
A man grapples with his identity as his mother and close friends try to define it for him. The film follows Guillaume’s humorous and poignant journey, beginning when he was just eight years old. He navigates the expectations placed upon him, initially portraying a young girl, then embracing a homosexual identity. At age thirty, he encounters a woman who changes his life, leading to a story of self-discovery and an exploration of love and relationships.
Does Me, Myself and Mum have end credit scenes?
No!
Me, Myself and Mum does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Me, Myself and Mum, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

André Marcon
Le Père

Diane Kruger
Ingeborg

Reda Kateb
Karim

Françoise Fabian
Babou

Yves Jacques
Le psychanalyste tuyau

Charlie Anson
Jérémy

Xavier Lemaître
Marc

Guillaume Gallienne
Guillaume

Nanou Garcia
Paqui

Clémence Thioly
Amandine

Götz Otto
Raymund

Françoise Lépine
Guillaume's mother (réplique, théâtre)

Brigitte Catillon
Tante d'Amérique

Carole Brenner
Tante Polyglote

Jonathan Louis
Appelé militaire (uncredited)

Benjamin Gauthier
Guillaume (réplique)
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Challenge your knowledge of Me, Myself and Mum with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
What is the nationality of the woman who teaches Guillaume to dance sevillanas?
Read the complete plot summary of Me, Myself and Mum, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
In a theatre, Guillaume recounts his life as a youth, tracing a path that begins with a mother who casually dismisses his more effeminate moments. As a young boy, he is drawn to ways of being that don’t always fit the expectations around him, and when he asks to learn Spanish, his mother sends him to La Línea de la Concepción. There, he stays with Paqui, a Spanish woman who cannot speak French, and the two struggle to find common ground. Despite the language barrier, Paqui offers a bridge between cultures by introducing him to the dance of sevillanas. He grows proficient and performs at a local festival, only to face laughter from the crowd that leaves him puzzled about why he is the butt of the joke. He musters the courage to ask a woman named Pilar to dance with him, but she politely refuses, explaining that his dancing resembles that of a girl. He asks whether she thinks he looks like a girl, and when she agrees, he privately clings to the notion that his mother would be delighted by such a reflection.
Fascinated by his mother, Guillaume imitates her voice for the family cook and for Babou, his grandmother. The impersonations reveal a longing for acceptance and a desire to belong, but his father remains uneasy with his son’s behavior. After catching him pretending to be Sissi, the father sends him away to an all-boys boarding school, a place where taunts and strict codes of masculinity confront him daily. Unable to withstand the constant jeers, Guillaume sends a plea to his father seeking understanding. A psychiatric assessment follows, and the family decides to transfer him to an English boarding school, hoping the new environment might offer a fresh start.
At the English school, Guillaume discovers a place where his personality is not the sole measure of his worth, and he begins to experience a sense of relief. He develops a tender attraction to a schoolmate, Jérémy, but heartbreak soon follows when he learns that Jérémy is intimate with a girl. His mother offers comfort, yet she accidentally reveals that he is homosexual, a realization Guillaume hadn’t fully acknowledged before. The revelation leads to a period of exemption from his national service as he navigates his fragile state.
A sequence of psychotherapy sessions follows, guiding Guillaume toward self-understanding while never shying away from discomfort. He travels to a Bavarian spa to seek relief, where a strenuous sports massage from Raymund and an unexpected colonic from Ingeborg set the stage for a deeper exploration of his sexuality. An aunt offers guidance, nudging him toward testing boundaries as a way to map his desires, even as he remains unsure about what sex and affection truly mean for him.
In his early attempts to explore intimacy, Guillaume goes to a nightclub and encounters a man named Karim. At Karim’s flat, he discovers two other men waiting for a group encounter, and Guillaume’s nerves push him to escape when Karim realizes he is not Arab. A second attempt brings another encounter with a different man who is well-endowed, triggering Guillaume’s panic and withdrawal from the moment.
Love arrives later in a more intimate setting when he meets Amandine at a friend’s dinner party, and the two quickly fall into a sincere connection that leads to engagement. When Guillaume broaches the topic with his mother, she questions his sexuality, and he comes to understand that her concerns stem from fear—fear of losing him to a woman and fear of disrupting the familiar patterns of their life together.

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