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Raja Rajendra 2015

Runtime

More mins

Language

Kannada

Kannada

This 2015 Kannada comedy film, written and directed by Pon Kumaran, follows Bottle Mani (Sharan), a man hired to kill Neelakanta Raju, an elderly member of a wealthy royal family. Tasked by Raju's sons-in-law who seek to seize his property, Mani is aided by his uncle but encounters numerous obstacles within the sprawling palace. The situation becomes increasingly complicated when the real Bottle Mani (Ravishankar) is released from jail and discovers an imposter has taken his identity, leading to hilarious chaos. The film reunites director Kumaran and actor Sharan after their previous collaboration, Jai Lalitha.

This 2015 Kannada comedy film, written and directed by Pon Kumaran, follows Bottle Mani (Sharan), a man hired to kill Neelakanta Raju, an elderly member of a wealthy royal family. Tasked by Raju's sons-in-law who seek to seize his property, Mani is aided by his uncle but encounters numerous obstacles within the sprawling palace. The situation becomes increasingly complicated when the real Bottle Mani (Ravishankar) is released from jail and discovers an imposter has taken his identity, leading to hilarious chaos. The film reunites director Kumaran and actor Sharan after their previous collaboration, Jai Lalitha.

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Raja Rajendra does not have end credit scenes. You can leave when the credits roll.

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Full Plot Summary and Ending Explained for Raja Rajendra

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Read the complete plot summary of Raja Rajendra, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.


Mani Sharan works as a clever impostor who adopts the fearsome identity of the notorious goon Bottle Mani P. Ravi Shankar. Through this double life, he draws the wrath of the very man he’s pretending to be, and soon finds himself tangled in a far bigger plan than a simple deception. The scheme centers on Neelakanta Raju [Ramakrishna], a regal elder who rules over a family cradle of power and tradition: three daughters, a long-lost son, and a household that holds secrets as old as the palace itself. Neelakanta Raju clings to the hope that his son and grandson will one day walk back into the gates, while his sons-in-law view him as a liability to be removed so they can seize inheritance and influence.

In the city, the trio of scheming sons-in-law, along with Shastri [Suchendra Prasad], hatch a plan to replace the grandson with Mani to secure a fortune and a swift path to their ambitions. They seek a facilitator who can ferry Mani into the role of the family’s heir, and for a moment it seems they’ve found a shortcut around years of lineage and loyalty. Yet destiny has other plans: Mani is not Bottle Mani, and his own heart prevents him from harming the old man who should be a target rather than a beneficiary of this ruse.

As Mani enters the palace, his better instincts quietly begin to surface. He uses courtesy and courage to win over Neelakanta Raju, earning the elder’s trust while he wrestles with the weight of a lie that could ruin everyone around him. In the process, Mani discovers love in the most unexpected place—Swathi, Shastri’s daughter Ishita Dutta—and that feeling tugs him toward a life that is honest, not calculated by a contract or a scheme. This budding romance complicates his mission, since every new moment spent with Swathi nudges Mani toward a decision that could upend the entire façade.

The moment the truth softens Mani, the conspirators realize they have misread the kind of man they’ve brought into the palace. They attempt to cast him out, hoping to restore the status quo before the truth can fracture their own ambitions. But the spirit of Raja Rajendra—the father of Neelakanta Raju—refuses to stay silent. Possessing Mani on a nightly basis, the regal ancestral spirit enacts justice against the family’s enemies, turning each night into a small vigil of supernatural accountability. The strange, protective force draws the attention of the police, and Inspector Indrajith [Sadhu Kokila] is drawn into a case that grows stranger by the hour.

Desperation pushes the trio to seek a permanent seal for Raja Rajendra’s spirit. They hire a Black Magician [Kuri Prathap], hoping to trap the royal presence inside a bottle. For a while, it seems the spell works, and the palace returns to a fragile calm. But fate intervenes when Indrajith discards the bottle by accident, releasing the spirit once more. In a twist of miscommunication, Shastri’s daughter pleads with the magician to release the spirit, and the system of bottles grows chaotic: without labels, the magician accidentally frees a cascade of other presences—spirits of a bus conductor, a kabaddi player, an independence activist, and drama artists—each eager to possess a different body.

What follows is a riotous, laughter-filled climax where these diverse spirits commandeer various people across the palace, turning every room into a stage for comic mayhem. Mani, guided by a mixture of loyalty, love, and latent heroism, must navigate this supernatural scramble to outwit the three schemers and their cohorts. The film blends lighthearted humor with a thread of heartfelt moments, showing Mani’s growth from a gleeful impostor to a protector who risks everything to preserve the integrity of Neelakanta Raju’s family and the woman he loves.

Throughout the chaos, the story also weaves in royal family dynamics and the quieter moments that reveal deeper loyalties. Raja Rajendra’s wife Vimala Raman appears in moments that remind the audience of the human cost behind power, while Neelakanta Raju’s extended family adds texture to the palace’s social web. The result is a comedy with heart, a fantasy grounded by personal stakes, and a finale that nimbly threads humor, emotion, and a touch of the supernatural into a satisfying, upbeat resolution.

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