
After his wife is murdered, Luc is devastated when the perpetrator is freed due to a legal technicality. Determined to avenge her death, he takes justice into his own hands, finding himself in direct conflict with the legal system that failed him. He must confront the consequences of his actions as he seeks retribution.
Does The Verdict have end credit scenes?
No!
The Verdict does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of The Verdict, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Koen De Bouw
Luc Segers

Wouter Hendrickx
Inspector Vercauteren

Veerle Baetens
Lawyer Teugels

Johan Leysen
Lawyer De Cock

Viviane de Muynck
Judge Van Rillaer

Joke Devynck
Ella de Graeve

Sven de Ridder
Jan Ravoet

Jappe Claes
Attorney-General Vanderbiest

Chris Lomme
Louise Puype

Jo De Meyere
Karel Puype

Hendrik Aerts
Kenny de Groot
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Challenge your knowledge of The Verdict with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
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Read the complete plot summary of The Verdict, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
A battle-worn but tenacious lawyer, Frank Galvin, takes on a medical malpractice case that tests loyalty, ethics, and the limits of justice. Once a rising star, Galvin has become an alcoholic ambulance chaser, trying to scrape by on whatever cases cross his path. When his former partner asks him to take on a high-stakes medical malpractice suit, he is drawn to a case that already feels unwinnable but morally compelling. Deborah Ann Kaye, who was left comatose after a routine childbirth at a Catholic hospital, has her sister and brother-in-law pushing for a settlement to cover her care. The hospital’s Catholic diocese attempts a quiet exit, offering a settlement of $210,000, a handsome sum meant to resolve the tragedy quickly. Yet Galvin’s humanity rises above the dollar figure; after seeing Kaye in the hospital, he refuses the offered money and commits to trying the case, much to the shock of the defendants and the judge.
As the trial unfolds, Galvin’s personal life bleeds into his professional one. He meets Laura Fischer, a divorcée with her own vulnerabilities, in a bar, and they begin a tentative romance that adds pressure to his professional resolve. The path to trial is obstructed from the start: a trusted medical expert abruptly disappears, and an improvised substitute’s credentials are quickly put under the microscope. The hospital’s side assembles a formidable team, skilled at shaping the narrative in the press, while Kaye’s brother-in-law confronts Galvin with anger over the rejected settlement. The atmosphere in the courtroom grows tense as the defense lays out a polished, well-funded defense posture, banking on procedural complexity and media control to sway public opinion.
In chambers, tensions flare as Judge Hoyle spars with Galvin over legal strategy. The judge’s stern, unyielding stance contrasts with Galvin’s growing impatience, and the exchange hits a sour note when Galvin accuses Hoyle of acting as a “Bag Man” for local interests. Hoyle, unmoved, refuses to grant a mistrial and warns of consequences. The moment hints at a broader moral battlefield beyond the courtroom while Galvin presses forward, determined not to back down.
Galvin discovers a crucial inconsistency that could tilt the case: the admitting nurse, Kaitlin Costello, had altered a critical form from indicating a full meal to a status suggesting no food had been eaten, a change coerced by higher-ups who threatened her career. Costello reveals that she photocopied the original form before handing it over to the court—a fact that could demonstrate the hospital’s intent to conceal negligence. The defense objects, insisting the original document carries more weight, and Hoyle pauses to consider, ultimately reserving judgment. The revelation triggers a far-reaching ripple effect: as a diocesan attorney praises his colleague’s performance to the bishop, the unsettling question of credibility hangs in the air.
Despite the seemingly insurmountable obstacles, Galvin delivers a closing argument charged with passion and moral clarity. The jury, moved by the evidence and the ethical stakes, returns a verdict in favor of the plaintiffs, and the foreman asks if they can award more than the amount sought. Hoyle accepts the possibility, resigning himself to a verdict that transcends a simple settlement. Outside the courtroom, Galvin shares a moment of recognition with Laura, who watches from across the atrium, a silent affirmation of what this case has cost and what it may still demand.
That night, as Laura dials his office in a moment of intimate connection and doubt, Galvin sits with a quiet cup of coffee, contemplating the cost of truth and the fragile line between personal happiness and professional duty. He hesitates at the last moment, allowing the phone call to ring, a small, human pause in a day filled with legal and emotional upheaval. The case leaves him changed—more grounded, more resolute, and perhaps more haunted by the line between right and earned justice.
Overall, the film unfolds as a character-driven courtroom drama that balances legal strategy, ethical dilemmas, and emotional undercurrents. It explores the tension between pursuing truth at any cost and safeguarding one’s own humanity, all set against a backdrop of a system that can both elevate and squeeze the lives of those who seek redress. The result is a measured, thoughtful portrait of courage under pressure, anchored by a protagonist who faces down formidable forces to advocate not just for compensation, but for accountability and dignity.
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