
During the elimination of the Belgian/French border in the 90s, a Belgian customs officer is forced to team up with one of his French counterparts.
Does Nothing to Declare have end credit scenes?
No!
Nothing to Declare does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Nothing to Declare, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Dany Boon
Mathias Ducatel

Benoît Poelvoorde
Ruben Vandevoorde

François Damiens
Jacques Janus

Olivier Gourmet
Priest of Chimay

Karin Viard
Irène Janus

Bouli Lanners
Bruno Vanuxem

Bruno Lochet
Tiburce

Laurent Capelluto
'La Balle'

Christophe Rossignon
English driver

Jean-Luc Couchard
Vanuxem's brother

Guy Lecluyse
Grégory Brioul

Éric Godon
Chef Willems

Philippe Magnan
Chief of police Mercier

Patrick Vo
Asian heating technician

Alexandre Carrière
Waiter at the restaurant in Brussels

Joachim Ledeganck
Leopold Vandevoorde

Christel Pedrinelli
Olivia Vandevoorde

Julie Bernard
Louise Vandevoorde

Jean-Paul Dermont
Father Vandevoorde

Zinedine Soualem
Lucas Pozzi

Nadège Beausson-Diagne
Nadia Bakari

Laurent Gamelon
Duval

Sylviane Aliet
No Man's Land client

Bruno Moynot
Real estate agent

Laurent Sobry
Commissioner

David Coudyser
Driver on the country road

Jérôme Commandeur
French driver (in his underwear)

Nicolas Guy
Truck driver

Jérôme Seydoux
Restaurant client

Roland Lévy
Restaurant client

Sophie Seydoux
Restaurant client

Corinne Lévy
Restaurant client

Jean-Claude Lagniez
Ferrari driver
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Read the complete plot summary of Nothing to Declare, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
On 1 January 1993, two customs officers, Ruben Vandevoorde and Mathias Ducatel, face the closure of their small post in the middle of a quiet border village, known as Courquain in French and Koorkin in Belgian. Ruben is introduced as a hereditary Francophobe, while Mathias is the first French volunteer to join the Franco-Belgian mobile squad, a move driven in part by his love for Ruben’s sister, Louise Vandevoorde. This romance complicates the dynamic within families and at the checkpoint, even as the duo become unlikely partners in a tense, sometimes comic, cross-border order.
Parallel to the police work, Jacques Janus and Irène Janus are hired by a drug trafficker named Duval to relay information about the squad’s checkpoints, a plan meant to raise money for the restaurant No Man’s Land during the transition to the Schengen Agreement. The scheme, however, is thwarted when Tiburce, Duval’s accomplice, bungles his escape and ends up in jail, complicating everyone’s plans. Tiburce’s misstep underscores the broader fragility of the operation and the absurdities that bubble up in the border town.
As the two officers pursue Duval, a bond forms between them. The priest of Chimay, Priest of Chimay, warns Ruben that his deep-seated animosity toward the French could seal his fate in hell, a message that initially pushes Ruben toward a wary loyalty to his partner. Yet the friendship deepens as Ducatel proves himself, even as Ruben discovers that Ducatel has been quietly seeing Louise for a year. The revelation tests the limits of loyalty and family, and when Ruben confronts Ducatel with a gun, Louise intervenes, choosing love over fear and opening a fragile path to reconciliation.
In the end, Ruben accepts the relationship, but the shadow of xenophobia remains, leaving audiences with an unresolved question about whether Father Vandevoorde, Father Vandevoorde, will ever truly approve of the union. The film blends warmth and friction—border tensions, familial loyalties, and the awkward humor of everyday encounters in a village where customs and borders blur. It is a story of love challenged by prejudice, the persistence of friendship in unlikely places, and the way small communities navigate shifting political landscapes while clinging to their own sense of belonging.

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