We Kill for Love (2023): Cast & Ratings
We Kill for Love is a 2023 documentary directed by Anthony Penta, starring Andrew Stevens, Fred Olen Ray and Monique Parent. It runs 2 hours 43 minutes. Critics gave it 79% on Rotten Tomatoes, and IMDb users rate it 7.4/10.
- Released
- Runtime
- 2h 43m (163 min)
- Director
- Anthony Penta
- Genre
- Documentary
- Original language
-
English
- Studio
- Yellow Veil Pictures
- After the credits
- No No extra scene
What Is We Kill for Love About?
The premise of We Kill for Love without spoilers.
This documentary explores the hidden world of erotic thrillers that found a home on VHS tapes and late-night television. Through interviews and analysis, it delves into the stories behind these direct-to-video films, examining their cultural impact and artistic merit. The film seeks to re-evaluate a genre often dismissed, celebrating the passion and creativity involved in its production.
We Kill for Love Themes & Keywords
· 4 tags- erotic thriller
- american
- night
- world
We Kill for Love Cast
Andrew Stevens leads the cast, with Fred Olen Ray and Monique Parent. Directed by Anthony Penta; 9 actors are credited in all.
- Director Anthony Penta
Also Starring in We Kill for Love
· 5 moreWe Kill for Love Reviews & Ratings
Critics gave We Kill for Love 79% on Rotten Tomatoes, and IMDb users rate it 7.4/10. Our Echo Score gives it 68/100, strongest in art & craft (78) and weakest in character & emotion (60).
We Kill for Love Echo Score Breakdown
We Kill for Love presents a largely engaging exploration of the DTV erotic thriller, buoyed by confident editing and a reverent tone toward its source material. While the documentary supplies insightful historical context and occasional moments of originality, it suffers from uneven pacing and an overemphasis on niche analysis that can alienate broader audiences. The mixed execution across craft and narrative results in a respectable but imperfect viewing experience that may appeal most to genre enthusiasts.
Our own 0–100 rating, built from five aspects: art, character, story, the sensory experience and how well a film rewatches.
- Art & Craft 78
In terms of art and craft, the film benefits from precise editing and a self‑conscious visual approach that underscores its subject. Reviewers note the editing as fantastic and the overall presentation as a masterclass in sub‑genre handling. However, some find the documentary’s aesthetic uninteresting and overly lengthy, softening the impact. Overall, the technical execution is solid and leans toward a commendable level of craftsmanship.
- Character & Emotion 60
When evaluating character and emotional resonance, the documentary offers limited depth, focusing more on genre analysis than personal narratives. Critics observe a hyper‑focused voice that occasionally loses audience connection, and the lack of strong performative elements reduces emotional engagement. Nevertheless, the film’s reverence for its subjects provides occasional moments of affective relevance. The result is a moderate showing, with character development remaining secondary to thematic exposition.
- Story & Flow 62
The story and flow exhibit a blend of originality and narrative drawbacks. Positive feedback highlights the film’s insightful connections to gothic literature and its enjoyable, if lengthy, storytelling. Conversely, criticisms point to a sluggish pace, excessive runtime, and occasional unfocused analysis that hampers coherence. While the documentary delivers intriguing insights, the uneven pacing and occasional narrative wandering keep its overall storytelling effectiveness in a middling range.
- Sensory Experience 66
Sensory experience is anchored by thoughtful visual choices and meticulous editing, creating a cohesive aesthetic that reflects the erotic thriller genre. Reviewers mention the film’s self‑conscious gaze and effective visual style, though specific commentary on sound design or music is sparse. The overall sensory impact is competent, enhancing the documentary’s thematic aims without standing out as exceptional. Consequently, the sensory score remains comfortably above average.
- Rewatch Factor 72
Rewatch factor is reinforced by the film’s appeal to genre enthusiasts and its informative, enjoyable presentation. Critics note that regular video‑store patrons and viewers familiar with the sub‑genre will find lasting value, despite the documentary’s length. While the overlong nature may deter repeat viewings for casual audiences, the depth of insight and respectful homage encourage revisiting for dedicated fans. This yields a relatively high replay potential.
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IMDb 7.4 /10
See on IMDb -
Rotten Tomatoes 79% Tomatometer
See on Rotten Tomatoes -
TMDB 82% User score
See on TMDB -
Letterboxd 3.5 /5
1026 ratings
See on Letterboxd
We Kill for Love Trailers & Videos
The trailer of We Kill for Love.
Seen We Kill for Love?
Movies Like We Kill for Love
Films with a similar story, tone or audience, including Snuff: A Documentary About Killing on Camera, Body Parts and Thirsty for Love: Sex and Murder.
We Kill for Love FAQ: Cast, Runtime & Release Date
Runtime, release date, director, cast, ratings and post-credit scenes of We Kill for Love, each answered in a sentence.
How long is We Kill for Love?
We Kill for Love runs 2 hours 43 minutes (163 minutes).
When was We Kill for Love released?
We Kill for Love was released on September 1, 2023.
Who directed We Kill for Love?
We Kill for Love was directed by Anthony Penta.
Who is in the cast of We Kill for Love?
We Kill for Love stars Andrew Stevens, Fred Olen Ray and Monique Parent, among 9 credited actors.
How is We Kill for Love rated?
We Kill for Love has 7.4/10 on IMDb, 79% on Rotten Tomatoes, 82% on TMDB and 3.5/5 on Letterboxd.
Does We Kill for Love have a post-credit scene?
No. We Kill for Love has no extra scene during or after the credits.
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