
Ivan, an ex‑Soviet taxi driver longing for Communism, meets Alexi, a Russian musician and alcoholic, one night. After Alexi skips his fare, Ivan tracks him down, igniting a love‑hate bond. When Alexi floods Ivan’s flat, Ivan forces him into menial work to repay a 500‑ruble bill, but it fails. Alexi becomes a US jazz star and returns, giving Ivan hope.
Does Taxi Blues have end credit scenes?
No!
Taxi Blues does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Taxi Blues, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Sergey Gazarov
Administrator

Pyotr Mamonov
Lyosha

Igor Zolotovitsky
Petyunchik

Natalya Kolyakanova
Christina

Aleksandr Inshakov
the Mercedes driver

Pyotr Zaychenko
Shlykov

Vladimir Sterzhakov
Musician in the Taxi

Evgeniy Gerchakov
musician in the taxi

Sergey Galkin
Hippy

Yury Sokolov

Vladimir Kashpur
Old Nechiporenko

Elena Safonova
Nina

Vyacheslav Gorbunchikov
mechanic from the cab company

Dmitriy Prigov
writer

Valeri Khlevinsky
Kolya

Yelena Stepanova
beautiful girl

Lidiya Ezhevskaya
Valya

Yuri Yurchenko

Pierre Rival
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Read the complete plot summary of Taxi Blues, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
In late 1980s Moscow, the blues saxophonist Alexey Seliverstov and a tight-knit group of friends decide to hit the town for a wild night, hopping into a taxi with the hope of blowing off steam. By dawn, Alexey has managed to dodge the fare, but the taxi’s driver, the stern, no-nonsense Soviet man Ivan Shlykov, makes a harsh stand: he takes the saxophone as collateral and leaves Alexey not only penniless but also effectively homeless.
Moved by a rare mix of duty and restraint, Ivan returns the instrument, and Alexey ends up staying in Ivan’s shared apartment. What begins as a practical impulse gradually grows into something unexpected: an unlikely friendship between a dream-chasing musician and a pragmatic, duty-bound man who believes that art and intellect have caused more than a little trouble for the country. The film threads the tension between idealism and practicality, using their daily clashes to probe what happens when two worlds collide.
As the story unfolds, Alexey’s philosophy and mounting battles with alcohol pull at the fabric of their relationship, while Ivan maintains a rigid suspicion toward artists as a whole, viewing them as the root of many of Russia’s problems. The friction reaches a boiling point when Alexey accidentally floods their building, and Ivan responds by seizing his passport and forcing him to work off the repair costs. Yet even as conflict deepens, Ivan also tries to push Alexey toward discipline and reform, hoping to temper his impulsiveness with responsibility.
The drama takes a darker turn as Alexey’s alcohol struggle intensifies and he contemplates suicide, testing the limits of their friendship. A glimmer of hope appears when he meets a famed American saxophonist, Hal Singer, and sees a potential path to perform abroad. Ivan remains skeptical, but his doubts are unsettled when he later sees Alexey’s concert on television, astonished by how far his companion has come.
Alexey finally returns to Moscow as a celebrated musician, but the reunion is uneasy. Friends mock Ivan, and the moment erodes the bond that was once so vital. In a reckless chase born from a misread signal—Ivan crashes his taxi while pursuing what he thinks is Alexey’s car—he ends up carrying an injured stranger as both vehicles explode, a dramatic echo of their fractured trust.
The closing chapters reveal two fates that mirror the divergent routes their lives have taken. Alexey has become a successful musician in New York, releasing a new album that underscores his artistic rise, while Ivan has bought his own taxi and chosen a quieter, more ordinary life. Together, the film leaves viewers with a nuanced meditation on friendship, ambition, and the unpredictable paths that separate personal triumph from shared history.

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