
Circumstances force a womanizing playboy on leave from the Merchant Marine to ask two shipmates to help him by dating two surplus girlfriends.
Does Seven Days Ashore have end credit scenes?
No!
Seven Days Ashore does not have end credit scenes. You can leave when the credits roll.
See current US streaming, rental, and purchase options for Seven Days Ashore (1944) via JustWatch.
Explore the complete cast of Seven Days Ashore, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Wally Brown
Monty Stephens

Virginia Mayo
Carol Dean

Dorothy Malone
Betty

Margaret Dumont
Mrs. Croxton-Lynch

Marjorie Gateson
Mrs. Elizabeth Arland

Alan Dinehart
Daniel Arland

Alan Carney
Orval 'Handsome' Martin

Marcy McGuire
Dot Diamond

Dooley Wilson
Jason

Elaine Shepard
Annabelle Rogers

Amelita Ward
Lucy Banning

Gordon Oliver
Dan Arland Jr.

Miriam LaVelle
Hazel - Acrobatic Dancer
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Read the complete plot summary of Seven Days Ashore, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Dan Arland is a carefree playboy who has spent months at sea in the Merchant Marine. He returns to San Francisco for a seven-day shore leave and discovers that two violinists in Dot Diamond’s all-female band—Carol Dean and Lucy Banning—have no idea he has been romantically involved with them both. His actual girlfriend, Annabelle Rogers, arrives with questions about his loyalty, and the tension of a complicated love triangle hangs in the air.
To untangle things, he hatches a series of schemes. He uses a hat with three names for his selection, drawing Lucy Banning and tossing out Carol Dean. Then he ropes his shipmate Monty Stephens and Orval ‘Handsome’ Martin to pose as wealthy suitors and woo the two musicians. He pretends a battlefield injury to explain his absence, and asks Monty to take Lucy to the Indigo Club where her band is performing. Just as he is about to greet Carol, he runs into his parents and Annabelle at home, who hope for a reconciliation. He sends Carol off with Orval, setting in motion a string of comic misadventures.
Each new complication reveals how clever and stubborn these women are, and they all decide to turn the tables on him, threatening a breach-of-contract-style showdown. The plan shifts from getting Carol and Lucy out of the way to testing Dan’s sincerity, with Orval and Monty expected to pretend to be rich suitors and win over the gold-digging violinists. But the women join forces with Annabelle—who, in a secret twist, is allied with Lucy and Carol to teach him a lesson. A cascade of mix-ups follows, from mistaken identities to rushed declarations of affection.
Amid the chaos, the revelation that Annabelle is secretly engaged to another man—Alfred Jones—adds a further layer of comedy and tension. In the end, love prevails in the lightest of fashions: Dan and Annabelle decide to wed before his seven days ashore are up, choosing honesty over deception and setting the stage for a happier, if chaotic, future.

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