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Yolanda and the Thief 1945

Johnny Riggs, a fugitive con man, arrives in the fictional Latin American nation of Patria and overhears a wealthy, convent‑educated woman praying to her guardian angel for help with her tangled business affairs. Posing as her angel, he earns her trust and steals her fortune. When he falls in love, he returns the money with a confession‑love letter, but their escape proves far more perilous than expected.

Johnny Riggs, a fugitive con man, arrives in the fictional Latin American nation of Patria and overhears a wealthy, convent‑educated woman praying to her guardian angel for help with her tangled business affairs. Posing as her angel, he earns her trust and steals her fortune. When he falls in love, he returns the money with a confession‑love letter, but their escape proves far more perilous than expected.

Does Yolanda and the Thief have end credit scenes?

No!

Yolanda and the Thief does not have end credit scenes. You can leave when the credits roll.

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Yolanda and the Thief Quiz: Test your knowledge of the 1945 musical comedy *Yolanda and the Thief*.

Which actress portrays the heiress Yolanda Acquaviva?

Full Plot Summary and Ending Explained for Yolanda and the Thief

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Read the complete plot summary of Yolanda and the Thief, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.


In the pastoral country of Patria, 18-year-old Yolanda Acquaviva Lucille Bremer celebrates her birthday in a convent among fellow students. She is poised to take over the family fortune, a duty once managed by her Aunt Amarilla [Mildred Natwick], but she feels unprepared. The Mother Superior [Jane Green] reassures Yolanda that her guardian angel will watch over her, offering steady guidance as she steps into adult responsibility.

Two American con men, Johnny Riggs [Fred Astaire] and Victor Trout [Frank Morgan], have come to Patria because it has no extradition laws, and they quickly learn of the immense Acquaviva fortune. On the train and later through a newspaper account, they glimpse the young heiress and begin to sketch a plan to exploit the opportunity for themselves.

Yolanda is greeted at her estate by Aunt Amarilla and a crowd of servants. Later, in the garden, she prays to her guardian angel for direction, a moment Johnny overhears from an unseen vantage, setting the stage for a fateful intersection of dreams and deceit.

Johnny phones Yolanda, presenting himself as her guardian angel. He explains that he will help her, but cannot appear in angelic form and will instead meet her in human disguise, instructing her to call him Mr. Brown. The naive young woman agrees, envisioning a simpler way to bear the burden of wealth.

Johnny dreams about Yolanda, an image that unsettles him, yet he remains committed to the plan with his partner. They manage to steal valuable bonds from Yolanda, but the escape proves difficult, and a shared circumstance pulls Johnny, Victor, and a third figure into the tale: Mr. Candle [Leon Ames], who claims to want what is best for Yolanda.

Mr. Candle’s demeanor and assurances increasingly muddy the lines between guardian and trickster, prompting Johnny to question his choices. Yolanda grows fond of Johnny in the process, while he wrestles with feelings of unworthiness and guilt. The situation culminates as Mr. Candle reveals himself to be Yolanda’s true guardian angel, urging Johnny to return to her as a reformed man. Faced with truth and transformation, Johnny embraces a new path, and the story ends with Johnny and Yolanda choosing to marry, signaling a hopeful turn after a journey marked by manipulation, longing, and redemption.

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Yolanda and the Thief Themes and Keywords

Discover the central themes, ideas, and keywords that define the movie’s story, tone, and message. Analyze the film’s deeper meanings, genre influences, and recurring concepts.


police officerbased on magazine storybriefcasemansionattempted swindlewoman in a bubble bathduennachoreographed dancedream sequencecarnivalreference to salvador dalipower of attorneysavings bondfake engagementmisunderstandingjazz musicmoral reformationarrest warrantsupernatural fantasypop musicalwhimsical adventurefalling in lovespontaneous kissfeel good romancegolden harpoil heiressmarriage receptionfamily photographtrain passengerbusiness partnerminnelli and astaireastaire and bremerangellove lettercon manguardian angelwriting a letterpushing a vehiclewedding dresswall safetoy boatthefttaxi accidentsurreal scenereligious processionpuppetpromisepolicepay phonepadre
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