Maudie 2017

Maud Dowley Sally Hawkins lives with her Aunt Ida and brother Charles in the small town of Marshalltown, Nova Scotia, during the 1930s, where her severe arthritis shapes every step she takes. She watches as Charles sells the family home — a move that unsettles her sense of security and draws a clear line between the past their parents left and the present they’re trying to build. Ida’s sharp voice needles at Maud, insisting she shouldn’t be spending nights at the local nightclub, a friction that hints at the rigid expectations of the community and the fragility of Maud’s hopes.

When Maud answers a store ad from Everett Lewis, a rough, inarticulate fish peddler, for a cleaning lady, she enters a new arrangement that exchanges room and board for labor in a tiny, crowded house. The town seethes with gossip about their shared bed, accusing Maud of offering more than cleaning services, a rumor that casts a long shadow over her choices. Yet in the cramped space, Maud discovers a new outlet for her voice: she begins painting on a shelf, then on the walls, turning the modest shack into a bright, living gallery of flowers and birds that reflects her inner resilience and a stubborn beauty against hardship.

Maud’s gift draws attention beyond their doorstep. A customer named Sandra from New York City buys Maud’s decorative cards and later commissions a larger painting for five dollars, signaling the start of a broader audience for Maud’s art. The growing exposure convinces Maud to push Everett toward marriage, and soon their home becomes a studio and a storefront, with her paintings attracting more notice and even fleeting coverage on television.

The media spotlight, while thrilling, disturbs Everett, who fears the way viewers might judge him as cold or cruel. Amid this turbulence, Ida falls gravely ill and longs to see Maud one last time. In a quiet, painful revelation, Ida tells Maud that she is the one Dowley who found happiness and confesses that Maud’s baby did not die — Charles had given the child up to a family for money. The truth devastates Maud, and Everett begins to doubt the path they’re on, feeling that their bond has brought nothing but heartache. The couple drifts apart, their relationship strained by secrets and the weight of public scrutiny.

Eventually, Maud and Everett attempt to rebuild what they have, but the road is not simple. Everett takes Maud to the home of the adoptive family, and from a distance Maud sees her daughter as an adult for the first time, a poignant, aching moment that confirms the long arc of hope she’s carried with her. Yet Maud’s health continues to fail, and she dies in a hospital, comforted by the memory of being loved and the love she found along the way.