
Set in the turbulent 1960s, a white divorcée marries an African‑American man, only to have her ex‑husband sue for custody of their daughter, claiming a mixed‑race home is unsuitable. The husband battles in court to protect his parental rights, confronting a judge whose attitudes reflect the era’s racial prejudice that pervades society.
Does One Potato, Two Potato have end credit scenes?
No!
One Potato, Two Potato does not have end credit scenes. You can leave when the credits roll.
See current US streaming, rental, and purchase options for One Potato, Two Potato (1964) via JustWatch.
Explore the complete cast of One Potato, Two Potato, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Harry Bellaver
Judge Warren Powell

Barbara Barrie
Julie Cullen Richards

Richard Mulligan
Joe Cullen

Bernie Hamilton
Frank Richards

Robert Earl Jones
William Richards

Michael Shane
Jordan Hollis

Anthony Spinelli
Johnny Hruska

Vinnette Carroll
Martha Richards

Marti Mericka
Ellen Mary Cullen

Faith Burwell
Ann Hruska

Jack Stamberger
Minister
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Challenge your knowledge of One Potato, Two Potato with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Which actress portrays Julie Cullen?
Read the complete plot summary of One Potato, Two Potato, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Julie Cullen Barbara Barrie is a young divorced mother who has been on her own for four years since her husband abandoned them, leaving Ellen Marti Mericka a year old at the time. At work, she meets Frank Richards Bernie Hamilton, and their friendship grows into a sincere romance.
Their relationship faces racial prejudices from many around them, including Frank’s parents, William Richards Robert Earl Jones and Martha Richards Vinnette Carroll, who oppose the pairing. Yet the couple remains determined to build a life together, despite the social pressures pressing in from every side.
The couple’s commitment leads to marriage, and Julie Cullen Barbara Barrie and Frank Richards Bernie Hamilton marry. Afterward, Julie and Ellen move in with Frank and his parents, joining a household that will require adjustment, patience, and a willingness to see past inherited prejudices. Ellen’s arrival immediately softens Martha’s heart, but William remains cool toward Julie, holding fast to his reservations about mixing their families.
William’s stance changes only when Frank and Julie have a son, a moment that begins to soften long-held beliefs. When William first holds his new grandson, he loses any remaining animosity, and the once-tense household gradually settles into a warmer, more hopeful rhythm for everyone.
Julie’s ex-husband, Joe Cullen Richard Mulligan, returns, seeking a visitation arrangement for Ellen. He discovers that the family is Black, and he petitions the court for custody, a challenge that casts a shadow over the household. Frank’s lawyer warns that Joe is likely to win, and William urges a drastic option—flee the state to avoid a ruinous outcome. But Frank chooses to stay and fight, determined to defend the life he and Julie have built together.
Julie directly confronts Joe, but his reaction is volatile; he grows angry and even briefly attempts to force himself on Julie. Frank, unable to intervene in the most direct way without jeopardizing their case, feels the sting of his own limitations in protecting his wife within the legal system they face.
The judge, Judge Warren Powell Harry Bellaver, looks deeply into Ellen’s family situation, including interviewing her directly. Ellen speaks of her love for Frank and seems largely unaware of the harsher racial realities at play. The judge recognizes that, on every practical count, the Richards home offers a loving environment for Ellen, yet he cannot ignore the societal prejudice that shadows her future. While he does not condone racism, he must weigh Ellen’s best interests within a prejudiced world, and ultimately he grants Joe’s petition for custody.
When Joe arrives to pick up Ellen, she is initially thrilled at the prospect of a short visit, but the reality sinks in that she is being taken to live with him permanently, leaving her brother behind. Ellen clings to her mother and cries out from the taxi window, pleading to be allowed to stay, a heart-wrenching moment that closes this chapter of the family’s struggle with pride, prejudice, and the enduring pull of family bonds.

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