
A struggling reporter crafts a sensational exposé on street prostitution, hoping to boost his career. The fabricated story proves successful, but the consequences are far-reaching and dangerous. He becomes deeply involved with the ruthless pimp who inspired his article, a complex and dangerous relationship that puts his life at risk as he attempts to conceal the truth behind his story.
Does Street Smart have end credit scenes?
No!
Street Smart does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Street Smart, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.
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70
Metascore
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User Score
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TOMATOMETER
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6.4 /10
IMDb Rating
59
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User Score
Discover all the awards and nominations received by Street Smart, from Oscars to film festival honors. Learn how Street Smart and its cast and crew have been recognized by critics and the industry alike.
The 60th Academy Awards 1988
45th Golden Globe Awards 1988
3rd Independent Spirit Awards 1988
Read the complete plot summary of Street Smart, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Jonathan Fisher, Christopher Reeve, a struggling magazine reporter in New York City, is locked in a battle with his editor, Ted Avery Andre Gregory, over how to salvage his career with a story that could catapult him into the public eye. Frustration gnaws at him as he clumsily tries to pitch a profile about a real-life street pimp, an idea Ted finds intriguing but insists must be completed under a tight, almost impossible deadline. To chase the story, Jonathan uses a risky tactic: he pays for time with a prostitute, an upbeat former beautician nicknamed Punchy Mimi Rogers, hoping to uncover material that will feel authentic and urgent. Yet Punchy’s fierce loyalty to her pimp, Leo “Fast Black” Smalls, Jr., runs deep, and she remains guarded, fearful of crossing the life she’s made on the street.
Across town, Smalls erupts in violence, beating a patron who assaults one of his girls. The incident ends with the patron collapsing from a fatal heart attack, and Smalls is indicted for second-degree murder. The legal danger hanging over him throws his world into sharper relief and pulls the reader toward the question of who really controls the narrative in a city where danger and desire mingle on every corner. As Jonathan watches the case unfold, he finds that the story has begun to shape real consequences far beyond the newsroom. Yet his attempts to help Punchy only deepen the bond between them, and a fragile romance forms between the two as they navigate the perils of fame and coercion.
When Alison, Jonathan’s girlfriend, tries to support him in breaking the story, things go disastrously wrong, and Jonathan improvises a different tale: Tyrone, a composite figure who seems to crystallize the essence of Smalls without naming him outright. The response is electrifying. Ted and the magazine crowd lap it up, and Jonathan soars into the spotlight, becoming a television fixture as the host of a new segment titled Street Smart, which spotlights people who “use their street smarts” to survive on the chaotic streets of New York. The triumph tastes sweet, but it also funnels him into a pressure cooker: Ted is eager to meet Tyrone in the flesh and to publish more lurid stories about him, while Leonard Pike, an Assistant District Attorney, hovers with the blunt certainty that the public’s fascination with Tyrone is feeding Smalls’ celebrity and complicating the ongoing prosecution.
Pike’s insistence that Tyrone and Smalls are the same person becomes a thorny ethical and legal battle. The prosecutor’s team believes the sensational parallels between the story and Smalls’ actual life are so strong that the magazine’s notes—Jonathan’s carefully kept record of his interview—could become the key to Smalls’ exoneration. Smalls’ lawyer subpoenas those notes, aiming to force a confession from the magazine and its writers by implying cooperation with the defense. Jonathan insists that Tyrone and Smalls are not the same man, but the weight of evidence—photos of Jonathan and Smalls together at their first public meeting—creates a credibility problem he cannot easily escape. Pike’s subpoena and the magazine’s resistance to turn over non-existent notes push Jonathan into a legal bind that could ruin him as both journalist and man.
Meanwhile, Smalls, Punchy, and Smalls’ lieutenant Reggie begin to orbit Jonathan’s life in more intimate ways. They attend a magazine fundraiser at Ted’s home, not merely as subjects of a story but as participants in a dangerous, evolving alliance. Jonathan and Punchy grow closer, complicating Jonathan’s relationship with Alison and complicating his sense of what is true versus what is marketable. As the legal drama intensifies, Smalls presses for a decisive alibi and asks Jonathan to craft a set of notes that would anchor his whereabouts to the murder. Jonathan refuses at first, but the mounting scrutiny and the threat of a contempt ruling push him to a desperate calculus.
Punchy, torn between loyalty and fear, struggles under Smalls’ capricious authority. When she attempts to walk away from the life Smalls controls, he responds with a brutal threat, leaving her with a harrowing choice that tests her will to survive. The confrontation ends with Punchy’s murder at the hands of a man who can’t tolerate her stepping out of the role he assigns her. News of Punchy’s death reaches Pike, who informs Jonathan in jail that he knows about the ruse Smalls is pressuring him to carry out. The weight of the truth—again, not just about a man but about a city’s appetite for sensational narratives—frays Jonathan’s resolve.
Driven to the edge, Jonathan revisits the plan to provide the notes. He accepts the risk, meets Smalls, and agrees to furnish the alibi that could clear the pimp of the murder charge, while keeping his own name intact. Smalls is eventually found not guilty, a result that infuriates Pike and cements the uneasy moral economy that dominates the case: the story has become a weapon in a larger game. In a bid to protect his own skin, Pike hints that he will pursue Jonathan for fabricating evidence, and his cryptic response—“satisfaction”—lingers as a chilling reminder that the pursuit of truth can bite back in unexpected ways.
Jonathan’s personal life also fractures under the strain. Alison survives a stabbing carried out by Reggie, a blow that leaves her hospitalized and further entwines the fates of everyone in this high-stakes web. To retaliate against Reggie and expose the corruption of loyalties, Jonathan records Reggie accepting money from Darlene, a payoff arranged by Jonathan himself to trap the lieutenant in a skimming scheme. Darlene, played by Anna Maria Horsford, becomes a pivotal though doomed conduit in the narrative, her fate sealed as a consequence of the struggle between the pimp’s brutal code and the magazine’s push for a sensational story.
With the legal and personal pressures closing in, Jonathan’s world shifts again. He openly states that he will produce the notes and is released, but the moral cost of his decisions remains high. Smalls faces a jury and a city that has learned to see him as a symbol of street power, while Jonathan, now a public figure with a controversial, celebrated story, must live with the consequences of having manufactured both the myth and the reality. The climax arrives as Reggie, terrified and cornered, accumulates fear and misreads his own survival instincts. He flees, trips, and in a final, deadly moment, shoots Smalls—an act that ends the pimp’s life and redefines the “Street Smart” broadcasts that brought Jonathan his moment in the spotlight. In the aftermath, Jonathan returns to his newsroom, reporting on Smalls’ execution, the city’s appetite for complex truths, and the uneasy alliance between journalism and the sensational, bravely navigating the gray zones where fame, violence, and truth collide.
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