
A leaked Wiki-Leaks document exposes a disturbing alliance between politicians and the medical industry, driving healthcare costs beyond the reach of many. As names and addresses of those implicated are revealed, a vigilante movement arises across the nation. Following the loss of his father to cancer, Mason joins forces with Thompson and Bobbi, seeking retribution and hoping for financial reward. A single gunshot ignites a chain of unforeseen events, pulling the group deeper into a dangerous and unpredictable path.
Does We Take the Low Road have end credit scenes?
No!
We Take the Low Road does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of We Take the Low Road, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Brian Sutherland
Thompson Darby

Pisay Pao
Hospice Worker

Tony Doupe
Senator

Madelyn Grace
Little Girl

Sean Ormond
Teenage Boy

Anisha Adusumilli
Natalie

Stefan Hajek
Michael Winston

D'Angelo Midili
Tom

Russell Hodgkinson
George

Lisa Carswell
Ida

Angela DiMarco
Detective Rocchi

Jesse Lee Keeter
Street Cop

Elijah Stevenson
Teenage Mason

Simone Leorin
Street Cop

S. Scott McCracken
Sheriff Lathrop

Luke Schuck
Clyde

Rich Morris
Mason Garrett

Amanda Viola
Bobbi

Sonya Khazaal
Senators Wife

Kent Loomer
Street Cop

Ashley Bagwell
Pawn shop owner

Adara Toop
Molly Winston

Micah Knapp
The Coroner

Hanna Uselding
Teenage Girl

Coco Christo
Young Bobbi

Domenic Barbero
News Voice #3

Phillip Musumeci
Radio Host #1

Hope Shanthi
News Voice #4
Discover where to watch We Take the Low Road online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Rotten Tomatoes or Letterboxd.
See how We Take the Low Road is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where We Take the Low Road stands among top-rated movies in its genre.
Overall, the film registers a notably weak impression across its core components. Reviewers repeatedly cite a sluggish narrative, unengaging characters, and subpar technical execution, while sporadic moments of mild enjoyment fail to offset the prevailing deficiencies. The consensus underscores limited appeal and minimal rewatch potential, situating the movie firmly in the low‑range of quality assessments.
The Movie Echo Score Breakdown for We Take the Low Road
Art & Craft
In terms of art and craft, the production is described as merely passable, with occasional acknowledgment of decent production values but overall criticism of lackluster direction and uninspired visual style. Reviewers note the absence of artistic elegance and an unremarkable editing rhythm. Consequently, the technical execution is viewed as below average.
Character & Emotion
When it comes to character and emotion, the performances receive mixed remarks, ranging from likeable cast members to outright accusations of awful acting. Some reviewers appreciate brief moments of engaging dialogue, yet the majority find the characters underdeveloped and emotionally flat. Overall, the character work is judged as weak and inconsistent.
Story & Flow
Regarding story and flow, the plot is frequently labeled as slow, uneventful, and ultimately boring. Critics highlight an intriguing premise that fails to sustain momentum, with pacing problems that diminish engagement. The ending offers a modest lift, but it does not sufficiently redeem the overall narrative shortcomings.
Sensory Experience
In the sensory experience domain, the soundtrack and sound design draw particular criticism for being overly loud, cringeworthy, and poorly integrated. Reviewers describe the music as grating alt‑country grit with bad lyrics, contributing to an unpleasant audio environment. Visual style receives little positive comment, reinforcing a generally negative sensory impression.
Rewatch Factor
The rewatch factor is assessed as minimal, with numerous reviewers explicitly stating they would not watch the film again. Boredom, a lack of compelling content, and overall dissatisfaction dominate the feedback, despite occasional acknowledgment of a decent ending. This consensus points to very low replay value and lasting appeal.
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