
Alyssa moves into a seemingly luxurious apartment complex, unaware that her landlord, Robert, is secretly monitoring her through hidden cameras. Driven by a desire to replace his estranged daughter, the disturbed Robert becomes increasingly obsessed with Alyssa, blurring the lines between landlord and captor in a disturbing and unsettling situation.
Does The Landlord have end credit scenes?
No!
The Landlord does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of The Landlord, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.
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Read the complete plot summary of The Landlord, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Elgar Enders, living on an allowance from his wealthy parents, buys an inner-city tenement in Park Slope, Brooklyn, a place undergoing gentrification. His plan is simple and self-centered: evict the long-time tenants to clear the way for a luxury home that fits his privileged tastes. Yet the moment he steps into the building, he encounters a world of life, struggle, and resilience among the residents, and something begins to shift inside him. Rather than pressing ahead with his original scheme, he grows compelled to stay on as the landlord and to use his resources to repair the aging structure and help the people who live there. This decision marks a rebellious turn away from his WASP upbringing, much to his parents’ dismay, and it sets the stage for a complicated romance.
He becomes involved with two black women, first forming a connection with Lanie, a mixed-race dancer at a local black club. Lanie’s background—with a mother of Irish descent and a father of African descent—gives her a lived experience of colorism, and this nuance influences their relationship in meaningful ways. As their bond develops, Elgar’s life becomes entangled with another tenant, Fanny Johnson, with whom he has an affair that leads to an unexpected pregnancy. Fanny’s husband Copee, a black activist wrestling with his own identity, reacts with anger and violence, briefly turning the story dark as he attacks Elgar with an axe before his restraint is secured.
While Fanny is recovering in the hospital, she confides in Elgar that she cannot raise the child alone and that Copee is returning home. She suggests the idea of giving the child up for adoption, but insists it should be to a white family in order to start a new life. The narrative reaches a turning point as Elgar confronts this prospect and ultimately makes a decision that changes everyone’s path. He steps forward to take custody of the child, works toward mending his relationship with Lanie, and makes a new life by moving in with her. The story closes on a note of personal transformation, tying together themes of community, responsibility, and the unlikely ways love and loyalty can redefine a life.

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