Directed by

Alejandro Galdón
Read the complete plot summary and ending explained for He Loves Me, He Loves Me Not (2022). From turning points to emotional moments, uncover what really happened and why it matters.
Angélique, a successful art student who moonlights at a cafe and housesits for a wealthy family, starts a forbidden romance with Dr. Loïc Le Garrec, who is married. She clings to the belief that Loïc will leave his wife for her, even as her friend David worries about the riskier path she’s choosing. The couple’s affair coincides with a painful turning point in Loïc’s life: his wife Rachel suffers a miscarriage, and the couple briefly splits as Angélique fantasizes about a romantic escape to Florence. But Loïc decides to stay with his wife, a decision that shatters Angélique’s confidence and sends her into a downward spiral.
As Angélique’s world unravels, she learns that Loïc has been accused of assaulting one of his patients, Sonia Jasmin. She travels to Sonia’s home intending to persuade her to drop the charges, and a confrontation erupts, culminating in Sonia’s heart attack and death. In a reckless bid to regain Loïc’s affection, Angélique stages a break‑in and theft at Sonia’s house, but the plan backfires: Loïc is arrested for Sonia’s murder. After witnessing Loïc embrace his wife as the police drag him away, Angélique returns home, turns on the gas, and lies down to die, hoping to erase the obstacle between them.
The film abruptly rewinds to the opening moment—the pink rose—and replays the events from a different vantage point, this time following Loïc’s perspective as the delivery of the rose unfolds. Loïc receives the flower and initially assumes it came from his wife, a misunderstanding that deepens when he discovers how little he knows Angélique. The two paths cross because Angélique is house‑sitting for their neighbor, and Loïc begins receiving her gifts and messages without realizing who is behind them. He begins to suspect Sonia as the stalker when a confrontation escalates and Sonia suffers a heart attack, subsequently becoming the target of a police investigation himself.
Rachel provides an alibi that clears Loïc, shifting the suspicions away from him. One night, Loïc witnesses an ambulance at his neighbor’s house and instinctively helps Angélique regain consciousness after she attempts to end her life. This act makes him question whether Angélique might be the mysterious stalker, and he starts looking around the house she occupied. In the house, he discovers a life‑sized mosaic of himself made from garbage, a stark symbol of Angélique’s fixation.
The story then converges on a climactic confrontation: Angélique insists that they never had, nor would ever have, a real relationship. When Loïc declares this truth, Angélique strikes him with a brass figurine, sending him tumbling down the stairs. She is arrested and diagnosed with erotomania, ultimately committed to a mental institution. Rachel remains at her husband’s side as he recovers, and years later the couple appears with their young children, while Loïc navigates life with a walker.
Five years pass before Angélique is released. Her therapist congratulates her progress and cautions that continued medication will help, yet a cleaning man discovers pills glued to the wall behind a wardrobe, arranged into a mosaic of Loïc. The mosaic reveals that Angélique has never taken her medication and remains deeply consumed by her obsession with Loïc. The film closes with a quotation from a real erotomaniac: “Though my love is insane, my reason relieves the pain of the heart, telling me to be patient and not lose hope.”
Follow the complete movie timeline of He Loves Me, He Loves Me Not (2022) with every major event in chronological order. Great for understanding complex plots and story progression.
Angélique buys a pink rose for her lover
Angélique visits a flower shop and buys a single pink rose to be delivered to Dr. Loïc Le Garrec. The gesture marks the start of her fixation and a plan to win him away from his wife. The rose's delivery launches the film's central premise and the ensuing events.
Angélique begins an affair with Loïc
Angélique pursues a secret relationship with Loïc while balancing her art studies, a cafe job, and house-sitting duties. She convinces herself that Loïc will leave his wife for her, despite the risks. Their relationship remains intense and clandestine.
Rachel’s miscarriage and the couple’s separation
Rachel suffers a miscarriage, straining her marriage to Loïc and driving them apart. Angélique remains determined to make the relationship work, even as the fallout deepens. The separation accelerates Angélique’s sense of isolation.
Florence trip planned, then canceled
Angélique plans a romantic getaway to Florence with Loïc, only to be stood up at the airport as Loïc chooses to repair things with his wife. The aborted trip highlights the fragility of Angélique’s aspirations. Her hopes start to unravel after the cancellation.
Angélique descends into depression and loses opportunities
With the romance gone, Angélique spirals into clinical depression and loses her scholarship and part-time job. She isolates herself and clings to the idea of being with Loïc. The instability foreshadows the harsher consequences to come.
Angélique confronts Sonia; Sonia dies
Angélique goes to Sonia’s house to persuade her to drop charges against Loïc; during the confrontation, Sonia has a heart attack and dies. Loïc is later arrested in connection with Sonia’s death. The two events intertwine their fates in a growing spiral of guilt and suspicion.
Loïc is arrested for Sonia’s murder
Loïc is taken into custody on suspicion of murdering Sonia. He protests his innocence and is questioned by authorities as the case unfolds. The arrest marks a pivotal turn toward tragedy.
Rachel clears Loïc with an alibi
Rachel tells the police that Loïc was with her on the night Sonia died, providing him a crucial alibi. The truth seems to point away from Loïc, yet the investigation continues under strained circumstances. The public perception of a stalker persists despite the alibi.
Loïc resuscitates Angélique after her suicide attempt
That night, Angélique tries to take her own life; Loïc arrives at the scene and performs mouth-to-mouth resuscitation, reviving her. He begins to suspect that she is the stalker who has haunted him. The encounter marks a shift toward a more personal confrontation.
Loïc discovers Angélique’s mosaic and motive
Loïc explores the house Angélique was house-sitting and finds a life-sized garbage mosaic of himself, revealing the extent of Angélique’s fixation. The discovery solidifies his fear of being watched and harmed. It acts as a tangible symbol of the erotomania framing the story.
The final confrontation and consequences
In a heated confrontation, Loïc declares they never had a relationship. Angélique strikes him with a brass figurine, sending him tumbling downstairs. She is arrested and diagnosed with erotomania, ending up in a mental institution.
Rachel supports Loïc as life moves on
Rachel stands by her husband as he recovers, and the couple is shown years later with their children. The domestic life persists even as the relationship bears the marks of the ordeal. The toll of the events lingers for all involved.
Five years later: Angélique’s release and fragile progress
Angélique is released from the mental institution after five years. Her therapist notes progress and cautions that continued medication will help her stabilize. The return to life is tentative and fragile.
The pills mosaic reveals she never took her meds
When a cleaning man clears Angélique's room, he discovers her pills glued to the wall, arranged in a mosaic of Loïc, revealing she has never taken her medication. The revelation underscores that her fixation remains unresolved. The ending questions whether she can ever truly recover.
The film rewinds to the opening: Loïc’s perspective
The narrative rewinds to the film’s opening rose delivery. This time the events unfold from Loïc’s viewpoint, revealing how he receives the rose and the limits of his knowledge about Angélique. The shift reframes the story as a dual account of obsession and miscommunication.
Explore all characters from He Loves Me, He Loves Me Not (2022). Get detailed profiles with their roles, arcs, and key relationships explained.
Angélique
A successful art student who becomes romantically obsessed with a married doctor, driving the central conflict. Her actions—ranging from gifts to theft and even self-harm—reveal a fragile but dangerous fixation. The perspective centers on her emotional experience and deteriorating grip on reality.
Loïc Le Garrec
A married doctor whose relationship with Angélique triggers the main turmoil. He navigates suspicion, confrontation, and ethical boundaries as his life becomes entangled in a criminal investigation. The arc follows his attempts to clear his name and protect his family.
Rachel
Loïc's wife, whose miscarriage and subsequent reconciliation test the couple's bond. She becomes a stabilizing force amid the crisis and ultimately aids in clearing Loïc of the charges. Her decisions influence the trajectory of the investigation.
Sonia Jasmin
A patient under Loïc's care whose death during the plot escalates the murder investigation. The event triggers the courtroom drama and reveals the dangerous ripple effects of Angélique's actions. Her death is a catalyst for the unraveling of the relationships involved.
Learn where and when He Loves Me, He Loves Me Not (2022) takes place. Explore the film’s settings, era, and how they shape the narrative.
Time period
Early 2000s
The events are set in a modern, present-day context relative to the film's release. The period features contemporary media coverage, legal investigations, and mental health treatment depicted in the narrative. The plot transitions between the present in France and the Florence trip, reflecting a time frame anchored in the early 2000s.
Location
France, Florence (Italy)
The story unfolds primarily in contemporary France, with Angélique living and working in a French city, including cafe work and house-sitting for a wealthy family. The planned romantic getaway to Florence provides a stark contrast to domestic life and fuels the key turn in the plot. The action shifts between Angélique's French surroundings, the neighbor's house she cares for, and the Italian city of Florence during the trip.
Discover the main themes in He Loves Me, He Loves Me Not (2022). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
💘
Erotomania
Erotomania drives the core conflict as Angélique's fixation on Loïc evolves into an obsessive pursuit. Her beliefs about a possible relationship with a married man propel drastic actions, including deceit and self-destructive behavior. The theme is explored through her perspective and the consequences that unfold.
🎭
Manipulation
The narrative is built on manipulation and performative deception, with Angélique staging events to influence Loïc and asset outcomes. Characters present false facades, confusing blame and motive during the investigation. The theme underscores how appearances can mislead both characters and viewers.
🧠
Mental Health
Angélique is diagnosed with erotomania, highlighting the complexities and stigma around mental illness. The film shows the impact of her condition on relationships, job, and self-control. The ending points to unresolved issues and the persistence of her condition.
🔁
Narrative Twist
The film resets the timeline by revisiting events from Loïc's perspective after a rewind, offering a dual narrative. This shift reframes the audience's understanding of who is at fault and why events unfold as they do. The twist emphasizes how perspective shapes truth and interpretation.

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Explore the mobile appDiscover the spoiler-free summary of He Loves Me, He Loves Me Not (2022). Get a concise overview without any spoilers.
On a sultry summer morning, Arnau walks beside his mother into the gleaming halls of an opulent mansion where she works, the heat hanging thick in the air like a shared secret. The estate, with its polished marble corridors and sun‑drenched gardens, feels both grand and intimate, a world where the ordinary collides with the extraordinary. It is within this lavish backdrop that Arnau first notices a striking figure moving through the rooms with a quiet confidence that catches his breath.
The young man’s eyes lock on Javier, a charismatic presence whose smile seems to echo the lingering summer light. In an instant, Arnau feels a rush of emotion that is both exhilarating and terrifying—a crush that seems to bloom as quickly as the garden roses outside. Yet the distance between them feels as vast as the marble staircases, and Arnau quickly convinces himself that the gap is insurmountable, slipping the feeling into the recesses of his mind.
The film settles into a tone that balances tender yearning with the breezy rhythm of a lazy, sun‑soaked day. It captures the delicate dance of youthful infatuation, where every glance is loaded with possibility and every whispered thought hints at a story yet to unfold. The mansion itself becomes a character of its own, its elegance and quiet corners mirroring Arnau’s internal landscape—a mix of admiration, hesitation, and the faint pulse of hope.
As the day stretches on, the lingering sense that destiny might have its own plans adds a subtle undercurrent of intrigue. The audience is left to wonder whether the walls of the grand house will keep Arnau and Javier apart or if the heat of the moment will spark something more, inviting a journey that promises both self‑discovery and the gentle thrill of first love.
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