds with a mix of practical steps and awkward moments: they buy a syringe to facilitate insemination, but an accident destroys it. They improvise and carry on with natural intercourse, continuing their meetings at the motel while Gus stays oblivious to the evolving relationship between Jonah and Stevie.
On the fifth day, as Stevie is at work, she gets her period. They fight—Stevie confesses she’s having second thoughts about the arrangement, and she’s uncertain about continuing. Stevie is absent at the weekly party that night, leading Gus to call Ava again. Ava arrives, initially upset with Jonah for not telling her about the cancer, but she also offers to carry his child. They go upstairs to his room, have sex, and Jonah pulls out at the last moment—not because he doesn’t want a child, but because he realizes he is in love with Stevie. Jonah hopes to find Stevie to explain, but Stevie’s call pulls him back toward the ongoing fallout.
The party continues, but the tension between old friends and new plans lingers. The next morning, Jonah’s sister arrives to take him and Gus to the hospital for the operation. Stevie shows up to offer moral support, and in a pivotal moment she tells Jonah that she believes he would make a great father—suggesting they pursue sperm donation or adoption together. They share a kiss, and Jonah is wheeled into the operating room. The movie closes on a note of ambiguity and relief as Gus, clueless about what happened between Jonah and Stevie, quietly experiences a mix of confusion and awe. The final line is spoken off-screen by Gus, who mutters under his breath:
What the f***.
Follow the complete movie timeline of Not Suitable For Children (2012) with every major event in chronological order. Great for understanding complex plots and story progression.
Power outage reveals a lump
During a party, a power outage reveals a lump in Jonah's testicle. The moment shifts the mood from carefree revelry to a stark confrontation with mortality. The outage is briefly fixed by a neighbor, but the seriousness of the diagnosis lingers.
Diagnosis
A visit to Dr. McKenzie confirms that Jonah has testicular cancer. The doctor explains that removing the tumor could jeopardize his ability to father children and suggests sperm banking as a possible option, which becomes crucial later.
Facing fertility options
Jonah weighs treatment paths with the doctor and considers preserving options for fatherhood. He grapples with the idea of surgery and its impact on his future, while trying to maintain some normalcy.
Sperm bank setback
The sperm bank informs Jonah that his sperm cannot be frozen due to a biological complication. He asks about other options and is bluntly told that he may need a willing donor.
Attempts with ex Ava
Jonah reaches out to his ex-girlfriend Ava, hoping she might help. Ava is disgusted by the idea and declines to participate.
Becky as an option?
Jonah then turns to Becky, who knows him well, hoping for a casual arrangement. Becky rejects the idea, insisting they were never a couple.
Operation postponed
Jonah asks the doctor for more time, and the operation is postponed by three weeks. Meanwhile, the party business with Gus and Stevie begins to feel like a real, ongoing venture.
Planning a donor arrangement
Stevie proposes an arrangement and writes a contract, outlining a four-day window around Stevie’s ovulation. The plan is carefully laid out, with both parties weighing risks and potential feelings.
Motel plan and insemination attempt
They book a room at a cheap motel for the window and even buy a syringe to facilitate insemination. An accident destroys the syringe, forcing them to improvise.
Stevie's doubts and Ava reconnects
On the fifth day, Stevie gets her period and the arrangement falters; she expresses doubt about continuing. She is absent from the weekly party that night, prompting Jonah to contact Ava again.
Ava returns and the moment of truth
Ava arrives and offers to carry Jonah's child. They go upstairs to his room and have sex, and Jonah pulls out at the last moment—not because he doesn't want a child, but because he realizes he is in love with Stevie.
Love revealed and pursuit of Stevie
Jonah realizes he is in love with Stevie and wants to explain his feelings. Stevie's call pulls him back toward the ongoing fallout of their arrangement.
Morning hospital run and kiss
The next morning, Jonah's sister arrives to take him and Gus to the hospital for the operation. Stevie shows up to offer moral support and hints that they could pursue sperm donation or adoption together, and they share a kiss.
Operation and ambiguous ending
Jonah is wheeled into the operating room, and the outcome remains unresolved, leaving a sense of relief mixed with uncertainty. The final line is spoken off-screen by Gus, who mutters 'What the f***'.
Explore all characters from Not Suitable For Children (2012). Get detailed profiles with their roles, arcs, and key relationships explained.
Stevie (Sarah Snook)
Stevie is pragmatic and resourceful, gradually shaping a plan that could preserve Jonah’s chance at parenthood while also advancing their business ambitions. She grows from a supportive friend into someone who tests the boundaries of their relationship, writing a formal contract to navigate an unusual arrangement. Her evolving feelings for Jonah add complexity to her practical mindset.
Jonah (Ryan Kwanten)
Jonah is a carefree, party-loving guy whose world tilts when he’s diagnosed with testicular cancer and learns he may not be able to father children. He grapples with fear, denial, and a stubborn desire to keep his party life intact. His relationships with Stevie and Becky reveal his capacity for vulnerability and growth as he confronts mortality and desire.
Gus (Ryan Corr)
Gus is the loyal but sometimes oblivious friend who helps run the party enterprise. He provides steady support for Jonah and Stevie but remains largely unaware of how their evolving relationship is impacting the trio. His practical optimism anchors the group as they navigate risky decisions.
Becky Kincaid (Kathryn Beck)
Becky is the woman who knows Jonah well but refuses to view their connection as casual or fleeting. She represents boundaries and a restraint that clashes with the impulsive plans around fertility and relationships. Becky's stance creates tension within the group and challenges the protagonists’ assumptions.
Ava (Bojana Novaković)
Ava is Jonah’s ex who appears initially reluctant to be contacted again but ultimately becomes a potential option to carry his child. Her pragmatic approach contrasts with the emotional pull of the other relationships, highlighting the film’s theme of choosing a path forward amid difficult circumstances.
Dr. McKenzie (Lewis Fitz-Gerald)
Dr. McKenzie is the medical authority who informs Jonah of his cancer and the fertility implications. His explanations drive the ethical and practical decisions the characters confront, including the possibility of sperm banking or alternatives for fatherhood.
Learn where and when Not Suitable For Children (2012) takes place. Explore the film’s settings, era, and how they shape the narrative.
Time period
Contemporary
Set in a contemporary era, the film uses current medical options like sperm banking and modern dating norms. The tone mirrors urban youth culture with late-night gatherings and spontaneous decisions. The narrative unfolds over a few weeks, balancing energetic social life with serious personal choices.
Location
Australia
The action centers around a private home used for weekly house parties, reflecting a modern suburban Australian setting. Key locations include the party-filled house, a cheap motel where the insemination plan unfolds, and a hospital for the tumor operation. The environments emphasize a contemporary, nightlife-driven lifestyle with intimate, high-stakes moments occurring in close quarters.
Discover the main themes in Not Suitable For Children (2012). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
💞
Love & Responsibility
The story probes how love and commitment intersect with practical obligations. Jonah’s illness forces him to consider fatherhood and family planning beyond casual connections. The evolving bond between Jonah and Stevie tests loyalty, boundaries, and what it means to act responsibly toward others.
🤝
Friendship & Loyality
Friend groups stand at the core of the plot, driving both the party business and personal decisions. Gus and Stevie navigate how far they’ll go to support Jonah while protecting their own interests. The film examines how friendships adapt when life-altering news arises.
🧬
Mortality & Fertility
Fertility becomes a central concern as medical options and biological reality collide with desire and romance. The sperm bank reveal and subsequent attempts to find a donor force characters to confront fate, chance, and the long-term implications of their reproductive choices. The narrative treats fertility as both a medical challenge and a emotional hinge.

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Explore the mobile appDiscover the spoiler-free summary of Not Suitable For Children (2012). Get a concise overview without any spoilers.
In a sun‑splashed suburb where weekend parties blur into a perpetual state of celebration, a young man drifts through life with the carefree confidence of someone who has never been asked to think beyond the next drink. His world is a kaleidoscope of loud music, laugh‑filled living rooms, and the endless possibility that tomorrow will simply be another excuse for a night out. The tone is bright and irreverent, laced with a sly, off‑beat humor that makes even the most reckless antics feel oddly endearing.
Jonah’s easy‑going swagger is suddenly shaken when a routine check‑up reveals a medical condition that threatens his most fundamental future plan. Confronted with the prospect that his biological clock might be ticking far faster than anyone could imagine, he is forced to grapple with a reality that clashes spectacularly with his party‑centric lifestyle. The discovery injects a sharp, urgent edge into the previously breezy atmosphere, turning the ordinary into something charged with both dread and dark comedy.
Determined not to let destiny dictate his next chapter, Jonah embarks on a frantic search for a way to secure a legacy before time runs out. He leans on his two closest confidants—Stevie, a quick‑witted, resourceful friend who runs the party logistics, and Gus, a loyal sidekick with a talent for turning mischief into opportunity. Their interactions blend sharp banter with heartfelt moments, creating a lively dynamic that fuels both the humor and the underlying stakes of the quest. The trio’s chemistry turns every misadventure into a showcase of improvisation, with each plan teetering between absurdity and sincerity.
Beneath the riotous surface lies a subtle exploration of what it means to face mortality with a smile, to chase connection in the most unconventional ways, and to discover that the most chaotic journeys often reveal the truest parts of ourselves. The film balances its raucous energy with moments of genuine reflection, promising a ride that is as emotionally resonant as it is wildly entertaining.
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