
Teen pregnancy isn’t always unplanned. Inspired by the true story of teenagers at Gloucester High School who agreed to get pregnant at the same time.
Does The Pregnancy Pact have end credit scenes?
No!
The Pregnancy Pact does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of The Pregnancy Pact, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Thora Birch
Sidney Bloom

Camryn Manheim
Nurse Kim Daly

James McCaffrey
Michael Dougan

Douglas M. Griffin
Roger Moretti

Nancy Travis
Lorraine Dougan

Madisen Beaty
Sara Dougan

Tim Powell
Principal Bachman

David Clayton Rogers
Brady Leary

Max Ehrich
Jesse Moretti

Michelle DeFraites
Karissa

Jenna Leigh Hall
Iris

Kelly Heyer
Rose

Alexandre Lemonier
John

Karen Beyer
Receptionist

Libby Whittemore
Margeret

Ben Winchell
Troy

Brett Lapeyrouse
Bannah Boy

Jenna Hildebrand
Becca
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Challenge your knowledge of The Pregnancy Pact with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
What is the profession of Sidney Bloom?
Teacher
Nurse
Reporter
Principal
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Read the complete plot summary of The Pregnancy Pact, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Sidney Bloom is a patient, determined 28-year-old reporter who arrives at Gloucester High after a startling pattern emerges: ten to eighteen teen pregnancies have been reported in the past eight weeks. Her curiosity is sharpened by conversations with the school nurse, Nurse Kim Daly, who explains that she pushed for free birth control to be offered to students, but the administration refused. As Sidney interviews students, she meets a cluster of pregnant teens who seem to be responding to the same impulse: Karissa, Iris, and Rose are all expecting, and they are encouraging their classmate Sara Dougan to join them.
Sara is torn between love and the future she had imagined. To keep her boyfriend, Jesse Moretti interested, she agrees to become pregnant. The development unsettles Jesse, who soon learns that his involvement comes with a different set of consequences when his father pushes him toward college and a baseball career. The emotional weight lands hardest on Sara, whose father, Michael Dougan, and mother, Lorraine Dougan, grapple with the truth. In a candid moment, Sidney reveals her own secret: she became pregnant at sixteen with a school faculty member, Brady Leary, and she ultimately gave the baby up for adoption. This revelation reframes Sara’s circumstances and fuels her conversations with Jesse and her parents.
As the school community reacts, Lorraine calls a meeting of the school council to fund a daycare center, hoping to provide for the babies yet to arrive. Sidney, however, uses the moment to advocate for birth control instead, which leads to Lorraine’s resignation from the council. The story takes on a national life as media attention mounts on the girls’ plan to raise their babies together, challenging assumptions about responsibility, maturity, and support systems.
The tension between Sara and Jesse intensifies. Sara dreams aloud of marrying Jesse and raising their child even if it means postponing college and baseball, while Jesse is torn between his own ambitions and the new reality of becoming a father. Meanwhile, Rose delivers a daughter, but ongoing habits during pregnancy, such as smoking, complicate labor and leave Rose’s baby in the NICU. At a party, Karissa’s mother confronts her, recounting her own struggles as a single mother and urging Karissa to consider a different path. Sara seeks reconciliation with Jesse, but he refuses to commit to being in their child’s life.
The film follows Sara through a difficult period of regret, self-destructive impulses, and eventual reconciliation with her parents. Lorraine’s persistence pays off as she persuades the school council to maintain support for birth control and to promote abstinence as part of a broader education about relationships and health. The social and emotional stakes are high, and the community watches closely how each girl negotiates love, future plans, and the realities of teenage parenthood.
In the closing moments, Sidney describes an era of transition: the principal, Principal Bachman, has resigned, the daycare is full, and many students leave Gloucester High in search of better resources for their children. The narrative suggests that the school’s efforts to adapt have reshaped the environment, pushing families to seek stability beyond the halls. The final scenes focus on the resilience of the young mothers. Rose remains a reluctant, scrutinized parent within a community that is still learning how to support her. Sara, looking toward the future, sees Jesse with a new partner and experiences a pang of regret for the path she chose at a young age. Yet the film ends on a hopeful note: Sara is diligently raising her daughter with the steady backing of her own parents, and Sidney’s closing reflections emphasize the importance of guiding children—with love, caution, and open conversations—through the complexities of love, family, and growing up.
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