Spring, Summer, Fall, Winter... and Spring 2004

The film is intricately structured into five captivating segments, each mirroring a season and capturing a distinct phase in the life of a Buddhist monk. Each segment unfolds approximately ten to twenty years apart, immersing the audience in the spiritual journey of its characters amidst the beautiful backdrop of Korea’s forested mountains.

Spring introduces us to a young apprentice, living in a tranquil, floating monastery alongside his master. Their existence revolves around prayer and meditation, often using their old rowboat to reach the lakeside for walks and herb-collecting. A troubling incident occurs when the playful apprentice torments creatures of the forest—fish, frogs, and snakes. In a chilling lesson about responsibility, his master ties a large rock to the boy as he sleeps, making him confront the consequences of his actions. The morning following the poignant night teaches the apprentice a harsh truth about the dead fish, struggling frog, and the injured snake, leading to an emotional awakening.

As the film transitions into Summer, the now teenage apprentice encounters a mother and her ailing daughter, who seek healing from the Buddhist master. The boy finds himself attracted to the daughter, leading to a whirlwind of intense emotions and a forbidden romance that blossoms in secrecy. Their encounters escalate from innocent touches to a passionate relationship, until the master’s discovery disrupts their connection. Instead of casting judgment, he shares wisdom about the dangers of desire, marking a turning point that compels the apprentice to flee into the night, taking with him the Buddha statue and a rooster, showcasing the chaos of youthful passion and its repercussions.

Fall brings a somber tone as the aging master learns of the apprentice’s dark past marked by tragedy—he is now a wanted man, accused of murdering his wife. When the adult apprentice returns, he is engulfed in darkness, ready to surrender to death through a ritual of suicide. But his master, embodying unwavering resolve, intervenes, forcing the apprentice to confront his demons. The master not only helps him in his path to repentance but also illustrates the fragility and interconnectedness of life through a series of artistic endeavors. The arrival of detectives seeking justice adds urgency, yet the master insists on allowing the apprentice to finish his soul-searching task, highlighting themes of forgiveness and understanding.

Moving to Winter, the story takes a reflective turn as the now middle-aged apprentice returns to the monastery, which has fallen into disuse. He discovers remnants of his master and begins to engage in meditative practices, reinforcing his commitment to the spiritual path. A poignant encounter with a woman who leaves her baby behind leads to tragedy, compelling the apprentice to reflect on loss and mortality. In a striking act of remembrance, he ascends the tallest mountain, grappling with his past and leaving behind a statue that represents both his lesson learned and the ongoing cycle of life.

Ultimately, the narrative circles back to Spring, completing the cycle as a new master emerges. The abandoned baby, now a young apprentice, mirrors the actions of the previous ones, hinting at the continuity of life and the lessons yet to be learned. As he torments creatures reminiscent of his predecessors, the film poignantly encapsulates the inevitable cycles of nature, teaching that the journey of growth and understanding is a perpetual endeavor within the realms of life and spirituality.