
In early 20th-century Russia, a band of rebels initiates a dangerous uprising against the oppressive ruling class. Armed and driven by a desire for change, they strategically target influential officials in a determined effort to ignite a revolution and reshape the nation's future.
Does The Rider Named Death have end credit scenes?
No!
The Rider Named Death does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of The Rider Named Death, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.
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48
Metascore
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User Score
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TOMATOMETER
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User Score
6.3 /10
IMDb Rating
46
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User Score
Challenge your knowledge of The Rider Named Death with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Who is the protagonist leading the socialist group?
George
Sergei
Fydor
Heinrich
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Read the complete plot summary of The Rider Named Death, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
The movie opens with a stunning woman stepping into the czar’s palace at the turn of the century in Russia, requesting permission to visit her brother who is imprisoned. However, what unfolds is unexpected; as she meets the leader, she reveals a hidden gun and shoots him dead. This act ignites a narrative on the history of revolution in Russia and its far-reaching consequences.
Leading a small faction of Russian socialists is George, portrayed by Andrei Panin, who alongside his comrades, is determined to dismantle the existing monarchy. The government, under the rule of The Grand Prince Sergei Aleksandrovich, played by Vasiliy Zotov, has endured numerous attacks from dissident socialists, marking a tumultuous political landscape.
As George reflects on the past assassination attempts and their implications, we meet Erna, the group’s bomb maker, portrayed by Kseniya Rapport. Her motivation is heightened by a cocaine addiction, and she finds herself enamored with George after their intimate encounters throughout their dangerous association.
The film also introduces Fydor, played by Rostislav Bershauer, who harbors deep resentment over the social and economic inequalities exacerbated by the revolution. Another significant character is Vanya, portrayed by Artem Semakin, who firmly believes that the chaos instigated by terrorists is essential to the revolutionary cause. Lastly, there’s the pragmatic Heinrich, brought to life by Aleksey Kazakov, who contemplates the broader implications of their revolutionary actions with a level of scholarly depth that distinguishes him from his peers.
As the group orchestrates their attempts to sabotage the government, a series of failures emerge, leading to casualties among their ranks. Amidst the turmoil, George focuses on his personal mission to topple the Grand Prince, underscoring the themes of sacrifice, ambition, and ideological conflict within the turbulent backdrop of revolutionary Russia.
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