Session 9 2001

Kirkbride Mental Health Hospital, established in 1871, is undergoing a transformation into a town hall after being closed for nearly fifteen years since 1985. The first to initiate renovations is the Hazmat Elimination Company, led by Gordon Fleming (played by Peter Mullan) and his associate Phil (played by David Caruso). The movie opens with a lightly humorous guided tour of the asylum, conducted by Bill Griggs (a cameo appearance by Paul Guilfoyle), offering both Gordon and Phil their inaugural glimpse into the foreboding building. While engrossed in the eerie surroundings, particularly a haunting hallway, Gordon is startled by a disembodied voice, only to be snapped back to reality by Phil’s interruption.

Following this unsettling tour, we find Gordon alone in his truck, obsessively reviewing photos of his newborn as she plays outside with his wife. This moment of tenderness is suddenly shattered by terrifying screams that evoke a chilling suspicion about the true state of the Fleming household.

As the film progresses, we meet Gordon’s crew: Hank (played by Josh Lucas), Gordon’s nephew Jeff (Brandon Sexton III), and Mike (Stephen Gevedon), a former law student whose father’s past actions indirectly contributed to the hospital’s closure following a patient lawsuit in 1984. The narrative unfolds with spine-chilling tales of the hospital’s past, employee interactions, and Gordon’s steadily declining demeanor. Intrigued by the hospital’s history, Mike discovers old recorded sessions focusing on patient #444, Mary Hobbes, who suffers from multiple personalities. As the days pass, Gordon’s irritability grows, and Mike becomes increasingly engrossed in Mary’s sessions. Hank, on the other hand, goes off on a late-night expedition and inexplicably vanishes.

The atmosphere becomes tense as Hank’s disappearance looms over the remaining crew. Gordon’s tumultuous relationship with his wife surfaces, and Phil’s frustrations with Gordon intensify, while Mike delves deeper into the recordings. The recurring motif of the number 444 becomes more prominent, appearing on room doors and tombstones. Amidst the mounting pressure, Gordon confides in Phil about a violent incident with his wife that happened after their tour. In a shocking revelation, what follows is a frantic search for the ever-elusive Hank, who seems to have evaporated into thin air.

As panic escalates, the film reaches its zenith, presenting each character isolated against an unseen adversary. The unsettling narrative culminates with the arrival of a replacement for Hank, who begins to investigate the seemingly deserted hospital. In a disquieting reveal, Hank is discovered lying on the floor, still alive, but the tension escalates when it becomes evident that Gordon has tragically succumbed to the pressures of life, having murdered each of his employees, including his wife and child. In a haunting final scene, Gordon kneels beside a broken phone, apologizing to his deceased wife, and the voice that has haunted him throughout the film is unveiled as Simon, the third personality of Mary Hobbes. Simon chillingly concludes the film, stating, “I live in the weak and the wounded,” encapsulating the dark essence of the story.