Red Roses and Petrol 2008

As the smoky haze of cigarette fumes and untouched meals saturates the Dublin atmosphere, the intricate and troubled legacy of Enda Doyle begins to unfurl during his wake. This university librarian, poet, and enigmatic figure has left behind a convoluted web of unresolved issues, a dysfunctional family, and a mystifying enigma that demands attention. In Red Roses and Petrol, director Tamar Simon Hoffs skillfully intertwines dark humor with poignant insights into the complicated dynamics of familial relationships.

Olivia Tracey, the bewildered widow Moya, desperately organizes the funeral amidst the turmoil of her grief-stricken clan. Her daughter Medbh (played by Heather Juergensen), still grappling with the loss, becomes a supportive presence as they sift through the vestiges of their father’s life. The arrival of Catherine (portrayed by Susan Lynch) and her boyfriend Tom (played by Greg Ellis) from New York brings both new insights and painful memories to light, while the absence of Johnny (characterized by Max Beesley), the troubled black sheep of the family, looms like an unresolved query.

As the family grapples with the aftermath of Enda’s demise, they unexpectedly discover a stash of self-recorded video diaries revealing his most profound thoughts and secrets. This discovery triggers a cascade of emotional upheavals, compelling each family member to confront their personal demons and the repressed issues they had long ignored.

During the funeral, the daughters are caught off guard by the sudden appearance of Helen (played by Catherine Farrell), a young woman rumored to have had an illicit affair with Enda. As tensions rise, they return home to find Johnny’s abrupt arrival, freshly returned from an escapade with a stewardess he met on his flight from London. His cutting remarks and sardonic humor act as a spark, igniting buried family memories that lead to explosive arguments threatening to tear them apart.

As the evening unfolds and family members indulge in drink, they begin to strip away the complexities of Enda’s character. In a shocking revelation, Catherine finally loses her temper, accusing Moya of complicity in Enda’s unfaithfulness, claiming it has caused harm to her and their children. Just as despair seems to take hold, Enda’s very own videotapes come to the family’s rescue, providing the elusive answers they had been searching for.

Through this emotional tempest, Red Roses and Petrol poignantly examines the ambiguous and powerful influence of Enda Doyle, presenting a profound exploration of humanity in the face of loss, grief, and unresolved trauma.