
Sister Ann takes a dangerous path to become the Catholic Church's first female exorcist amidst a global rise in demonic possessions. Seeking training, she joins a revived exorcism school where a professor acknowledges her extraordinary abilities. Alongside fellow student Father Dante, Ann confronts a powerful evil force, testing her faith and forcing her to face a troubling history and the potential influence of the Devil.
Does Prey for the Devil have end credit scenes?
No!
Prey for the Devil does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Prey for the Devil, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Tom Forbes

Virginia Madsen
Dr. Peters

Ben Cross
Cardinal Matthews

Lisa Palfrey
Sister Euphemia

Debora Zhecheva
Young Ann

Colin Salmon
Father Quinn

Christian Navarro
Father Dante

Jacqueline Byers
Ann

Martin Taskov

Owen Davis

Velizar Binev
Father Bernhard

Cora Kirk
Emilia

Derek Morse

Koyna Ruseva
Ann's Mother

Nicholas Ralph
Father Raymond

Posy Taylor
Natalie

Yana Marinova
Natalie's Mother
Discover where to watch Prey for the Devil online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Wikipedia or Rotten Tomatoes.
See how Prey for the Devil is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where Prey for the Devil stands among top-rated movies in its genre.
Prey for the Devil offers a passable horror experience that ultimately leans toward mediocrity rather than distinction. Critics note the film’s reliance on cheap jump‑scare tactics and uneven performances, while some viewers appreciate its occasional atmospheric moments and the occasional effective scare. Audience feedback reflects a split between those who find it an acceptable guilty‑pleasure and those who see it as a predictable, shallow addition to the exorcism subgenre. The net impression is a mixed, modestly negative entry.
The Movie Echo Score Breakdown for Prey for the Devil
Art & Craft
In terms of art and craft, the film demonstrates competent but unremarkable execution. Critics point to decent practical effects and functional editing, yet describe the visual approach as cheap and lacking cohesion. The direction relies on familiar genre set‑ups without innovation, and cinematography offers little beyond standard lighting. While a few jump‑scares land effectively, the overall production design fails to elevate the material, resulting in a modestly low artistic rating.
Character & Emotion
When evaluating character and emotion, the movie presents largely flat portrayals. Reviewers criticize desultory acting and shallow character development, noting that most roles serve as vehicles for scares rather than nuanced individuals. A minority of viewers find the protagonists likable, but the consensus highlights a lack of emotional resonance and chemistry. Consequently, the character work is judged as below average, reflecting limited depth and impact.
Story & Flow
The story and flow of the film are marked by predictability and uneven pacing. Critics describe the plot as a patchwork of familiar exorcism tropes that fails to cohere, while users cite repetitive jump‑scares and a lack of original narrative twists. Although the pacing remains brisk, the absence of compelling stakes or inventive twists undermines engagement. Overall, the storytelling is considered mediocre, offering limited narrative satisfaction.
Sensory Experience
Sensory experience receives the highest relative praise, with several reviewers noting effective jump‑scares and a disconcerting sound design that heightens tension. The soundtrack and sound effects contribute to an uneasy atmosphere, even if visual style remains conventional. While the sensory elements do not fully compensate for other weaknesses, they provide moments of genuine fright that resonate with audiences, earning a modestly positive assessment.
Rewatch Factor
Rewatch factor is mixed, reflecting divergent viewer expectations. Some audience members describe the film as a guilty‑pleasure worth a second viewing, while critics and many users deem it forgettable and lacking lasting appeal. The limited novelty of scares and predictable plot reduce incentive for repeat viewings, yet the occasional effective horror set‑pieces sustain modest replay interest. Overall, the rewatch value sits near the middle of the scale.
38
Metascore
5.3
User Score
15%
TOMATOMETER
69%
User Score
5.3 /10
IMDb Rating
69
%
User Score
2.1
From 20 fan ratings
3.57/5
From 7 fan ratings
Challenge your knowledge of Prey for the Devil with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
What institution does Ann serve as a nun?
St. Michael the Archangel School of Exorcism
St. Mary’s Monastery
Vatican City
St. Peter's Basilica
Show hint
Read the complete plot summary of Prey for the Devil, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
A message is presented, indicating that due to a global increase in demonic possessions, the Catholic Church has begun allowing training programs for priests to conduct exorcisms outside of Rome.
In the film’s opening sequence, we meet a young girl named Ann, portrayed by Debora Zhecheva, who locks herself in her room, ignoring her mother’s frantic pleas to let her in. As the situation escalates, Ann’s mother begins to bang her head against the door, revealing she is possessed by a dark force.
Fast forward to years later, and we find an adult Ann, played by Jacqueline Byers, who has become a nun stationed at the St. Michael the Archangel School of Exorcism in Boston. Devoted to her duties in the medical ward, she attends to patients, including a young girl named Natalie, played by Posy Taylor.
Curious about exorcisms, Ann secretly attends classes taught by Father Quinn, portrayed by Colin Salmon, despite the strict church rule that forbids nuns from learning about this sacred rite. One fateful day, while giving a sponge bath to a patient, he suddenly attacks her, speaking in a voice reminiscent of her mother’s possessed words. This shocking incident is captured on security footage, prompting Father Quinn to believe that the demon may target Ann next, necessitating her training in exorcism.
In her first exorcism class, Father Quinn takes the students to witness an actual exorcism, which tragically involves Natalie. During a botched exorcism attempt, where Father Dante and Father Raymond try to drive out the demon, it quickly takes control, but Ann intervenes. Though the demon temporarily leaves Natalie, it simply retreats, marking the exorcism unsuccessful, leaving the girl classified as a terminal case.
As Ann continues to be haunted by the same demonic presence, she delves into the history of former patients, aided by Father Dante, to find survivors. Their research uncovers a solitary account of survival, but the woman bears lasting scars from her experience, while others have tragically perished.
Later, Father Dante confides in Ann about his pregnant sister, who he believes is possessed, imploring her to lead a risky exorcism. Trusting her instincts, Ann agrees to assist. After a challenging confrontation, she successfully liberates Dante’s sister from the demon’s grip.
In a deeply personal moment, Ann reveals to Dante that she gave birth to a daughter before her life as a nun but chose adoption for her child’s well-being. However, their joy is overshadowed when Ann learns that after their session, Dante’s sister has taken her own life, prompting her to retreat to her monastery at St. Mary’s.
Father Dante then visits Ann, informing her unexpectedly that Natalie was released, yet soon after suffers a terrifying relapse, resulting in her being transported to the hospital. When the ambulance doors open, a gruesome scene unfolds as everyone inside has been killed by Natalie. In a shocking twist, Dante presents Ann with a necklace that Natalie recognizes: it is the very one she gave her daughter at birth, revealing Natalie’s shocking identity as her long-lost child.
Driven by desperation, Ann joins Dante in yet another risky exorcism deep in the catacombs beneath St. Michael’s, where Natalie is being confined. Amidst breathless tension, Natalie breaks free and goes on a rampage, killing several priests, including Father Raymond. In a climactic confrontation, Ann convinces the demon to abandon Natalie, choosing to possess her instead.
Now engulfed in darkness, Ann hunts Natalie within the shadows of the catacombs. As she turns her fury on Dante and almost succumbs to the demon’s control, the fight takes a dramatic turn. While battling her overwhelming inner demons, she stumbles upon a holy water fountain. The sacred water ultimately purges the evil presence from her, leading to Ann’s rescue and a heartfelt reunion with Natalie and Dante.
Though recovering in a hospital, Ann bid farewell to Natalie as she reunites with her adoptive mother. The harrowing events earn Ann a scholarship to study at the Vatican, and as she prepares to depart, Father Quinn reminds her of her valor in confronting the devil.
As Ann travels by cab to the airport, she catches the eye of a mysterious woman in the street, only to discover that the cab driver has vanished, having been replaced by a sinister figure beside her. Armed with her crucifix and prepared for yet another battle, Ann braces herself as the film comes to a chilling conclusion.
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