Oklahoma Blues 1948

Rainbow’s End becomes the center of a tense tug-of-war between politics, crime, and justice after State Commissioner Walton [J.C. Lytton] tells Sheriff Sam Oldring [Steve Clark] that the town could be the new county seat. The announcement comes just as a brutal stagecoach holdup by four gunmen shatters the quiet ride, leaving Oldring wounded by a slug and the passengers shaken. When the stage finally rolls into Rainbow’s End, Walton confronts Judge Emerson [Frank LaRue] and explains that the town’s recent wave of lawlessness—coupled with the stage attack—casts doubt on its fit for the county seat, even though the locals have raised more than $40,000 to fund a courthouse.

Recognizing the town’s fragile morale, Cannonball [Dub Taylor]—a quick-witted comic-hero type—takes it upon himself to rally the townspeople. He announces the arrival of a notorious outlaw who could reshape the town’s reputation: The Melody Kid [Jimmy Wakely], a name that rings with danger but is, in truth, a front. The Melody Kid is actually Cannonball’s friend Jimmy Wakely, a principled cowboy who has agreed to pose as an outlaw to boost Rainbow’s End’s standing. The plan hinges on appearances and publicity, a risky gambit that could either crank up the town’s pride or deepen its peril.

Jimmy’s first frontier of action arrives in a restaurant where he tangles with Slip Drago [George J. Lewis], a gunman tied to Beasley [I. Stanford Jolley], the town’s undertaker who secretly leads the gang. Judy Joyce [Virginia Belmont], who runs the local business and provides a sense of home to many, witnesses Jimmy’s rough encounter, and soon Jimmy visits his old ally Oldring. Oldring, who’s frail with illness and considering leaving Rainbow’s End, wants to see the town restored but fears the gang’s reach might force him out altogether. Beasley, meanwhile, schemes behind the scenes of court and law, hoping to push his own land grab at Yuba Junction into the county-seat race.

After Slip reports his brush with The Melody Kid, Beasley’s gang closes in on Jimmy. Cannonball and Oldring intervene, driving the attackers away and even killing two of them. Walton, watching the town struggle to regain its footing, puts forward a plan to hire The Melody Kid to bring some order to Rainbow’s End. Jimmy agrees to take the job—at least until Oldring recovers—while he makes a point about Judy’s business, admiring the simple comfort of “home cooking” and resisting pressure to abandon the town.

As the plot thickens, Jimmy is about to ferry the town funds to Capital City to hand them over to the commissioner when Beasley stages a trap, using a phony sheriff to arrest him on phony charges of murder and robbery. Jimmy escapes with the help of Cannonball, and in a bold move, determines to seize control of the situation. He takes the money at gunpoint from Beasley and Emerson just before Slip Drago and Matt Drago [Zon Murray] ride in to stage a new holdup. The Dragos push hard to force Jimmy into revealing where the cash is hidden, and the tension escalates into a full-blown confrontation.

The truth begins to surface: Oldring informs Emerson and Beasley that Cannonball created The Melody Kid as a covert plan to infiltrate the gang, and that Jimmy may have already diverted the cash away from the targets. Emerson tries to verify this with Walton, only to learn that the money has not yet reached its destination. With the Dragos pressing Jimmy to talk, the danger spikes as the gang closes in.

In a decisive sequence, Cannonball and Oldring trail the fake sheriff to the hiding place where Jimmy is being held. A tense shootout erupts, and the duo rescues Jimmy while capturing Beasley and his gang, bringing a measure of justice to Rainbow’s End. With the immediate threat neutralized, Jimmy sets out to deliver the funds, but not before a quiet, shared decision emerges: he and Cannonball will resume their wandering ways, their alliance proven and the town left to decide its own fate.

Ultimately, Rainbow’s End is a place of contrasts—the stubborn hope of a community, the calculated schemes of those who stand to gain from power, and the fragile line between vigilantism and law. The tale moves with a brisk tempo, balancing moments of humor, tension, and grit as its ensemble navigates a landscape where reputation, loyalty, and money can tilt the scales in an instant. In the end, the film leaves open the possibility of renewal for Rainbow’s End, even as its principal players drift back toward the horizon, each carrying the weight of what they’ve learned about trust, courage, and the price of truth.

“home cooking.”