
It’s the summer before fifth grade, and Henry Hudson is struggling to find his place. He unexpectedly connects with a group of film-loving kids who encourage him to stand up to the neighborhood bullies. Through this experience, Henry discovers his courage and finally feels like he belongs.
Does The Sneak Over have end credit scenes?
No!
The Sneak Over does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of The Sneak Over, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Connie Franklin
Mrs. Blevins

Brian Shoop
Narrator

Aaron Michael
Mr. Hudson

Will Hyde
Chip

Katie Burgess
Ashley / Dream Girl

Cassie Self
Ms. Hudson

Skip Schwink
Mr. Blevins

Reed Taylor
Henry

Max Purget
Stats

Romeo Barron
Mike

Maisy Kay
Date

Bryton Snyder
Stink

Landon Drake
Mark

Emma Wells
Ava Anderson

Robin Gray
Ava's friend

Christina Jenkins
Ava's Mother

June Parrish
Ice Cream server

Michael Hodges
Parker

Macy Gerkin
Ava's friend

Madelyn Federline
Ava's friend

Paige Bergin
Discover where to watch The Sneak Over online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Rotten Tomatoes or Letterboxd.
See how The Sneak Over is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where The Sneak Over stands among top-rated movies in its genre.
Overall, The Sneak Over received a largely unfavorable response from viewers. Critics highlighted the film’s low‑budget production, describing the animation as unfinished storyboard sequences and the visual design as cheap and inconsistent. The narrative was frequently called derivative of other franchises and lacking originality. While a minority of younger audience members appreciated the slap‑stick humor and found it entertaining, the predominant sentiment points to a poorly crafted comedy with limited appeal beyond its target age group.
The Movie Echo Score Breakdown for The Sneak Over
Art & Craft
In terms of art and craft, the film’s production values were a central point of critique. Reviewers noted that much of the movie consists of black‑and‑white comic‑style storyboard frames, indicative of budget constraints and incomplete animation. The limited cinematographic choices and rudimentary editing contributed to an uneven visual experience, though a few observers acknowledged a modest level of creativity given the modest resources.
Character & Emotion
When evaluating character and emotion, the acting received predominantly negative feedback. Critics described the performances as flat, with jokes relying heavily on immature humor that failed to resonate with many viewers. Nonetheless, a subset of younger audience members reported that the child actors were relatable and delivered the intended comedic tone. Overall, the character work lacked depth and emotional nuance, limiting its impact.
Story & Flow
The story and flow were widely regarded as weak and derivative. Reviewers repeatedly called the plot a copy of popular series, noting a lack of original ideas and a disjointed pacing caused by frequent insertion of idle fart jokes. Some viewers, however, found the straightforward premise accessible for its intended tween audience. In sum, the narrative cohesion was minimal, reducing overall engagement.
Sensory Experience
In terms of sensory experience, the film’s audio and visual style drew mixed reactions. The soundtrack and sound design were described as dominated by repetitive fart noises, which many found grating, while a few appreciated the playful auditory motif. Visually, the shift between crude animation and narrated comic panels contributed to a fragmented aesthetic. Overall, the sensory elements were seen as more gimmicky than immersive.
Rewatch Factor
The rewatch factor for The Sneak Over appears limited. Several viewers expressed that they would not return to the film, citing its repetitive jokes and unfinished animation as deterrents. A handful of younger fans, however, indicated enthusiasm for another viewing, drawn by the slap‑stick humor and familiar friendship dynamics. Consequently, the movie’s lasting appeal is modest and primarily confined to its target child demographic.
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