
As Valentine’s Day approaches, a high school senior attracts the attention of a new student who may have ulterior motives.
Does The Wrong Valentine have end credit scenes?
No!
The Wrong Valentine does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of The Wrong Valentine, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Savira Windyani
Sara

Vivica A. Fox
Ms. Connelly

Evan Adams
David

Meredith Thomas
Mrs. Stein

Michael Bergin
Frank

Jacqi Vene
Michelle

Daniel Joo
Dr. Wilson

Joy Bergin
Ms. Harrison

Arie Thompson
Ashley

Jake Marlow
Pete

Chris Rouse
Detective Rick

Mariah Robinson
Emily

Jazlyn Nicolette Sward
Karen (as Jazlyn Sward)

Lea Cappelli
Jane

Aidan Schenck
Ross

Ethan Karpel
Chandler

Jonah Weisner
Joey

Noah Anish
Richard
Discover where to watch The Wrong Valentine online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Rotten Tomatoes or Letterboxd.
See how The Wrong Valentine is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where The Wrong Valentine stands among top-rated movies in its genre.
The Wrong Valentine delivers a mixed viewing experience, anchored by occasional strong performances but hampered by uneven production values. While Evan Adams’ portrayal of the obsessive stalker draws interest and the plot maintains basic engagement, the film suffers from over‑the‑top set design and inconsistent acting, especially from the villain and supporting characters. These contradictions result in a modest entertainment value that is unlikely to inspire repeat viewings.
The Movie Echo Score Breakdown for The Wrong Valentine
Art & Craft
Regarding art and craft, the film’s direction and visual execution appear low‑budget and exaggerated. Reviewers note the mansion setting feels unrealistically lavish, while classroom interiors resemble a community hall, highlighting inadequate set design. Cinematography offers little stylistic nuance, and editing does not compensate for the overtly theatrical mise‑en‑scene, resulting in a visually unrefined presentation.
Character & Emotion
Character and emotion handling is uneven, with several performances falling short of credibility. The antagonist’s appearance and delivery draw particular criticism, as do the mother’s exaggerated mannerisms. Conversely, the lead actress and newcomer Evan Adams receive acknowledgment for delivering more convincing portrayals, contributing occasional depth. Overall, the acting spectrum ranges from notably poor to modestly engaging, limiting emotional impact.
Story & Flow
The storyline follows a predictable romantic‑thriller template, offering limited originality beyond the stalker premise. While the narrative maintains a coherent sequence and occasionally engages the viewer, pacing issues arise from prolonged melodramatic moments and a weak climax. The script’s generic nature and foreseeable twists diminish overall narrative vigor, positioning the plot as simply serviceable.
Sensory Experience
Sensory elements receive minimal emphasis, with little commentary on music or sound design, suggesting they are unremarkable. Visually, the production relies on over‑the‑top décor and unrealistic settings rather than deliberate stylistic choices, contributing to a disjointed aesthetic. The lack of compelling auditory or visual cohesion further weakens the viewing experience.
Rewatch Factor
Rewatch potential is limited, as most viewers find the film lacking lasting appeal. The predictable plot, uneven performances, and cheap production values discourage repeat viewings, though a few praise for Evan Adams suggests a modest incentive for fans. Overall, the movie is unlikely to earn a place on frequent watchlists.
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