
Three Against The World is a 1988 Hong Kong action film directed by Brandy Yuen and starring Andy Lau and Rosamund Kwan.
Does Three Against the World have end credit scenes?
No!
Three Against the World does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Three Against the World, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Andy Lau
Charlie Chan

Wu Ma
Chia Yi Chen

Chin Ka-Lok
Hsiao Ming

Corey Yuen Kwai
Candy Seller

Chiu Chi-Ling
Sung's Thug at Bathhouse

Norman Tsui Siu-Keung
Sharp Shooter Ma Yun Lung

Yuen Woo-Ping
Chia Yi Chen in Disguise

Teddy Robin
Cho Fei Fan

Paul Chung Fat
Gambler on Train

Sze Mei-Yee
Uncle Nine

Rosamund Kwan Chi-Lam
Fan

Walter Tso Tat-Wah
Detective Looking for Toilet

Shing Fui-On
Sung's Thug at Bathhouse

Sandy Lam
Fan's Daughter

Teddy Yip Wing-Cho
Ming's Father

Siu Tak-Foo
Guard

Wong Chi-Keung
Sung

Sai Gwa-Pau
Guest at Hotel Reception

Ka Lee
Sung's Thug at Exhibition

Ricky Ng
Guard

Pauline Wong Yuk-Wan
Secretary Fang

Yuen Shun-Yi

Tse Ning
Lung's Girlfriend

Brandy Yuen Jan-Yeung

Ng Hon-Keung
Bath House Worker

Cheng Kwun-Min
Mr Ng

Cheung Choi-Mei
Yueh Ying
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Who is the skilled bounty hunter tasked with safeguarding the priceless Koran?
Read the complete plot summary of Three Against the World, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Charlie Chan is a skilled bounty hunter entrusted by his godfather, Boss Ng, to safeguard a priceless copy of the Koran during a high-stakes transport intended for an exhibit. The mission, however, is tangled with a broader scheme: an unscrupulous businessman, Sung Kam-wing, plans to seize Ng’s insurance empire by pulling off the Koran theft with the help of master thief Cho Fei Fan. In the shadows, a competing thief, Ma Yun Lung, is also after the relic for his own reasons—specifically for his girlfriend, who has her own tragic ties to the artifact’s history. The stage is set for a tense triangle of loyalties, alliances, and shifting betrayals.
At a grand party hosted by Sung in his mansion, the three factions reveal their intentions in the clearest terms yet. A high-stakes game of show hand becomes a naked contest over who will ultimately wield the Koran. Cho Fei Fan wins through cunning, but the maneuver unsettles [Ma Yun Lung], who challenges the outcome with a Mexican standoff and a revolver. In a swift display of quick thinking, Charlie Chan turns the duel into a cunning bluff—shooting twice to demonstrate that his weapon is effectively empty, since Ma habitually loads only five bullets. The ruse unsettles [Cho Fei Fan], Sung’s ally, and Sung himself steps in to cool the heat, leaving the three at an uneasy stalemate.
The very next day, Charlie Chan takes radical precautions: he splits Ng’s Insurance Company guards into five groups, moving the Koran along five separate directions toward the exhibit while he keeps the real artifact close, guarded by a rookie named Siu-ming. The journey is perilous from the start. In a Bathhouse yakuza-style confrontation, Sung Kam-wing hires two brutal thugs, [Double Trouble]—one played by Shing Fui-On and the other by Chiu Chi-Ling—to ambush Charlie. The bounty hunter proves more than a match for them, dispatching the attackers with ease, and pressing on toward the goal with steely calm.
Soon enough the convoy arrives at the exhibit, and it appears that all five transport groups have delivered their metal cases, with Charlie keeping the Koran securely on his person. The tension spikes again when Ma Yun Lung and his companion arrive in disguise—a doctor and a pregnant woman—attempting to steal the artifact during the opening. Their plan is foiled when a real doctor and nurse unexpectedly show up, sparing the Koran but leaving Ng wary of Charlie’s management of the treasure.
Behind the scenes, a crucial plot twist unfolds: Cho Fei Fan has hired a gold counterfeiter, Ka Yik-chan, to produce a convincing fake Koran. Charlie, always three steps ahead, pays Ka a visit and commissions a second counterfeit of his own, which he plans to swap with the genuine Koran at the exhibit. He also quietly adjusts the security system to make the Koran descend and be hidden once the day ends, a feature that will prove essential in the ensuing chess match of wits.
That night, Ma Yun Lung slips back into the exhibit to seize the fake on display, while Cho Fei Fan and his daughter hold [Ng] hostage and demand that Charlie hand over the real Koran. The pressure tests Ng’s trust in Charlie, prompting a tense exchange that puts everyone at risk. Into this fraught moment steps a mysterious, beautiful woman who has crossed paths with Charlie Chan previously on a train and who now appears at a bar, stirring new questions and shifting allegiances.
Charlie’s next move is to hunt down Ka Yik-chan once more and press him to forge a second counterfeit, this time to enable a cunning swap during the exhibit’s closing phase. With his plan in place, he revisits the romantic interlude with the enigmatic woman and guides her back to her hotel, where she eventually falls asleep, her presence becoming a pivotal turn in the night’s events.
As the day of the closing show arrives, Charlie’s preparations pay off: the fake Koran has been swapped, the security system refined, and the true artifact’s location obscured as the crowds disperse. Yet the night is far from over. Ma breaks in again, intent on шахт—it is a violent, chaotic struggle involving Cheuk Fei Fan and his elder daughter, and Sung’s henchmen surge in to complicate matters further. The trio—Charlie, Ma, and Fan’s daughter—lock horns with the gang in a furious sequence of fistfights and close-quarters combat, a vivid display of skill and grit that edges toward a climactic confrontation.
Cheuk, cornered and cornering, challenges the pair to a three-way duel, each armed with a single bullet, while Cheuk wields a dagger. The ruse escalates into a brutal exchange that finally devolves into a joint effort by Charlie and Ma to subdue Cheuk. The elder daughter’s presence helps illuminate the family ties at play, and the battleground shifts to a high-tue tip as their duel spills into a chase that ends on a speeding train. The decisive moment, however, comes not on the train platform but in the hands of fate—Cheuk’s escape is thwarted, and the real Koran remains elusive until a last-minute delivery event.
In the cocoa-quiet aftermath, a candy seller—a small, almost mundane figure in this sprawling caper—arrives at Charlie’s side with the Koran, a token of trust passed along by Cheuk’s elder daughter. The exchange is quiet and almost ordinary in contrast to the fireworks that preceded it, underscoring the film’s core thread: loyalty, cunning, and the ever-present possibility of deceit when valuable artifacts and vested interests collide.
Thus, the story of Charlie Chan weaves through a maze of deception, risk, and high-stakes gambles, where each player pursues the Koran for different reasons, and where a hunter’s skill, a thief’s craft, and a daughter’s quiet courage converge in a final, bittersweet denouement.

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