Runtime
149 mins
Language
Bengali, Bangla

A young girl facing a terminal illness desperately wants to experience the vibrant Durga Pooja festival in Kolkata. Her devoted father and a filmmaker team up, embarking on a heartfelt journey to create a simulated version of the celebration, hoping to fulfill her cherished wish and bring a moment of joy into her life.
Does Uma have end credit scenes?
No!
Uma does not have end credit scenes. You can leave when the credits roll.
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Uma is a young girl living in Zurich who is facing a terminal illness; a doctor bluntly tells her she has barely two months left. Her guardian in this moment of fear, Himadri, is devastated by the news and resolves to grant her one last wish: to witness the magic of Kolkata during Durga Puja, the grandest festival in Bengali culture. He had promised Uma before that he would take her to Kolkata, but his demanding work schedule kept him from doing so—until now.
To fulfill Uma’s dream, Himadri devises a bold plan: to stage a fake Durga Puja in the city with the help of a discreet crew. The crew includes the Gobindo, a resourceful figure who helps locate a director, and the bridge between dream and reality becomes the seasoned yet troubled filmmaker Brahmananda. The director, who once tasted a glimmer of success but now lives with the echoes of past failures, sees in this dying girl’s wish a chance to craft a life-affirming masterpiece. His backstory unfolds as a flashback—his wife and son drifted apart after a string of box-office disappointments, leaving him to confront what he could not change in his own life.
As the plan takes shape, Brahmananda agrees to the project after a brief, charged conversation with Himadri. The crew faces a cascade of practical and moral hurdles: Mohitosh Sur, a resident with strong opinions about the festival’s authenticity, strongly resists what he calls a mockery of a sacred tradition. He even contemplates legal action, while Gobindo exerts influence through a lawyer to tilt the odds in their favor. Yet the team pushes forward, driven by Uma’s unwavering hope.
A crucial thread of the story concerns who will play Uma’s mother in this constructed Durga Puja. After a process of auditions filled with tension and doubt, a suitable woman named Marium is chosen to play the mother figure, providing the human heart the drama needs. Meanwhile, an officer named Indra—an Ammal-turned-government figure who seems to hold the keys to the electricity and permit approvals—becomes a pivotal obstacle, denying permission and catalyzing a tense confrontation with Himadri.
The day of delivery arrives when Uma is brought to Kolkata. The pandal lights finally blaze to life, despite the bureaucratic snags, and the ensemble of the crew works to stage a celebration that feels real enough to touch Uma’s dying wish. In a moment of revelation, Indra’s side of the story is clarified, and the community around the festival bursts into warmth and support. Menoka, Uma’s mother in this troubled history, reappears with a complicated past of her own, and the film’s emotional center shifts as the truth about Uma’s parentage and upbringing gradually surfaces.
As Dashami—the last day of Durga Puja—arrives, the team improvises to secure a crowd large enough to give Uma the authentic experience she wanted. The Bihari goon who previously loomed as a threat arrives with the needed people, and the festival proceeds with a blend of ritual grandeur and human vulnerability. Uma herself participates in the celebrations, receiving a heartfelt welcome from Brahmananda’s family, and her world briefly lights up with genuine joy before she faints, reminding everyone of the fragility of life.
In the aftermath, the circle around Uma—Himadri, the crew, and those who cared for her—grapples with the weight of what they’ve done. A quiet moment comes when Himadri shows Uma an old photograph of her biological mother, prompting a painful but necessary acknowledgment: Uma had suspected that the woman who had cared for her during the preparations might not be her real mother, and she offers a sincere apology for the confusion and hurt that history has wrought. The film closes on a tender note: Marium remains in Uma’s life, now living with Uma and Himadri as doctors approve a potential operation, and Uma writes to her newfound family about the experiences she witnessed and the hope she still holds for a possible recovery.
This emotionally driven story is rooted in real events, drawing inspiration from the life and death of Evan Leversage, who lived in St George in Ontario, Canada, and whose legacy echoes through Uma’s journey and the choices that shape the Durga Puja that binds a family together in the face of an imminent loss.

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