
After a daring escape from the police, former war hero‑turned‑criminal George Martin discovers he is handcuffed to the clueless young thief Willie Stannard. Using a clever ruse to secure railway tickets, they race against relentless police and a prowling press, forcing George to devise a way to free himself from Willie and complete his flight.
Does My Brother’s Keeper have end credit scenes?
No!
My Brother’s Keeper does not have end credit scenes. You can leave when the credits roll.
See current US streaming, rental, and purchase options for My Brother’s Keeper (1948) via JustWatch.
Explore the complete cast of My Brother’s Keeper, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Jack Warner
George Martin

Bill Owen
Syd Evans

John Boxer
Bert Foreman

Valentine Dyall
Inspector

David Tomlinson
Ronnie Waring

George Cole
Willie Stannard

Maurice Denham
Trent

Arthur Hambling
Hodges

Edie Martin
Churchgoer Shaking Hands

Jack Raine
Chief Constable

George Merritt
Constable

Brenda Bruce
Winnie Foreman

Wilfrid Hyde-White
Harding

Susan Shaw
Beryl

Garry Marsh
Brewster

Raymond Lovell
Bill Wainwright

Cyril Chamberlain
Archer

Beatrice Varley
Mrs. Martin

Frederick Piper
Camp Caretaker

Hal Osmond
Ticket Clerk at Shorebury

Amy Veness
Mrs. Gully

Arthur Mullard
Policeman in Manhunt

Fred Groves
Landlord

Jane Hylton
Nora Lawrence

Grace Denbigh Russell
2nd Housewife

Yvonne Owen
Meg Waring
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Read the complete plot summary of My Brother’s Keeper, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Handcuffed together, George Martin and Willie Stannard are two prisoners being transported to prison. Martin is a hardened, cynical career criminal, while Stannard is a naïve, relatively dull-witted youth who has never before gotten into trouble and is terrified by the idea of prison. He stubbornly proclaims his innocence regarding the rape he’s accused of, and the duo’s uneasy bond forms as the journey unfolds.
During the trip, a chance to escape presents itself. Martin, quick and calculating, steals an army corporal’s uniform and passes Stannard off as a deserter, a ruse that makes their return seem to be to a military tribunal rather than a civilian prison. This swap explains why they are still handcuffed together as they flee.
Their escape route leads toward a garage run by his mistress Nora Lawrence, Jane Hylton, where the pair find overnight shelter. The next day they slip away to a derelict, isolated cottage, still bound by the handcuffs as they try to separate them. In the quiet of the ruin, a hunter with a shotgun stumbles upon them, forcing a confrontation. Martin knocks the man unconscious and kills him, a brutal turn that shadows the path ahead.
Moments later, the handcuffs come free, and Martin abandons Stannard, slipping off to vanish on his own. Stannard, crushed and terrified, surrenders to the authorities and is promptly charged with murder, leaving him to face the consequences of the chaotic escape.
Back in London, Martin’s wife—Beatrice Varley as Mrs. Martin—is drawn into the perilous game. She arranges a way to send money and clothes to him, coordinating a taxi ride to the hiding place and leaving the items at a barber’s shop for pickup. But just as her plan unfolds, the police close in, cornering Martin with the net tightening around him.
Rather than surrender, Martin makes one final, doomed bid for freedom. He tries to reach safety through a warning-sign minefield, a perilous stretch watched by a chorus of onlookers—police, reporters, his wife, and a crowd of sensational spectators—whose presence amplifies the tension of his last, desperate gambit.

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