
Directed by Raymond Yip and released in 2000, this Hong Kong film serves as a spin‑off and prequel to the Young and Dangerous series, tracing the early life of Chicken Chiu (Jordan Chan) before he becomes a triad member under boss Chan Ho Nam (Ekin Cheng).
Does Those Were the Days have end credit scenes?
No!
Those Were the Days does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Those Were the Days, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Anthony Wong
Dai Fei

Sandra Ng Kwan Yue
Sister 13

Michael Tse Tin-Wah
Dai Tin Yee

Gigi Leung Wing-Kei
Lok Wing Gee

Jordan Chan Siu-Chun
Chicken

Ekin Cheng Yee-Kin
Chan Ho Nam

Philip Keung Ho-Man

Vincent Wan Yeung-Ming
Ben Hon

Frankie Ng Chi-Hung
Brother B

Lee Siu-Kay
Brother Kei

Jerry Lamb Hiu-Fung
Bau Pei / Foreskin

Lily Li

Shek Sau
Chris Chong

Kristy Yeung kung Yu
Cheung May Yun

Henry Yu Yang
Boss Yu

Gregory Lee
Lok Wai Ho

Jason Chu Wing-Tong
Banana Skin

David Lee Wai-Sheung
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Read the complete plot summary of Those Were the Days, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
On their 35th wedding anniversary, Petey Simmons and Martha Scroggs look back on the college days that brought them together, a memory lane that helps them understand the life they built together.
In college, Petey Simmons arrives as a wealthy newcomer, and the social world around him shifts to accommodate his presence. Rival fraternities circle him, and his ego grows as crowds of fraternity brothers and admiring girls vie for his attention. At a campus dance, his shy roommate sets up a date with campus beauty Mirabel Allstairs, but Petey ends up ignoring his own date, Martha Scroggs, instead weaving through conversations and dancing with other girls.
A notorious prankster, Petey has already faced trouble with the law before. His playful tricks on campus escalate—one example involves tampering with a professor’s clocks to delay an exam. A later act of vandalism only deepens the trouble, and he is ultimately arrested again. The judge who presides over his case threatens serious consequences, handing down a six-month jail sentence. Seeking mercy, Petey asks for a one-week continuance before the official sentencing, and within that short window he makes a bold move: he discovers that Martha is the daughter of the judge.
With this revelation, the dynamics shift dramatically. When the plan to win over Martha comes to light, Petey finds himself locked in the town jail under the judge’s stern watch. Yet Martha is moved by his persistence and decides to orchestrate a reciprocal gesture—she allows herself to be arrested so that she can share the same cell as him, their fingers touching and hands intertwined between the iron bars as they exchange a quiet, intimate moment.
The narrative then returns to the present, where the elderly judge contemplates how his daughter and son-in-law came to be a couple. The tale threads through their past and their present, revealing the unlikely romance that reshaped their lives. A new note enters the story as the judge learns that Petey Jr. has also been arrested, but this development does not surprise him; it feels like a natural extension of the family’s complicated history.
Throughout, the film balances humor with tenderness, offering a portrait of how a wild, carefree start can lead to a committed, lasting bond. The memories from campus days illuminate the choices that defined their marriage, while the present-day reflections underscore the enduring ties between love, family, and the passage of time. In the end, the couple’s long union stands as a testament to the way past misunderstandings and impulsive decisions can evolve into shared memories and a deep, enduring connection.

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