Monsoon Mangoes 2016

In a sleepy suburb of New Orleans, D.P. ‘Daveed’ Pallikkal, Fahadh Faasil, is an ambitious filmmaker in his early 30s who dreams of directing his own feature. He aims to bring to life a film named Monsoon Mangoes after producing a string of unsuccessful short projects, determined to prove his vision to the world.

To realize this dream, he enlists an old Bollywood actor who once enjoyed stardom but now struggles to make ends meet. The collaboration is fueled by a longing to create something monumental, a project that could stand alongside the great art-house efforts of cinema. Yet his efforts to fashion a The Seventh Seal-style masterpiece stumble, leaving Daveed with the sense that his bold artistic gamble may fail to connect with audiences the way he hopes.

Not deterred, he steps back and returns to a regular job, but the pull of storytelling remains strong. This time, Daveed explores a different approach: re-editing the film by weaving in clippings from the lead actor’s personal items and drawing from the actor’s own life experiences and stories to anchor the project. He centers his work around a clip he recorded before the actor’s death, using it as the centerpiece and blending it with material from the original production to refract the actor’s life through Daveed’s cinematic lens.

The centerpiece clip carries a monologue that frames the film’s philosophy, a guiding insight that Daveed hopes will anchor the audience’s understanding of cinema and life. > Cinema is not above a life and there are three types of people. Firstly, those who consider having a job and family is everything. Secondly, those find what they do is not enough and expands their horizons and makes contributions to the society and thirdly there are people who tries to expand their horizons and fail but pursue them and fall in the journey before reaching the destination.

With a public screening organized, the film finally reaches an audience beyond Daveed’s inner circle. A large crowd gathers, appreciating the work and the ideas it puts forth, and the experience brings a sense of validation. In witnessing the reception of his project, Daveed experiences a renewed sense of happiness and fulfillment, recognizing that his dream has found a way to exist in the real world, even if not in the exact form he first imagined. The journey, with its ambitions, setbacks, and creative risks, ultimately becomes the story he wanted to tell about cinema, life, and the pursuit of art.